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Discusses the history of the first mill in the United States to use machines to turn raw cotton into finished cloth, the women who worked in the mill, and how the innovations in the textile industry brought on the Industrial Revolution.
A captivating story of love, family and survival, from a beloved author who 'tells a cracking story...an insight into people that is rarely found' (Nottingham Evening Post) Life is tough on the cobbled backstreet courtyards of Abbey Street, Warwickshire, in the 1840s: boys are destined for the pit and girls for the mill. Despite this, clever, feisty Maryann is happy there - until her mother dies. Her family collapses, leaving Maryann coping with everything, exhausted and lonely. Especially as Toby, the boy she is set on marrying, insists they wait. When things are at their bleakest, Maryann is offered a lifeline: a position as nanny to the daughter of the mill owner, Wesley Marshall. Though the house is filled with secrets and heartache, there is kindness, too, and to Maryann's surprise she grows close to Marshall. But their relationship has not gone unnoticed and it threatens to unleash a world of problems on them all . . . 'A gifted writer. Tells a cracking story and does so with an insight into people that is rarely found' -Nottingham Evening Post
True stories of love, laughter and loss from inside Lancashire's cotton mills. With tales from reluctant Audrey and mischievous Maureen to high-spirited Doris and dedicated Marjorie, The Mill Girls is an evocative story of hardship and friendship when cotton was still king. Through the eyes of four northern mill girls, we are offered a fascinating glimpse into the lives of ordinary women who rallied together, nattered over the beamers and, despite the hard working conditions, weaved, packed and laughed to keep the cotton mills spinning. The Mill Girls is a moving story of an era long gone and provides a captivating insight into a lost way of life.
Joining the other lintheads at the local cotton mill, Selena 'Sippy' Wright gave up the world of a child and took on the responsibility of a woman as her family joined the emerging middle class on the landscape of the nation's fledgling economy. Facing the harsh realities of America's Industrial Revolution, Sippy learns to find her joy through the love of her friends and family, and eventually though the art of poetry. Join author Flora Ann Scearce as she shares her own mother's story, a story of life and learning, but more importantly a story of love and finding one's self during a time when the only thing constant in the world was change.
'Real sagas with female characters right at the heart' Jane Garvey, Woman's Hour 'Heart-warming, emotional and simply wonderful . . . If you think family sagas aren't for you, you've never read Glenda Young's books - pick one up today and you'll be converted' 5 * reader review If you love Dilly Court and Rosie Goodwin, you'll LOVE Glenda Young's 'amazing novels!' (ITV's This Morning presenter Sharon Marshall) 'A super saga with a sparky heroine' People's Friend 'Definitely an author not to be missed when it comes to family sagas' The Book Magnet 'Writes superb historical fiction that bring the era alive. Her books are unbeatable and unputdownable' Ginger Book Geek 'The perfectly imperfect, human nature of Glenda Young's characters are what keeps her readership hooked' Clyde's Corner 'Gritty, compelling and full of heart . . . an exceptional saga' Bookish Jottings .......................................................................................... 'She's just a paper mill girl.' Seventeen-year-old Ruth Hardy works long hours at Grange Paper Works, with her younger sister Bea, and spends her free time caring for their ailing parents. Their meagre income barely covers their needs, so when Bea reveals that she is pregnant out of wedlock, Ruth knows even tougher times are ahead. Ruth's hard work at the mill does not go unnoticed and it looks as though luck might turn when she's promoted. But when the arrival of Bea's baby girl ends in tragedy, Ruth is left with no choice but to bring up her niece herself. However, news of Ruth's plan brings a threatening menace close. Although Ruth's friendship with the girls at the mill, and the company of charming railway man, Mick Carson, sustain her, ultimately Ruth bears the responsibility for keeping her family safe. Will she ever find happiness of her own? .......................................................................................... Look out for all of Glenda's compelling sagas - Belle of the Back Streets, The Tuppenny Child, Pearl of Pit Lane, The Girl with the Scarlet Ribbon, The Paper Mill Girl and The Miner's Lass - out now! Plus, Glenda has launched a brand-new cosy-crime mystery series - don't miss Murder at the Seaview Hotel - out now! What readers are saying about Glenda's heartwrenching sagas: 'Better than a Catherine Cookson' 5* reader review 'Wonderful read, full of rich characters, evocative description and a touch of romance' 5* reader review 'Just wanted it to go on forever and read more about the characters and their lives' 5* reader review 'In the world of historical saga writers, there's a brand new voice' My Weekly
A ten-year-old bobbin girl working in a textile mill in Lowell, Massachusetts, in the 1830s, must make a difficult decision--will she participate in the first workers' strike in Lowell?
In spring 1842 Eliza is shocked when she is sent to work in the Manchester cotton mills - the noisy, suffocating mills. The work is backbreaking and dangerous - and when she sees her friends' lives wrecked by poverty, sickness and unrest, Eliza realizes she must fight to escape the fate of a mill girl...
Saturday 21st May 1842 Something terrible has happened. I can scarcely bring myself to write the words. I Am to Start at the Mill On Monday. "You said never," I cried to Mother. Her face was white. "Oh Eliza," she said. "I'm so sorry. If there was anything I could have done..." "Where am I to work?" I demanded. The room was so quiet that I could hear myself breathe. "In the carding room. Sickness. They need more hands." I wasn't Eliza any more, just a pair of hands. Factory hands.
Life is tough on the cobbled backstreet courtyards of Abbey Street, Warwickshire, in the 1840s: boys are destined for the pit and girls for the mill. Despite this, clever, feisty Maryann is happy there - until her mother dies. Her family collapses, leaving Maryann coping with everything, exhausted and lonely.