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When her mother announces a holiday vacation to Thailand, Tara isn't thrilled. She'd rather stay home with her friends, but Mom is determined they use the girls' trip to explore their Thai heritage. Tara is reluctant to travel so far from home, especially to a country she doesn't feel connected to. But then disaster strikes. The day after Christmas, a massive tsunami sweeps through Phuket, Thailand. Tara's resort vacation suddenly becomes a fight to survive - and find her mother in the wreckage.
180 Days of Writing is an easy-to-use resource that provides fifth-grade students with practice in writing argument/opinion, informative/explanatory, and narratives pieces while also strengthening their language and grammar skills. Centered on high-interest themes, each two-week unit is aligned to one writing standard. Students interact with mentor texts during the first week and then apply their learning the next week by practicing the steps of the writing process: prewriting, drafting, revising, editing, and publishing. Daily practice pages make activities easy to prepare and implement as part of a classroom morning routine, at the beginning of each writing lesson, or as homework. Genre-specific rubrics and data-analysis tools provide authentic assessments that help teachers differentiate instruction. Develop enthusiastic and efficient writers through these standards-based activities correlated to College and Career Readiness and other state standards.
This diary of the late Ms. Gertrude Kabatalemwa, from Uganda East Africa, chronicles her experiences in faith with God on a spiritual journey that led her from working in the office of the President to building schools and training leaders for the underserved in her native village. The late Gertrude Kabatalemwa labored for the kingdom of God in her native land of Uganda. The burden of her heart was for the good news of Jesus to become deeply rooted, firmly grounded, and abundantly fruitful in the lives of the people of Uganda. In the past, she has served her nation as secretary to the president. She also functioned as Minister for the Development of Women.
As the story moves into the last book of the trilogy, we know that Chaldee’s kingdom has been destroyed, meaning she must seek a new homeland, but the search seems fruitless until, with the help of her Earthling friends, the search leads them into the wonders of a secret city, hidden deep underground. Meanwhile, in Sydney Jake’s efforts to help Adele and her father end in tragedy forcing Jake and Ben to reach out to Chaldee. At the same time Chaldee’s enemy, the Commander, has been captured by an army unit and taken back to Sydney. Their intent is to use him to find Chaldee but he outwits them. Eventually, when the five Earthling friends are united, they are welcomed into the mystical city, and through the help of the masters of that city, Chaldee is offered a place of environmental perfection, thus they are led to the kingdom’s new home.
“Wilson’s Iliad is clear and brisk, its iambic pentameter a zone of enchantment.” —Ange Mlinko, London Review of Books The greatest literary landmark of antiquity masterfully rendered by the most celebrated translator of our time. When Emily Wilson’s translation of The Odyssey appeared in 2017—revealing the ancient poem in a contemporary idiom that was “fresh, unpretentious and lean” (Madeline Miller, Washington Post)—critics lauded it as “a revelation” (Susan Chira, New York Times) and “a cultural landmark” (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer’s other great epic—the most revered war poem of all time. The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world—the fierce beauty of nature and the gods’ grand schemes beyond the ken of mortals. In Wilson’s hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem’s deep pathos and reveals palpably real, even “complicated,” characters—both human and divine. The culmination of a decade of intense engagement with antiquity’s most surpassingly beautiful and emotionally complex poetry, Wilson’s Iliad now gives us a complete Homer for our generation.
Elizeum Striving is about human love, not necessarily the romantic kind. Specifically, it is of Gods love for the human, made in His image. That identity is purposefully changing. Were experiencing a shift of the medical paradigm away from our natural world. By the end of this century our species will hardly be recognizable. Only a trace similar to our ancestors, a dramatic alteration of our offspring is already calculable, for within ten years our progeny will be of a genetically modified species. Because of the rapid rise in technology and with the coalescence of medicine, science, and synthetic biology, during our lifetime everyone could become cyborgs. Enhanced humans will be robust and will have superior intellect, capable of creating wondrous inventions. Beholden to a cloaked emissary from deep space one who molds superheroes the new human will no longer need God because every person will become a god. Were permanently altering the species made in Gods image, from neural prosthetics to human and animal chimeras. Based on the model of logical extension in both medical possibilities and prophetic probabilities, an unrestrained revolution is upon us, producing hybrids of species while destruction of the human race escalates. Alastairs odyssey projects a complex field of ideas, leaping over the stereotypical genre. The result is unprecedented in its Christian speculative category with its cutting-edge scientific and medical effusion. Examine a societys soul and follow those seeking a profound, geographical afterlife.