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There is much to see in Malta beyond the beach. With Bradt's "Malta" visitors will discover this island's history, archaeology and birds alongside eating and sleeping options of character and interest.
The open access publication of this book has been published with the support of the Swiss National Science Foundation. In Staging Holiness: The Case of Hospitaller Rhodes (ca. 1309-1522) Sofia Zoitou offers a study of the history of relic collections, devotional rituals, and sites invested with special meaning on Rhodes, during a time when the island became one of the most frequented ports of call for ships carrying pilgrims from Venice to the Holy Land. Scrutinizing late medieval travel reports by pilgrims from all over Europe along with extant historical, archaeological, visual, and material evidence, Sofia Zoitou traces the various forms of the Rhodian cultic sites’ evolution and perception, ultimately considered as an overall artistic strategy for the staging of the sacred.
The cathedral church is the mother church of all the churches of Malta. It is the seat of the archbishop of the whole diocese, from where he teaches, governs, and unites all the Catholics on the island. This cathedral bears the title of Metropolitan since the bishop of Malta was raised to the dignity of metropolitan archbishop and head of the ecclesiastical province of Malta and Gozo in 1944. Since Norman times, the cathedral has been the see of the bishop of Malta, although the bishops themselves did not always reside in Malta. The succession, since the coming of the knights of the Order of St John in 1530, has been regular. Baldassare Cagliares (1615-33) was the only Maltese native to become the bishop of Malta during the knights stay, but all bishops after 1807 have been Maltese. Since the beginning of the nineteenth century and following the French occupation, the cathedral chapter started to fulfil its duties both in the cathedral in Mdina and in the co-cathedral of St Johns in Valletta, the former conventual church of the Order of St John.
Malta has long been known for package holidays but this island nation has 7,000 years of fascinating and visible history. Updated throughout, this new edition delves into Malta's temples and archaeology more comprehensively than any other guidebook. Packed with historical and archaeological facts it also showcases bird-watching and wildlife opportunities, summer festas, and the less commercialised islands of Gozo and Comino. With new hotels opening in Birgu and across the islands the guide includes greater coverage of accommodation and restaurants. There is more to the island than sun and sea and this guide will help readers to discover the Malta beyond the tourist resorts.
Presents us with a comprehensive point of departure for the study of artistic developments in the Late Middle Ages, from the Norman Conquest at the turn of the twelfth century to the coming of the Knights in 1530. This book shows us that Late Medieval Malta was not an artistic desert, that patronage in Mdina was surprisingly well-informed, and that the Renaissance reached Malta before the coming of the Knights. Architecture, however, lagged behind, and the stylistic and technical innovations reflected the conservatism of an insular society. Through the art and architecture of that period, Professor Buhagiar outlines the Christianization and Latinization process that moved the islands away from a Muslim and North African bias, to a South European sphere of influence. The author's many years of meticulous research and academic activity have resulted in an excellently presented book that can be enjoyed by both the academic and the general reader. Mario Buhagiar is Professor of History of Art and Head of the History of Art Programme at the University of Malta, which he was responsible for establishing in 1988. The author is also responsible for the Late Roman and Byzantine Catacombs and Related Burial Places in the Maltese Islands, and The Iconography of the Maltese Islands 1400-1900: Painting, as well as numerous articles in various journals, both local and foreign.
The Thirty Pieces of Silver: Coin Relics in Medieval and Modern Europe discusses many interconnected topics relating to the most perfidious monetary transaction in history: the betrayal of Jesus by Judas for thirty pieces of silver. According to medieval legend, these coins had existed since the time of Abraham’s father and had been used in many transactions recorded in the Bible. This book documents fifty specimens of coins which were venerated as holy relics in medieval and modern churches and monasteries of Europe, from Valencia to Uppsala. Most of these relics are ancient Greek silver coins in origin mounted in precious reliquaries or used for the distribution of their wax imprints believed to have healing powers. Drawing from a wide range of historical sources, from hagiography to numismatics, this book will appeal to students and academics researching Late Antique, Medieval, and Early Modern History, Theology, as well as all those interested in the function of relics throughout Christendom. The Thirty Pieces of Silver is a study that invites meditation on the highly symbolic and powerful role of money through coins which were the price, value, and measure of Christ and which, despite being the most abject objects, managed to become relics.
