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In The Metaphor of the Divine as Planter of the People Jennifer Metten Pantoja traces the emergence of the conceptual metaphor YHWH IS THE PLANTER OF THE PEOPLE in ancient Hebrew poetry and follows its development throughout biblical history and Second Temple literature, in order to illustrate how the deep connection to the land shaped ancient thought and belief. Within this broader, primary metaphor, the complex metaphor YHWH IS THE VINTNER OF ISRAEL is also analyzed as an image predominant in the pre-exilic prophetic literature. Recent advances in cognitive linguistics, coupled with traditional historical-critical methods, as well as a survey of the material culture, work in tandem to illuminate one snapshot of ancient Israel’s conception of the divine.
Tina M. Sherman offers a first-of-its-kind, detailed analysis of prophetic passages that depict people as plants—from grasses and grains to fruit trees and grapevines—examining how the biblical authors exploited these metaphors to portray the condemnation and punishment of Israel and Judah in terms of the everyday work of crop farming and plant husbandry. Additionally, she explores how the prophetic authors employed plant imagery to construct national identities that emphasize the people’s collective responsibility for the kingdoms’ fate. Plant Metaphors in Prophetic Condemnations of Israel and Judah demonstrates the usefulness of combining conceptual metaphor theory with aspects of frame semantics in the analysis of patterns of thought and expression in biblical metaphor.
This dissertation is a study of kenosis spirituality aimed at determining how the spiritual formation of the Carmelites of Mary Immaculate (CMI) can be effectively infused with a more profound and genuine understanding of kenosis spirituality. Employing a communication-oriented method involving three interconnected and progressive steps, namely, an analysis of syntax, semantics and pragmatics, and concentrating on the role of the text-immanent reader, this study conducts an in-depth textual analysis of five key texts. These have been chosen from the Bible, the Eastern and the Western monastic traditions, the early writings of the CMI, and the Indian Christian Ashram to ascertain a deeper understanding of kenosis spirituality. The study subsequently considers how to introduce insights regarding kenosis into the CMI's spiritual formation. Pratheesh Michael Pulickal, from Kerala, India, a Catholic priest of the Syro-Malabar rite, belongs to the CMI Congregation.
The book of Isaiah is without doubt one of the most important books in the Hebrew Bible/Old Testament, as evidenced by its pride of place in both Jewish and Christian traditions as well as in art and music. Most people, scholars and laity alike, are familiar with the words of Isaiah accompanied by the magnificent tones of Handel's 'Messiah'. Isaiah is also one of the most complex books due to its variety and plurality, and it has accordingly been the focus of scholarly debate for the last 2000 years. Divided into eight sections, The Oxford Handbook of Isaiah constitutes a collection of essays on one of the longest books in the Bible. They cover different aspects regarding the formation, interpretations, and reception of the book of Isaiah, and also offer up-to-date information in an attractive and easily accessible format. The result does not represent a unified standpoint; rather the individual contributions mirror the wide and varied spectrum of scholarly engagement with the book. The authors of the essays likewise represent a broad range of scholarly traditions from diverse continents and religious affiliations, accompanied by comprehensive recommendations for further reading.
Creation conjures emotion and thereby shapes how we think and act. People fear snakes and enclosed spaces, and delight in well-watered landscapes. Language about nature evokes these emotional meanings and their consequences. We may construe nature as a mother to enhance love of creation and motivate care for our common home. Mother nature becomes a caregiving source of life rather than an inert resource. Alternatively, we may focus on the dangers or uselessness of a swamp so that we may drain it and plant crops. Creation and the ways we speak about it reflect and shape emotion and influence behavior. Every reference to the natural word in biblical literature involves some emotional resonance. Any animal might have intruded into the paradise of Eden, but the biblical narrative gives this role to a snake. The serpent elicits ominous foreboding because snakes evoke fear and fascination. Isaiah amplifies the joy of Israel's restoration by depicting deserts transforming into fertile fields and creation itself rejoicing. Biblical authors draw on human emotional responsiveness to creation to express and elicit emotions. David A. Bosworth analyzes how biblical texts use creation to conjure emotion. He draws on the science of emotion, including research on human emotional responsiveness to nature. Ancient texts correlate with contemporary research on how human environments shape emotion and behavior. The chapters unfold how specific emotions emerge from biblical references to aspects of creation.
