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This twelve-volume series for the general reader reproduces works of art representing the resources of all eighteen curatorial departments of the Museum.
This twelve-volume series for the general reader reproduces works of art representing the resources of all eighteen curatorial departments of the Museum.
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture
Included in this volume is a broad selection of the arts of these areas now housed in the Metropolitan Museum’s Michael C. Rockefeller Wing. From the Pacific appear the extraordinary memorial poles made by the Asmat People of Irian Jaya in western New Guinea. Other objects range from a New Ireland funerary carving to a Maori feather box from New Zealand, and important male figures from the Gambier and Easter Island in Polynesia. This is one of a series that covers practically all the world’s cultures from the earliest times to the present. In total, some 1500 objects drawn from every department of The Metropolitan Museum of Art are reproduced, most in full color and many with details and multiple views. -- Provided by publisher.
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.
"The imagery of Marquesan art is testament to the myriad beings and creatures who inhabited the Marquesan universe - gods, ancestors, humans, lizards, turtles, fish - and to the islands' complex social and political organization. These art forms are explored in the present volume, published in conjunction with the exhibition "Adorning the World: Art of the Marquesas Islands," held at The Metropolitan Museum of Art."--BOOK JACKET.