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Welcome to "The Migration: Of Art Between History & Geography," a book that explores the fascinating concept of the migration of arts throughout history and geography. In this book, we will embark on a journey that explores how art has traveled through time and space, from one region to another, transforming and adapting as it migrates. We will examine the cultural, social, and political influences that shape the migration of art and how it impacts the way we see and experience the world today. This book aims to introduce the concept of art migration to our modern-day society and highlight the importance of understanding this process. As we live in a world that is increasingly globalized and interconnected, the migration of art is becoming more prevalent than ever before. In this context, it is crucial to understand how art has traveled across the world, the ways in which it has been transformed, and how it has impacted different cultures and societies. Through our exploration, we will delve into the migration of various forms of art, including painting, sculpture, literature, music, dance, photography and digital design. We will examine the factors that have driven the migration of art, such as trade, conquest, migration of people, and the spread of ideas and religion. We will also examine how the migration of art has led to the emergence of new art forms, and how it has influenced the development of different cultures throughout history. This book is designed to appeal to anyone interested in art, history, or geography, and it will challenge you to think critically about how art has migrated and continues to migrate throughout the world. It is our hope that by reading this book, you will gain a deeper appreciation for the richness and diversity of art across cultures and time periods, and understand how it has helped to shape our world today.
Welcome to "The Migration: Of Art Between History & Geography," a book that explores the fascinating concept of the migration of arts throughout history and geography. In this book, we will embark on a journey that explores how art has traveled through time and space, from one region to another, transforming and adapting as it migrates. We will examine the cultural, social, and political influences that shape the migration of art and how it impacts the way we see and experience the world today. This book aims to introduce the concept of art migration to our modern-day society and highlight the importance of understanding this process. As we live in a world that is increasingly globalized and interconnected, the migration of art is becoming more prevalent than ever before. In this context, it is crucial to understand how art has traveled across the world, the ways in which it has been transformed, and how it has impacted different cultures and societies. Through our exploration, we will delve into the migration of various forms of art, including painting, sculpture, literature, music, dance, photography and digital design. We will examine the factors that have driven the migration of art, such as trade, conquest, migration of people, and the spread of ideas and religion. We will also examine how the migration of art has led to the emergence of new art forms, and how it has influenced the development of different cultures throughout history. This book is designed to appeal to anyone interested in art, history, or geography, and it will challenge you to think critically about how art has migrated and continues to migrate throughout the world. It is our hope that by reading this book, you will gain a deeper appreciation for the richness and diversity of art across cultures and time periods, and understand how it has helped to shape our world today.
A book of art projects from around the world used to teach geography to primary, intermediate, and secondary students.
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art.
This study discusses how an immense diversity of ethnic and religious groups became sorted into a set of distinct regional societies in North America.
In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globalization and the ways their works connect viewers to the lived experiences of political and economic crisis. Demos investigates the cinematic approaches Steve McQueen, the Otolith Group, and Hito Steyerl employ to blur the real and imaginary in their films confronting geopolitical conflicts between North and South. He analyzes how Emily Jacir and Ahlam Shibli use blurs, lacuna, and blind spots in their photographs, performances, and conceptual strategies to directly address the dire circumstances of dislocated Palestinian people. He discusses the disparate interventions of Walid Raad in Lebanon, Ursula Biemann in North Africa, and Ayreen Anastas and Rene Gabri in the United States, and traces how their works offer images of conflict as much as a conflict of images. Throughout Demos shows the ways these artists creatively propose new possibilities for a politics of equality, social justice, and historical consciousness from within the aesthetic domain.
Historical geography is an active, theoretically-informed and vibrant field of scholarly work within modern geography, with strong and constantly evolving connections with disciplines across the humanities and social sciences. Across two volumes, The SAGE Handbook of Historical Geography provides you with an an international and cross-disciplinary overview of the field, presenting chapters that examine the history, present condition and future potential of the discipline in relation to recent developments and research.
Exploring the breadth and complexities of history as a field of study, History in Practice demystifies what historians actually do and the tasks they take on. This study, written by one of the most acute practitioners in the field, examines not only the academic discipline but also engages with the use of historical ideas in the wider world. The new edition features: - A new chapter on history in the digital age, covering the use of information technology in historical practice - Extended coverage of the relationships between history and other disciplines - Fresh material on current trends in the practice of history - Over 35 new illustrations spread throughout the book drawn from around the world This book is essential reading for all students seeking an understanding of history as a discipline.
For many, a map is nothing more than a tool used to determine the location or distribution of something—a country, a city, or a natural resource. But maps reveal much more: to really read a map means to examine what it shows and what it doesn’t, and to ask who made it, why, and for whom. The contributors to this new volume ask these sorts of questions about maps of Latin America, and in doing so illuminate the ways cartography has helped to shape this region from the Rio Grande to Patagonia. In Mapping Latin America,Jordana Dym and Karl Offen bring together scholars from a wide range of disciplines to examine and interpret more than five centuries of Latin American maps.Individual chapters take on maps of every size and scale and from a wide variety of mapmakers—from the hand-drawn maps of Native Americans, to those by famed explorers such as Alexander von Humboldt, to those produced in today’s newspapers and magazines for the general public. The maps collected here, and the interpretations that accompany them, provide an excellent source to help readers better understand how Latin American countries, regions, provinces, and municipalities came to be defined, measured, organized, occupied, settled, disputed, and understood—that is, how they came to have specific meanings to specific people at specific moments in time. The first book to deal with the broad sweep of mapping activities across Latin America, this lavishly illustrated volume will be required reading for students and scholars of geography and Latin American history, and anyone interested in understanding the significance of maps in human cultures and societies.