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Mercury Records was founded in 1945 and soon became a major force in jazz, blues, classical, rock, and country recording. This five-volume discography provides a listing of all recordings made or issued by the Mercury label and its subsidiaries (Blue Rock, Cumberland, Emarcy, Fontana, Limelight, Philips, Smash, and Wing). Each volume ends with an artist index, which includes all the names appearing in the session listings of the volume. In addition to providing details on stereo/mono master number equivalences, and information on various formats, the fifth volume concludes with a general artist index, including all the names which appear in the earlier volumes.
Mercury Records was founded in 1945 and soon became a major force in jazz and blues, classical, rock, and country recording. This five-volume discography provides a listing of all recordings made or issued by the Mercury label and its subsidiaries (Blue Rock, Cumberland, Emarcy, Fontana, Limelight, Philips, Smash, and Wing) as well as leased and purchased materials and recordings by independent labels distributed by Mercury. Much of the discography is devoted to recording session listings, which include details on personnel, recording dates, and master and issue numbers. Each volume ends with an artist index, which includes all the names appearing in the session listings of the volume. In addition to providing details on stereo/mono master number equivalences, and information on various formats, the fifth volume concludes with a general artist index, including all the names which appear in the earlier volumes. This discography is invaluable to all who seek details on the music and artists recorded in the second half of the twentieth century.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Mercury Records was founded in 1945 and soon became a major force in jazz and blues, classical, rock, and country recording. This five-volume discography provides a listing of all recordings made or issued by the Mercury label and its subsidiaries (Blue Rock, Cumberland, Emarcy, Fontana, Limelight, Philips, Smash, and Wing) as well as leased and purchased materials and recordings by independent labels distributed by Mercury. Much of the discography is devoted to recording session listings, which include details on personnel, recording dates, and master and issue numbers. Each volume ends with an artist index, which includes all the names appearing in the session listings of the volume. In addition to providing details on stereo/mono master number equivalences, and information on various formats, the fifth volume concludes with a general artist index, including all the names which appear in the earlier volumes. This discography is invaluable to all who seek details on the music and artists recorded in the second half of the twentieth century.
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
This book is primarily concerned with the classical music catalog of Mercury Living Presence recordings recorded and published by the Mercury Record Corporation. Mercury Records made some of the finest and most natural sounding audio recordings ever made, mostly of excellent and committed performances of classical music. But this is not a history of Mercury records or even of the Living Presence series of recordings. My main focus was to create a list of all the Mercury Living Presence classical records. I am mostly interested in the stereo recordings, but there are also many earlier mono recordings of great interest, too, so I have included those also. Specifically, what is included is information on the SR 90000 series of stereo recordings and the MG 50000 series of mono recordings, but there is also a listing of the Wing classical reissue series. ***** Decades ago, when I began collecting Mercury records, and years later when I started collecting the CDs, I was looking for a complete list of all the Mercury Living Presence records and later the CDs. Though I found some information that was helpful, to get what I wanted, I had to make the list myself. I started with lists of records on the record sleeves of the albums, got some information from The Absolute Sound! magazine, and in the internet age, found useful information on several internet sites, but mostly to get the list I wanted, I had to dig up the information and build it myself. Having completed the list, it occurred to me that other collectors might find it helpful, too. So I put together a group of databases and spreadsheets in Microsoft Excel and Microsoft Works database format files and issued the databases I had created on a CD-rom disc in early 2013. By that time I had all the original series of CDs mastered by Wilma Cozart Fine, and many of the records that had been reissued on CD, and virtually all of the stereo records not issued on CD, plus most of the mono records in which I had a strong interest. Now it is available as a book. Among other things it includes the following lists: Complete Mercury Living Presence CDs, including every CD, with its track information, identifying Composer, title, soloist, conductor, orchestra, CD #, LP where originally published, and recording date. Complete Mercury Living Presence LPs including every LP with its track information identifying Composer, title, soloist, conductor, orchestra, LP #, CD on which it was reissued if any, and recording date. Different versions of the files are arranged by: Composer and Title, Recording Date, Record number, and CD number. There are also a listings of LPs and LP tracks that have not been reissued in the Mercury Living Presence CD series. Included are listings of all original Mercury Living Presence records in the SR 90000 and MG 50000 series, all CDs originally mastered by Wilma Cozart Fine, all SACDs, and the more recent reissues and new issues in the large 50+ CD box sets and the 10-CD box sets of Marcel Dupré and Janos Starker. There are also a few chapters of background information, little known facts, and other topics of interest. Hopefully readers will find it interesting and useful.
Chicago Soul chronicles the emergence of Chicago soul music out of the city's thriving rhythm-and-blues industry from the late 1950s through the late 1970s. The performers, A&R men, producers, distributors, deejays, studios, and labels that made it all happen take center stage in this first book to document the stunning rise and success of the Windy City as a soul music recording center.
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.
Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.