"Irene Shaland takes you through the island treasures of the Mediterranean, a part of the ancient and modern Jewish world few of us know. This informative and scholarly book will make you want to start packing!" –Corinne Joy Brown, multi-award winning author and Society for Crypto-Judaic Studies editor HaLapid. Whether you are planning a trip to Malta and Corsica, or just love reading about Jewish communities in the most unlikely and exotic places on earth, this book is for you. Richly illustrated with 186 gorgeous, full-color photos and 12 maps, this guidebook is packed with historical and practical information and: · Illuminates 7,000 years of Malta’s historic past and its amazing present. Reveals Maltese Jewish story from 3,000 years ago when Israelites came to Malta—to the arrival of the Biblical Paul in the 1st century CE—through the dark times of Jewish slavery at the hands of the Knights of St. John’s in the 16th century—to today’s blossoming Jewish community. Did you know that Malta was the only country that admitted Jews without visas during the Holocaust? · Conveys the Jewish story of Corsica within the context of the island’s history and geography. Did you know that in 1763, Corsica was the first country to proclaim equality for the Jews, ahead of the U.S. and France? Do you want to know how the secret power of Omerta (the Mafia’s code of silence) saved thousands of Jews during the Holocaust? · Serves as a practical field guide to Jewish-related sites throughout Malta and Corsica. This guidebook is your best friend when planning your trip and when you arrive at your destination. You will know which sites to visit and how to find them. You will also learn about typical food that reflects the history of each island. Happy reading and traveling!
In this volume, a microhistorical approach is employed to provide a transcription, translation, and case-study of the proceedings (written in Latin, Italian and Arabic) of the Roman Inquisition on Malta’s 1605 trial of the ‘Moorish’ slave Sellem Bin al-Sheikh Mansur, who was accused and found guilty of practising magic and teaching it to the local Christians. Through both a detailed commentary and individual case-studies, it assesses what these proceedings reflect about religion, society, and politics both on Malta and more widely across the Mediterranean in the early 17th century. In so doing, this inter- and multi-disciplinary project speaks to a wide range of subjects, including magic, Christian-Muslim relations, slavery, Maltese social history, Mediterranean history, and the Roman Inquisition. It will be of interest to both students and researchers who study any of these subjects, and will help demonstrate the richness and potential of the documents in the Maltese archives. With contributions by: Joan Abela, Dionisius A. Agius, Paul Auchterlonie, Jonathan Barry, Charles Burnett, Frans Ciappara, Pierre Lory, Alex Malett, Ian Netton, Catherine R. Rider, Liana Saif
Even before the upheaval of the Revolution, France sought a new formal language for a regenerated nation. Nowhere is this clearer than in its tombs, some among its most famous modern sculpture-rarely discussed as funerary projects. Unlike other art-historical studies of tombs, this one frames sculptural examples within the full spectrum of the material funerary arts of the period, along with architecture and landscape. This book further widens the standard scope to shed new and needed light on the interplay of the funerary arts, tomb cult, and the mentalities that shaped them in France, over a period famous for profound and often violent change. Suzanne Glover Lindsay also brings the abundant recent work on the body to the funerary arts and tomb cult for the first time, confronting cultural and aesthetic issues through her examination of a celebrated sculptural type, the recumbent effigy of the deceased in death. Using many unfamiliar period sources, this study reinterprets several famous tombs and funerals and introduces significant enterprises that are little known today to suggest the prominent place held by tomb cult in nineteenth-century France. Images of the tombs complement the text to underline sculpture's unique formal power in funerary mode.