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By exploring the evolution of the Medici family’s villas, Cultivating the Renaissance charts the shifting politics, philosophy and aesthetics of the age and chronicles the rise of an extraordinary family from obscure farmers to European royalty. From the fourteenth to the eighteenth century, the Medici family dominated European life. While promoting both arts and sciences, the Medici helped create a new style of architecture, present a new idea of villa life and promote the novel idea of living in harmony with nature. Used variously for pleasure and sports, scholarly and amorous liaisons, commercial enterprise and botanical experimentation, their villas both expressed and influenced contemporary ideas on politics, philosophy, art and design. Each patron's public interests and private passions, as well as the architects, artists and philosophers they employed, are examined. Through a chronological approach, this book reveals how the villas were used, their reception by contemporary commentators, their legacy and their current state five centuries after they were first built. Lavishly illustrated, Cultivating the Renaissance is of great interest to students and scholars of architecture, horticulture, landscape history, philosophy, art and the history of the Renaissance in Italy.
Drawing on Palladio's original published legacy of approximately 40 designs, the authors attempt to reveal the rigorous geometric rules by which Palladio conceived these structures. Using a computer, they test each rule in every possible application.
"An inventory of the private possessions of Lorenzo il Magnifico de' Medici, head of the ruling Medici family during the apogee of the Florentine Renaissance"--Provided by publisher.
The ideal model of a suburban residence desired by Leo X (1513-1521), son of Lorenzo the Magnificent, and continued by his cardinal cousin Giulio de' Medici, the future Clement VII (1523-1534), the 'vigna del papa', or papal residence, to be called Villa
Presents information about the villas of the 15th and 16th centuries that belonged to the Florence, Italy, family of Medici. Contains information about the villas of Artimino, Careggi, Castello, Cerreto Guidi, Demidoff, La Petraia, and Poggio a Caiano. Notes the address, transportation information, history, and description of the villas. Links to related Web sites.
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
In this book, which was originally published in 2005, Amanda Lillie challenges the urban bias in Renaissance art and architectural history by investigating the architecture and patronage strategies, particularly those of the Strozzi and the Sassetti clans, in the Florentine countryside during the fifteenth century. Based entirely on archival material that remained unpublished at the time of publication, her book examines a number of villas from this period and reconstructs the value systems that emerge from these sources, which defy the traditional, idealized interpretation of the 'renaissance villa'. Here, the house is studied in relation to the families who lived in them and to the land that surrounded them. The villa emerges as a functional, utilitarian farming unit upon whose success families depended, and where dynastic and patrimonial values could be nurtured.