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In retrospect, I wish I’d continued recording, for what I saw in that instant is difficult to describe, even now. Suffice it to say that it had a body like that of a manta ray—upon who’s tail the balloonist had been impaled—or a manta ray combined with a bat, albeit huge, and that it was covered with a kind of camouflage which reminded me of pictures I’d seen of Jupiter—just a roil of purples and pinks and browns. I suppose that was when it first hit me: the possibility that there might be a connection between this thing and the Jupiter 6 probe. That the probe might have brought something back, even if it had just been a sprinkling of microbes on its surface. And then there was an explosion somewhere above us, the concussion of which rocked our balloon, and we all looked up to see Gas Monkey—my God, it was like the sun!—on fire; and yet that wasn’t all we saw, for as it dropped it became evident that there were more of the bat/manta ray things attached, suckling it as it fell, crawling upon it like flies. Then it passed us like some kind of great meteor—its occupants shrieking and calling out—and was gone below, the heat of it still painting our faces, its awful smell, which was the smell of rotten eggs, filling our nostrils. And then we were just drifting, all of us crouched low in the basket … and the only sounds were those of Karen sobbing and my own pounding heart.
The New York Times bestselling sequel to Melissa Albert’s beloved The Hazel Wood! In The Night Country, Alice Proserpine dives back into a menacing, mesmerizing world of dark fairy tales and hidden doors of The Hazel Wood. Follow her and Ellery Finch as they learn The Hazel Wood was just the beginning, and that worlds die not with a whimper, but a bang. With Finch’s help, Alice escaped the Hinterland and her reclusive grandmother’s dark legacy. Now she and the rest of the dregs of the fairy tale world have washed up in New York City, where Alice is trying to make a new, unmagical life. But something is stalking the Hinterland’s survivors—and she suspects their deaths may have a darker purpose. Meanwhile, in the winking out world of the Hinterland, Finch seeks his own adventure, and—if he can find it—a way back home... Don’t miss Tales from the Hinterland, coming January 12, 2021!
Welcome to Melissa Albert's The Hazel Wood—the fiercely stunning New York Times bestseller everyone is raving about! Seventeen-year-old Alice and her mother have spent most of Alice’s life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: Her mother is stolen away—by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: “Stay away from the Hazel Wood.” Alice has long steered clear of her grandmother’s cultish fans. But now she has no choice but to ally with classmate Ellery Finch, a Hinterland superfan who may have his own reasons for wanting to help her. To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began—and where she might find out how her own story went so wrong. Don’t miss the bestselling sequel to The Hazel Wood, The Night Country or the illustrated collection of twelve fairy tales, Tales from the Hinterland!
'A gripping, beautifully written novel that I devoured in a day...as thrilling as it is fascinating' Hannah Kent, author of Burial Rites Sweden 1856. Blackasen Mountain: a distant place of rumour, superstition and now - murder. They say it was the Lapp who killed the three men. But something is not right. Ester knows it - but to help the settlers is to betray her people. Magnus feels it too. Sent by the Minister to survey the mountain, he cannot resist its mystery. And Lovisa: banished from the city by her father, travelling with her sister's husband, she is perhaps closest of them all to the wildness of the place. Three people, caught in the haunting light of the midnight sun.
One of Time Magazine’s Sixteen Best True Crime Books of All Time A crusading Mexican-American journalist searches for justice and hope in an increasingly violent Mexico In the last decade, more than 100,000 people have been killed or disappeared in the Mexican drug war, and drug trafficking there is a multibillion-dollar business. In a country where the powerful are rarely scrutinized, noted Mexican-American journalist Alfredo Corchado refuses to shrink from reporting on government corruption, murders in Juárez, or the ruthless drug cartels of Mexico. One night, Corchado received a tip that he could be the next target of the Zetas, a violent paramilitary group—and that he had twenty-four hours to find out if the threat was true. Midnight in Mexico is the story of one man’s quest to report the truth of his country—as he races to save his own life.
A powerful new memoir about growing up with a hard father in a hard land Atz Kilcher learned many vital skills while helping his parents carve a homestead out of the Alaskan wilderness: how to work hard, think on his feet, make do, invent, and use what was on hand to accomplish whatever task was in front of him. He also learned how to lie in order to please his often volatile father and put himself in harm’s way to protect his mother and younger, weaker members of the family. Much later in life, as Atz began to reflect on his upbringing, seek to understand his father, and heal his emotional scars, he discovered that the work of pioneering the frontier of the soul is an infinitely more difficult task than any of the back-breaking chores he performed on his family’s homestead. Learning to use new tools—honesty, vulnerability, forgiveness, acceptance—and building upon the good helped him heal and learn to embrace the value of resilience. This revised perspective has enabled him to tell an enhanced and more positive version of the legacy his father created and has him doing the most rewarding work of his life: mapping his own inner wilderness while drawing closer to his adult children, the next stewards of the land he helped his father carve out of the Alaskan frontier.
Experience an evocative combination of fantasy, history, and Jewish folklore in this lush and lyrical fairytale-inspired novel from the author of The Sisters of the Winter Wood. Deep in the Hungarian woods, the sacred magic of King Solomon lives on in his descendants. Gathering under the midnight stars, they perform small miracles and none are more gifted than the great Rabbi Isaac and his three daughters. Hannah, bookish and calm, can coax plants to grow even when the weather is bitterly cold. Sarah, defiant and strong, can control the impulsive nature of fire. And Levana, the fey one, can read the path of the stars to decipher their secrets. But darkness is creeping across Europe, threatening the lives of every Jewish person in every village. Each sister will have to make an impossible choice in an effort to survive—and change the fate of their family forever. Praise for The Light of the Midnight Stars: "Storytelling as spellcasting. Rossner has conjured something vivid and wild and true."—Kiran Millwood Hargrave, author of The Mercies "Rossner creates a lush, immersive world through which the sprawling plot meanders, punctuated by moments of intense grief. The result is as lovely as it is heartbreaking." —Publishers Weekly "Rossner's tale is as lyrical as the slow growth of roots, the quick dance of fire, and the stately procession of the stars. Blending folktale with history, hope with tragedy, its touch will linger on your heart long after you put it down."—Marie Brennan For more from Rena Rossner, check out The Sisters of the Winter Wood.
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
Reprint of the original, first published in 1881.