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Doctors tell Raj that his son Emret won't survive his illness. As Raj struggles to prepare himself and Emret for the inevitable, he is confronted by Moslin, his son's nurse, who is been filling Emret's head with fairytales about heroic quests and powerful disease curing miracles. Emret now thinks that all he has to do is find the mythical Red Tree from the nurses' stories, and he will live. In an attempt to protect his son from further emotional damage, Raj asks Moslin to stay away from Emret. He returns hours later to find them both missing. He searches the fairytales for clues to where they may have gone and stumbles upon stories that, strangely, he already knows. He saw them in a vision just before his son disappeared.
When his teenage son, Keith, is accused in the disappearance of an eight-year-old girl, Eric Moore struggles to shelter Keith from the police investigation while seeking legal counsel and wondering about his son's possible guilt.
Doctors tell Raj that his son Emret won't survive his illness. As Raj struggles to prepare himself and Emret for the inevitable, he's confronted by Moslin, his son's nurse, who’s been filling Emret’s head with fairytales about heroic quests and powerful disease curing miracles. Emret now thinks that all he has to do is find the mythical Red Tree from the nurse's stories, and he'll live. In an attempt to protect his son from further emotional damage, Raj asks Moslin to stay away from Emret. He returns hours later to find them both missing. He searches the fairytales for clues to where they may have gone and stumbles upon stories that, strangely, he already knows. He saw them in a vision just before his son disappeared.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
"Gardner's reading of a wide range of published and unpublished texts recovers a multifaceted vision of the South. For example, during the war, while its outcome was not yet a foregone conclusion, women's writings sometimes reflected loyalty and optimism; at other times, they revealed doubts and a wavering resolve. According to Gardner, it was only in the aftermath of defeat that a more unified vision of the southern cause emerged. By the beginning of the twentieth century, however, white women - who remained deeply loyal to their southern roots - were raising fundamental questions about the meaning of southern womanhood in the modern era."--BOOK JACKET.