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The Memoirs of Edmund Ludlow - Lieutenant-General of the Horse in the Army of the Commonwealth of England, 1625-1672 is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Excerpt from The Memoirs of Edmund Ludlow, Lieutenant-General of the Horse in the Army of the Commonwealth of England, 1625-1672, Vol. 1 of 2 As to the date at which Ludlow's Memoirs were written there is no conclusive evidence. The opening sentence shows that he began to write after the Restoration, and in all probability some time after the Restoration. Ludlow was too much a man of action and too little a man of letters, to take up his pen in the first moment of his exile, and devote himself to the task of undeceiving posterity. It is not unlikely that the idea of writing his Memoirs was first suggested to him by some incident such as that which he describes as happening in 166 3. At the solemn banquet which the senators of Bern gave to Ludlow and some of his friends, one Of his hosts desired to hear from the lips of their guest the causes of the fall of the English republic. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book traces the transformation of history from a Romantic literary pursuit into a modern academic discipline during the second half of the nineteenth century, and shows how this change inspired Victorians to reconsider what it meant to be a historian. This reconceptualization of the ‘historian’ lies at the heart of this book as it explores how historians strove to forge themselves a collective scholarly persona that reflected and legitimised their new disciplinary status and gave them authority to speak on behalf of the past. The author argues that historians used the persona as a replacement for missing institutional structures, and converted book parts to a sphere where they could mould and perform their persona. By ascribing agency to titles, footnotes, running heads, typography, cover design, size, and other paratexts, the book makes an important shift in the way we perceive the formation of modern disciplines. By combining the persona and paratexts, it offers a novel approach to themes that have enjoyed great interest in the history of science. It examines, for example, the role which epistemic and moral virtues held in the Victorian society and scholarly culture, the social organization and hierarchies of scholarly communities, the management of scholarly reputations, the commercialization of knowledge, and the relationship between the persona and the underpinning social, political, economic, and cultural structures and hierarchies. Making a significant contribution to persona studies, it provides new insights for scholars interested in the history of humanities, science, and knowledge; book history; and Victorian culture.
Offers a transnational perspective on 17th-century English republicanism, focusing on the lived experiences of English republican exiles.
The influence exercised by Queen Henrietta Maria over her husband Charles I during the English Civil Wars, has long been a subject of interest. To many of her contemporaries, especially those sympathetic to Parliament, her French origins and Catholic beliefs meant that she was regarded with great suspicion. Later historians picking up on this, have spent much time arguing over her political role and the degree to which she could influence the decisions of her husband. What has not been so thoroughly investigated, however, are issues surrounding the popular perceptions of the Queen that inspired the plethora of pamphlets, newsbooks and broadsides. Although most of these documents are polemical propaganda devices that tell us little about the actual power wielded by Henrietta Maria, they do throw much light on how contemporaries viewed the King and Queen, and their relationship. The picture created by Charles and Henrietta's enemies was one of a royal household in patriarchal disorder. The Queen was characterized as an overly assertive, unduly influential, foreign, Catholic queen consort, whilst Charles was portrayed as a submissive and weak husband. Such an image had wide political ramifications, resulting in accusations that Charles was unfit to rule, and thus helping to justify Parliamentary resistance to the monarch. Because Charles had permitted his Catholic wife to interfere in state matters he stood accused of threatening the patriarchal order upon which all of society rested, and of imperilling the Church of England. In this book Michelle White tackles these dual issues of Henrietta's actual and perceived influence, and how this was portrayed in popular print by those sympathetic and hostile to her cause. In so doing she presents a vivid portrait of a strong willed woman who had a profound influence on the course of English history.
The first dedicated study of the practice of changing sides during the English Civil Wars. Reveals how side-changing shaped the course of the English Revolution, even contributing to the regicide itself, and remained an important political legacy to the English speaking peoples thereafter.
'Alice Hunt brilliantly reanimates this most extraordinary decade. It is a gripping tale of political and cultural crisis but also one of joy and hopeful innovation, told with eloquence and passion.' MALCOLM GASKILL 'A magisterial, compelling and eye-opening biography of Britain's great and extraordinary experiment.' SUZANNAH LIPSCOMB Events moved with giddying speed in the 1650s. After the execution of Charles I, 'dangerous' monarchy was abolished and the House of Lords was dismissed, sending shock waves across the kingdom. These revolutionary acts set in motion a decade of bewildering change and instability, under the leadership of the soldier-statesman Oliver Cromwell. England's unique and distinctive republican experiment may have been short-lived, but it changed the course of British history. It transformed the relationship between England, Scotland and Ireland, reset the compact between the monarch and the people, and re-fashioned the story the British told - and continue to tell - about themselves. REPUBLIC is a richly engrossing year-by-year account of this exhilarating and daring period. It tells the story of what Britain's republic was really like: why it failed, but also, what it got right.