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On a cold, stormy evening in Ireland, five teenagers suddenly find themselves lost, separated, and unprepared for a dangerous quest "beyond the Veil" into Morsden Forest, a secret world hidden from ours. There they must learn to grow, learn to trust, learn to fight, learn to sacrifice, and learn to love in order to rediscover the first of seven lost jewels that contain the ancient verses of The Master Song. Together with a myriad of the Awakened, humanlike animals and plants. They will battle wild beasts, wraithlike doppelgangers, and an evil power nearly as ancient as creation itself. Will they stand strong and discover the virtues they have within themselves? Or will they, too, fall to the Corrupted?
(Guitar Collection). 50 songs essential to any guitarist's repertoire, including: Against the Wind * Barely Breathing * Boulevard of Broken Dreams * Champagne Supernova * Crazy Little Thing Called Love * Every Rose Has Its Thorn * Fast Car * Free Fallin' * Hey There Delilah * Ho Hey * I Won't Give Up * Layla * Let Her Go * Mean * One * Ring of Fire * Signs * Stairway to Heaven * Trouble * Wagon Wheel * Wish You Were Here * Yellow * Yesterday * and more.
At an auction, an old, battered violin receives scant attention until a kindly violinist sees its worth and in playing it, calls forth beautiful music.
Petra, the newest dragon master, is scared to death of the Hydra dragon she is supposed to bond with--but when the Hydra accidentally poisons the King, and then her fellow dragon master, Drake, she must find a way to connect with her dragon, because only the Hydra's song can cure them.
The Siege Master's Song:The Recollections of Lord Godric MacEuan on the First Crusade, Volume Twoby Tom VetterWhen justice is denied, vengeance will do.I am Baron Godric MacEuan. As sheriff-at-large for Scotland, I rode the entire kingdom for King Malcolm Canmore, dealing with the worst of men to protect the innocent and enforce the king's law.Now, I am young, and often underestimated because of it. But that is a serious mistake, for I have a talent for destruction. And not even your castle can save you, for I destroy castles, too.Yet when good King Malcolm was treacherously slain, I could not save him, nor bring his killer to trial ... because his murderer was King William Rufus of England.Punish a king? You cannot. But you can take vengeance.So King Rufus rules England, and thinks himself safe to act as he likes because he wears its crown.But no man is truly safe from another set upon vengeance. Even a king. Especially from a man with my skills.------------------------------------------------------------SECOND VOLUME IN THE SIEGE MASTER SERIES, THE EPIC STORY OF THE FIRST CRUSADE TOLD AS NEVER BEFORE: AS THE FIRST-HAND RECOLLECTIONS OF A SCOTTISH KNIGHT WHO BATTLES TURKS, TURNCOATS, STARVATION, AND DEATH ITSELF TO WIN A CRUSADE AND RECOVER HOLY JERUSALEM. 384 pages. Release December 2016.
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of prac­ticing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct com­plex skills, maximize productive practice, and remove common learning barriers. By complet­ing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the meth­ods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard key­board, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the sim­ple techniques he teaches: Define your target performance level: Fig­ure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcompo­nents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accu­rate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chain­saws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.