Environmental issues are an ever-increasing focus of public discourse and have proved concerning to religious groups as well as society more widely. Among biblical scholars, criticism of the Judeo-Christian tradition for its part in the worsening crisis has led to a small but growing field of study on ecology and the Bible. This volume in the Oxford Handbook series makes a significant contribution to this burgeoning interest in ecological hermeneutics, incorporating the best of international scholarship on ecology and the Bible. The Handbook comprises 30 individual essays on a wide range of relevant topics by established and emerging scholars. Arranged in four sections, the volume begins with a historical overview before tackling some key methodological issues. The second, substantial, section comprises thirteen essays offering detailed exegesis from an ecological perspective of selected biblical books. This is followed by a section exploring broader thematic topics such as the Imago Dei and stewardship. Finally, the volume concludes with a number of essays on contemporary perspectives and applications, including political and ethical considerations. The editors Hilary Marlow and Mark Harris have drawn on their experience in Hebrew Bible and New Testament respectively to bring together a diverse and engaging collection of essays on a subject of immense relevance. Its accessible style, comprehensive scope, and range of material means that the volume is a valuable resource, not only to students and scholars of the Bible but also to religious leaders and practitioners.
An Invitation to Biblical Poetry is an introduction to the aesthetic dimensions of the ancient poetry of the Bible. It argues that, as art, biblical poems engage their readers in embodied encounters that accomplish intellectual work. It examines how this is achieved through the poems' various techniques of voicing and address, lines, formal patterns, figures such as metaphor, personification, and symbol, and the crucial but elusive dimensions of historical and readerly context. Its broad survey of biblical poetry and accessible style will benefit anyone interested in becoming a better reader of poetry.
The book explores the complementarity of these roles, highlighting their portrayal of Jesus’s key attributes and his dual human-divine identity. Cognitive linguistics provides the perspective for delving into these social roles, emphasizing their significance in understanding the complexity of Jesus’s character. It shows that Jesus embodies two complementary epithets – “teacher” and “prophet” – representing distinct approaches to knowledge transmission, either through human activity or divine intervention. The book illustrates the intricate complexity of Jesus’s character proving that Jesus not only fulfills but surpasses typical expectations in both roles, consistently revealing his dual identity and the permanent truth of both epithets.
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.
Critical spatial approaches — particularly those informed by the scholarship of Lefebvre, Foucault, and Soja — have significantly impacted biblical scholarship over the last twenty years. However, these spatial approaches have been limited due to the methodological challenges inherent in transposing the social-scientific approaches of the aforementioned scholars to the task of biblical interpretation. This volume adapts conceptual metaphor theory as a methodological bridge to address such constraints. The first half of the volume begins by surveying the field of critical spatiality in biblical studies, arguing for the need for fresh methodological development. Thereafter, the volume delineates a particular critical spatial approach, inspired by Lefebvre and Foucault, for which conceptual metaphor theory is proposed as a methodological bridge. The second half of the volume begins by proposing the Psalms of Ascents as a case study upon which the method could be applied. It is then argued that the proposed method – if efficacious – should provide insight on corpus' "Zion theology" and its so-called pilgrimage character. Using the proposed method in conjunction with conventional historical-grammatical tools of poetic analysis, each psalm is analysed with regard to its metaphor and spatiality. The volume concludes that the case study demonstrates the efficacy of the proposed methods by allowing a rich reading of each psalm, especially by explicating the spatial narratives and/or spatial metaphorical conceptualisations that underlie each text, and providing fresh insight on the collection as a whole.