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From the Holocaust to 9/11, modern communications systems have incessantly exposed us to reports of distant and horrifying events, experienced by strangers, and brought to us through media technologies. In this book leading scholars explore key questions concerning the truth status and broader implications of 'media witnessing'.
Recent political conflicts signal an increased proliferation of image testimonies shared widely via social media. Although witnessing with and through images is not a phenomenon of the internet era, contemporary digital image practices and politics have significantly intensified the affective economies of image testimonies. This volume traces the contours of these conditions and develops a conception of image testimony along four areas of focus. The first and second section of this volume reflects the discussion of image testimonies as an interplay of evidential qualities and their potential to express affective relationalities and emotional involvement. The third section focuses on the question of how social media technologies shape and subsequently are shaped by image testimonies. To further complicate the ethical position of the witness, the final section looks at image testimony at the intersection of creation and destruction, taking into account the perspectives of different actors and their opposed moral positions. With an emphasis on the affectivity of these images, Image Testimonies provides new and so far overlooked insights in the field. It will appeal to students and researchers interested in fields such as Sociology and Social Policy, Media and Communications, Visual Arts and Culture and Middle East Studies.
Today more than ever before, the historical witness is now a “museum objectâ€_x009d_ in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined with narrative and exhibit design. With a focus on Holocaust museums, this study scrutinizes for the first time this new global process of “musealisationâ€_x009d_ of testimony, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.
The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milošević; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or “disaster film” produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.
Explores the role of the media in the Rwandan genocide -- within the country and beyond.
During the twentieth century, witnessing grew to be not just a widespread solution for coping with political atrocities but also an intricate problem. As the personal experience of victims, soldiers, and aid workers acquired unparalleled authority as a source of moral and political truth, the capacity to generate adequate testimonies based on this experience was repeatedly called into question. Michal Givoni's book follows the trail of the problems, torments, and crises that became commingled with witnessing to genocide, disaster, and war over the course of the twentieth century. By juxtaposing episodes of reflexive witnessing to the Great War, the Jewish Holocaust, and third world emergencies, The Care of the Witness explores the shifting roles and responsibilities of witnesses in history and the contribution that the troubles of witnessing made to the ethical consolidation of the witness as the leading figure of nongovernmental politics.
The print edition is available as a set of two volumes (9789041111654).
With the explosion of the Intelligent Design movement, many Americans are once again forced to take sides in the long-standing battle between creation and evolution. Yet many feel inadequately educated on the judicial process of this battle. In Creation and the Courts, Norman Geisler offers a behind-the-scenes look at the testimonies and arguments of the prosecution and defense of the major creation versus evolution court battles. Geisler offers a compelling look at the erosion of Christian influence in America's public schools. Creation and the Courts encourages readers to learn from the past judicial fights and to take their rightful places in the battle. These conflicts in today's classrooms and courtrooms must continue to be fought, and anyone willing to be a soldier must be equipped with the knowledge found in this book.
On a chilly Monday morning in 1935, a young maid opened the garage door of a Southern California seaside villa onto a grim scene. Her employer, a popular motion picture comedienne, lay dead in the front seat of her expensive automobile. Within hours, the news of Thelma Todd's death was making headlines throughout the nation. Was it murder, suicide, or accident? Cast against the background of Hollywood and Los Angeles, the film industry and the growing metropolis, her death baffled both the public and the investigating authorities. After numerous attempts to solve the mystery over the last eighty years, a powerful myth remains, obscuring the facts of the case as well as the character of Thelma herself. For the first time, however, the mystery of Thelma Todd's death will unfold as it originally did in 1935. Not only does Testimony of a Death narrate the events of that December but it also explores the forces and personalities central to the tragedy. The book examines the various contexts of Todd's death, including the motion picture business in its Golden Age and the city of Los Angeles hovering on the verge of its greatness. It looks beyond the legends and distortions to the darker reality that lies beneath the myths.
The Media of Testimony explores testimony relating to the Stasi in different cultural forms: autobiographical writing, memorial museums and documentary film. Combining theoretical models from diverse disciplines, it presents a new approach to the study of testimony, memory and mediation.