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You are not a newt are you? Ive not seen one with wings before said Alex. The little creature opened one of his wings and blew over it trying to disperse some of the droplets of water remaining on its greeny black finely scaled skin. This first encounter was the start of a magical adventure that by pure chance happened to just an ordinary boy and his family.
Featuring scripts for well known classical fantasy stories, as well as more current entries into the genre, Wings of Fancy addresses subgenres such as: Fairies and Enchanted Creatures; Fantastic Beasts and Talking Animals. Each script offers a summary of the story with background information on the author and story, plus suggested further readings. Staging and presentation directions are included, as is a glossary of new and unfamiliar terms. Unlike most other books of this type, lesson plans and project ideas are also included for each story. Grades 4-8 The Readers Theatre series presents original scripts written for the purpose of teaching a specific literary genre. Each book is composed of 24-28 scripts, keyed to published books, plays, poems or stories in that genre, encouraging students to read the originals to accomplish the correlated project. Staging and presentation directions are included. Two-leveled (lower and higher level) projects with all needed lesson plans, forms and discussion are also provided for each script.
Bobby takes his matchbox containing an awesome secret to school, where the class slowly and horrifyingly becomes involved with the contents.
CHOSEN BY MAGGIE O'FARRELL IN THE GUARDIAN AS ONE OF HER BEST BOOKS OF THE YEAR 'It's a slice of a life . . . a complex, intelligent, beautiful, thoughtful, rather lyrical book' -Cathy Rentzenbrink, author of The Last Act of Love 'A moving treatise on inheritance, not just of a disease like cystic fibrosis, but of our attitudes to living and loving, our sense of cultural and familial landscape, and how these intangibles pass down through generations. Stevenson picks apart her life like a strand of DNA to uncover just how we become the sum of our parts' Daily Telegraph 'A beautiful memoir . . . [Stevenson] is a novelist and a translator and her memoir is about translation in the larger sense. Translating the world is what we all do but she reminds us that one can hope - with a mind as intricately well read and original as hers - to translate misfortune; to absorb and see beyond it . . . Stevenson makes of poetry, fiction and philosophy a protective shawl for her story . . . Although intense she has a carefree wit' Kate Kellaway, Observer 'Love Like Salt is a human triumph ... Ultimately, Love Like Salt follows in the hallowed footsteps of Helen MacDonald's brilliant H is for Hawk or Cathy Rentzenbrink's The Last Act of Love. These are not misery memoirs but reminders that life comes in all shades - that in the darkest moments, beauty and humour can be found' Francesca Brown, Stylist 'Did Clara taste salty when I kissed her? She did. She tasted of mermaids, of the sea.' Love Like Salt is a deeply affecting memoir, beautifully and intelligently written. It is about mothers and daughters, music and illness, genes and inheritance, writing and story-telling. It is about creating joy from the hand you've been dealt and following its lead - in this case to rural France, where the author and her family lived for seven years. And back again. 'I had always written, and until the birth of Clara I wrote for a living. Once I knew the Cystic Fibrosis gene had unfolded itself in our daughter's body, like a paper flower meeting water, I felt that to write, even if I had had time, or been able, would have been to squander a kind of power which was needed for tending and nurturing. Every moment became a moment in which I protected my baby. Some of it I did in secret, like a madwoman muttering spells. I thought of her as a candle, cupping my hand around her. A beautifully written memoir, in the vein of H is for Hawk and The Last Act of Love, about motherhood, music and living the best life you can, even in the shadow of illness.
"Dragon's Gate is a superb book, a fascinating story written from the heart and woven into a complex cultural and historical tapestry - a modern classic in the making." - Robert Macklin, author of Dragon and Kangaroo Shi Ding is seventeen. In an attempt to impress a girl, he joins a local Red Guard unit and succeeds in having a nine-year-old boy arrested and a widowed professor of foreign literature driven to a shameful suicide. But when his father's death is also revealed as suicide, Shi Ding is expelled from the gang. He suspects there was more to the relationship between his father and the professor than friendship and he moves into her empty house. There he discovers a library of translations of forbidden Western classics. Himself a born storyteller, he is transfixed by the stories in these books by the likes of Dostoevsky, Stendhal, Hugo, Dickens, and Dumas … Set in China in the mid-60s, Dragon's Gate is about the power of storytelling. Within its overarching narrative, there are stories of little-known worlds: river logging in remote mountains, armed fighting between Red Guard factions, fortune telling on long train journeys, community life in the courtyards of Beijing hutong. Memorable characters abound in this rich and varied tale - characters like Sun Lanfen, the nosy, tough but decent residential compound leader; the blind singer who was struck dumb when he had to sing songs set to Chairman Mao's quotations; and the Buffalo Boy who was reputed to have fathered a hundred children in a Tibetan village. "The unique interweaving of fascinating tales set in exotic places with familiar and much loved western classics makes this book a page turner from beginning to end." - Jane Sydenham-Kwiet, German teacher and translator
Early Readers are stepping stones from picture books to reading books. A blue Early Reader is perfect for sharing and reading together. A red Early Reader is the next step on your reading journey. When the little boy tells his mother he has seen a big, roaring, yellow, whiskery lion in the meadow, she decides to make up a story for him too and gives him a matchbox with a tiny dragon inside. A brand new Early Reader edition of this beautiful classic story.
Desperate women, rich and poor, come to her in need of help - and discretion. Dolly Merishaw is a midwife and an abortionist in Victorian Toronto, but although she keeps quiet about her clients' condition, her contempt and greed leaves them resentful and angry. So it comes as no surprise when this malicious woman is murdered. What is a shock, though, is that a week later a young boy is found dead in Dolly's squalid kitchen. Now, Detective Murdoch isn't sure if he's hunting one murderer - or two.
Brave young dragon Firedrake and his orphan friend Ben start a perilous journey to the legendary Rim of Heaven. But close behind is a heartless monster who aches to destroy the very last dragons on earth...
There is a proverb in China, hu kou ba ya, literally "pulling teeth from a tiger's mouth," used to describe any extremely difficult task. When Shao Wei first arrived in the United States at age thirty-one, her desire to write poems in English seemed almost impossible. Pulling a Dragon's Teeth, a first stop on the successful journey toward that goal, is filled with the rhythms and visions of this exciting young poet.Shuttling between her childhood in a small mountain city on the shores of the Yangtze River (soon to be flooded by the Three Gorges Dam Project) and adulthood in Manhattan, Shao Weicaptures the pains and joys of tradition and displacement familiar to any immigrant. Blending fairy tales, New York images, family stories, and the universal rites of passage associated with growing up, she paints a vibrant canvas of passion and imagination.
A practical book which, through case study, exercises and engages the reader in a close examination of their own personal assumptions, practices and experiences of school life. The book takes a good look at the assumptions that prevail in different schools and circumstances and shows how the desire to improve will often need to be met by an equal desire to change and expand horizons. The initiatives suggested show how change can be handled to minimise fears and reservations.