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The Mata Book: A Book for Serious Programmers and Those Who Want to Be is the book that Stata programmers have been waiting for. Mata is a serious programming language for developing small- and large-scale projects and for adding features to Stata. What makes Mata serious is that it provides structures, classes, and pointers along with matrix capabilities. The book is serious in that it covers those advanced features, and teaches them. The reader is assumed to have programming experience, but only some programming experience. That experience could be with Stata's ado language, or with Python, Java, C++, Fortran, or other languages like them. As the book says, "being serious is a matter of attitude, not current skill level or knowledge". The author of the book is William Gould, who is also the designer and original programmer of Mata, of Stata, and who also happens to be the president of StataCorp.
At seventeen, Indiana Jones thirsted for adventure--but what he found in World War I Paris was beyond his wildest dreams...
In his new novel, Paulo Coelho, bestselling author of The Alchemist and Adultery, brings to life one of history's most enigmatic women: Mata Hari. HER ONLY CRIME WAS TO BE AN INDEPENDENT WOMAN When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city. As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era’s richest and most powerful men. But as paranoia consumed a country at war, Mata Hari’s lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage. Told in Mata Hari’s voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.
Mata Sara is a novel that fictionalises the ideas of alienation and displacement through the lives of 4 indigenous students who win scholarships to study overseas. These students endeavour through various ways to adapt to new landscapes and environments. In this new place, they find themselves strangers, a minority in the midst of a sea of dimdims who act strangely, whose values, practices etc. are often not understood by the students. At the same time, the dimdims also have crooked eyes because they cannot understand these students. Living in a foreign place, they encounter racism and other problems.
Revealing glimpses of the Philippine Revolution and the Filipino writer Jose Rizal emerge despite the worst efforts of feuding academics in Apostol’s hilariously erudite novel, which won the Philippine National Book Award. Gina Apostol’s riotous second novel takes the form of a memoir by one Raymundo Mata, a half-blind bookworm and revolutionary, tracing his childhood, his education in Manila, his love affairs, and his discovery of writer and fellow revolutionary, Jose Rizal. Mata’s 19th-century story is complicated by present-day foreword(s), afterword(s), and footnotes from three fiercely quarrelsome and comic voices: a nationalist editor, a neo-Freudian psychoanalyst critic, and a translator, Mimi C. Magsalin. In telling the contested and fragmentary story of Mata, Apostol finds new ways to depict the violence of the Spanish colonial era, and to reimagine the nation’s great writer, Jose Rizal, who was executed by the Spanish for his revolutionary activities, and is considered by many to be the father of Philippine independence. The Revolution According to Raymundo Mata offers an intoxicating blend of fact and fiction, uncovering lost histories while building dazzling, anarchic modes of narrative.
A biography of Mata Hari, a Dutch-born performer who was executed as a German spy in France in 1917.
An unprecedented and timely collection of writings by and on Jawaharlal Nehru--the man who shaped newly independent India; and the icon whose legacy is the subject of intense and often angry debate today. 'Who is this Bharat Mata, whose victory you wish?' asked Jawaharlal Nehru--a leading light of the Indian freedom movement who would become the country's first prime minister--at a public gathering in 1936. And then he explained: the mountains and rivers, forests and fields were of course dear to everyone, but what counted ultimately were 'the people of India...spread out all over this vast land. Bharat Mata, Mother India, [is] essentially these millions of people, and victory to her [is] victory to these people.' This collection of writings and speeches by and on Nehru shows us the mind--the ideology, born of experience, observation and deep study--behind this democratic and inclusive idea of India. It is a book of particular relevance at a time when 'nationalism' and the slogan 'Bharat Mata ki Jai' are being used to construct a militant and purely emotional idea of India that excludes millions of residents and citizens. 'Who Is Bharat Mata?' contains selections from Nehru's classic books--An Autobiography, Glimpses of World History and The Discovery of India; his speeches, essays and letters from the pre- and post-Independence years; and some of his most revealing interviews. The concluding section of the book comprises reminiscences and assessments of Nehru by his contemporaries--among them, Mahatma Gandhi, Bhagat Singh, Sardar Patel, Maulana Azad, Aruna Asaf Ali, Sheikh Abdullah, Ramdhari Singh Dinkar, Ali Sardar Jafri, Martin Luther King Jr and Atal Bihar Vajpayee. In this carefully put-together anthology--which also carries an illuminating introduction--Nehru emerges as a remarkable man of ideas and action who had an instinctive understanding of India's civilizational spirit, as also a clear commitment to the scientific temper; and as a leader who, despite the compulsions of politics, remained a true democrat. His legacy continues to be extremely relevant--for, in the words of the editor, an understanding of 'Nehru's political and intellectual journey is a pre-condition for India's survival as a democratic polity and as a humane, compassionate society'.
This book explores the life of the controversial and historical figure, Mata Hari -- the exotic dancer, convicted double agent, and original femme fatale--told from her own perspective. It collects the five-issue series and includes additional historical material and an artist's sketchbook. Dancer. Courtesan. Spy. Executed by a French firing squad in 1917. One hundred years on from her death, questions are still raised about her conviction. Now, the lesser-known, often tragic story of the woman who claimed she was born a princess, and died a figure of public hatred, with no one to claim her body is told by break-out talent writer Emma Beeby (Judge Dredd), artist Ariela Kristantina (Insexts), and colorist Pat Masioni drawing on biographies and released MI5 files We meet Mata Hari in prison at the end of her life as she writes her memoir--part romantic tale of a Javanese princess who performed "sacred" nude dances for Europe's elite, and part real-life saga of a disgraced wife and mother, who has everything she loves taken from her. But, as she sits trial for treason and espionage, we hear another tale, of a flamboyant Dutch woman who became "the most dangerous spy France has ever captured"--a double agent who whored herself for secrets, lived a life of scandal and loved only money. Leading us to ask . . . who was the real Mata Hari?
Think of Lady Gaga; think of Cher. Now multiply their audacity by a thousand. In a sequence of poetic monologues, Mata Hari: Eye of the Day dramatically portrays the life and trials of Margaraetha Zelle MacLeod, a Dutch girl from a dysfunctional family who, after a disastrous marriage and ten years in the Dutch East Indies, re-invented herself as the exotic dancer, Mata Hari, the consort of royalty, the companion of fabulously wealthy men, the rulers of Europe. Mata Hari was the toast of the continent for ten years before her connections and lifestyle brought her crashing down. Convicted in a French court as a spy for the Germans during World War I, she was executed by a firing squad in Paris. But was she really guilty of treasonous espionage, or was she framed, the real crime for which she paid with her life merely her unconventional lifestyle? Rammelkamp is the author of The Secretkeepers, and two collections of short fiction-A Better Tomorrow and Castleman in the Academy-full-length poetry collections The Book of Life and Fusen Bakudan, and several chapbooks of poetry. Past columnist and staff writer to Renaissance Magazine, Rammelkamp has been the editor of The Potomac online e-literary journal since 2007 and is prose editor for BrickHouse Books. He grew up in Michigan, and now resides Baltimore.