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Princess Yekaterina Romanovna Vorontsova-Dashkova (1743 – 1810) was a leading figure of the Russian Enlightenment and the closest female friend of Empress Catherine the Great. By her own account, she played a critical role in the coup d'état by which the autocratic Peter III was overthrown and Catherine was raised to the throne. In her travels abroad, she met Diderot, Voltaire and Benjamin Franklin. Catherine later named her the first female head of the Imperial Academy of Arts and Sciences, and then the Russian Academy.
In 1782, Princess Ekaterina Dashkova was appointed dir. of Russia's Imperial Acad. of Arts & Sci. by Catherine the Great. It was just two years after she had met with another personality of the Enlightenment -- Benjamin Franklin, founding pres. of Amer. first scientific acad., the Amer. Philosophical Soc. (APS). The essays in this vol., pub. as a companion to an exhib. of the same title & on the occasion of the Franklin Tercentenary of 2006, highlight Dashkova as an accomplished Enlightenment woman. They explore how she, like Franklin, took up the challenge of living according to the newest ideals of her age. Nominated by Franklin in 1789 to become the first female member of the APS, she in turn made him the first Amer. member of the Russian Acad.
Five essays address such themes as the relationship between feminist history and women's history, the use of the concept of "experience", the development of the history of gender, demographic history and women's history and the importance of post-structuralism to women's history.
One of the most colorful characters in modern history, Catherine II of Russia began her life as a minor German princess, until the childless Empress Elizabeth and Catherine's own scheming mother married her off to the Grand Duke Peter of Russia at age sixteen. By thirty-three, she had overthrown her husband in a bloodless coup and established herself as Empress of the multinational Russian Empire, the largest territorial political unit in modern history. Portrayed both as a political genius who restored to Russia the glory it had known in the days of Peter the Great and as a despotic foreign adventuress who usurped the Russian throne, murdered her rivals, and tyrannized her subjects, she was, by all accounts, an extraordinary woman. Catherine the Great, the first popular biography of the empress based on contemporary scholarship, provides a vivid portrait of Catherine as a mother, a lover, and, above all, an extremely savvy ruler. Concentrating on her long reign (1762-96), John Alexander examines all aspects of Catherine's life and career: the brilliant political strategies by which she won the acceptance of a nationalistic elite; her expansive foreign policy; the domestic reforms with which she revamped the Russian military, political structure, and economy; and, of course, her infamous love life. Beginning with an account of the dramatic palace revolt by which Catherine unseated her husband and a background chapter describing the circumstances of her early childhood and marriage, Alexander then proceeds chronologically through the thirty-four years of her reign. Presenting Catherine in more human terms than previous biographers have, Alexander includes numerous quotations from her reminiscences and notes. We learn, for instance, not only the names and number of her lovers, but her understanding of what many considered a shocking licentiousness. "The trouble is," she wrote, "that my heart would not willingly remain one hour without love." The result of twenty years' research by one of America's leading narrative historians of modern Russia, this truly impressive work offers a much-needed, balanced reappraisal of one of history's most scandal-ridden figures.
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
The Russian Empire once extended deep into America: in 1818 Russia's furthest outposts were in California and Hawaii. The dreamer behind this great Imperial vision was Nikolai Rezanov ? diplomat, adventurer, courtier, millionaire and gambler. His quest to plant Russian colonies from Siberia to California led him to San Francisco, where he was captivated by Conchita, the fifteen-year-old daughter of the Spanish Governor, who embodied his dreams of both love and empire. From the glittering court of Catherine the Great to the wilds of the New World, Matthews conjures a brilliantly original portrait of one of Russia's most eccentric Empire-builders.
RA great thumping triumph of a bookS ("London Telegraph"), this is the first comprehensive modern biography of Catherine the Great to explore her both as a woman and empress.