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A strange epidemic sweeps the French Riviera - a biological weapon created by Dr. Fu-Manchu. Dr. Petrie is called upon by the French authorities, and when the truth emerges, Denis Nayland-Smith is summoned to help stop his arch-foe before he can succeed in spreading his plague across Europe. As they struggle to contain the horror, Petrie's friend, the botanist Alan Sterling cannot stop thinking of the mysterious Fleurette, unaware that the beautiful girl he chanced upon was raised by the emperor of evil himself, Dr. Fu-Manchu. One of the finest novels in the series, its biological theme is a precursor to Ian Fleming's On Her Majesty's Secret Service, and Fu-Manchu himself is the prototypical Dr. No.
Simple Sabotage Field Manual was authored byby The United States Office of Strategic Services and is a must for any student of strategy and sabotage.
This final volume in the Fu-Manchu collection brings together some unpublished manuscripts, and stories which have previously appeared only in magazine form, by the late Sax Rohmer. The long title novella and three others feature the dastardly Dr. Fu-Manchu – and, of course, his unremitting opponent, Sir Denis Nayland Smith. There are eight more stories in this book, no less characteristic of Sax Rohmer's art.
After a chance encounter with a beautiful Egyptian woman, Michael Knox, the brash and arrogant assistant of renowned archaeologist Dr. Spiridon Simos, embarks on a whirlwind journey to Cairo, where he barely survives the terrifying reincarnation of the ancient Pharaoh Khunum-Khufu.
After discovering the tomb of El Mokanna—the Veiled Prophet—and retrieving the precious relics buried there, the eminent archaeologist Sir Lionel Barton blows up the tomb. The heretic sect faithful to Mokanna interpret the fireball as their prophet’s second coming, and a violent uprising begins. Meanwhile, the insidious Dr. Fu Manchu senses an opportunity to use the powerful relics for his own evil ends. The action stretches from Persia to Cairo, then back to London, including an extraordinary confrontation inside of the Great Pyramid. Along the way his opponents face Ogboni killers, mind-control drugs, dervishes, and a “ghost mosque.”
What will the future look like? To judge from many speculative fiction films and books, from Blade Runner to Cloud Atlas, the future will be full of cities that resemble Tokyo, Hong Kong, and Shanghai, and it will be populated mainly by cold, unfeeling citizens who act like robots. Techno-Orientalism investigates the phenomenon of imagining Asia and Asians in hypo- or hyper-technological terms in literary, cinematic, and new media representations, while critically examining the stereotype of Asians as both technologically advanced and intellectually primitive, in dire need of Western consciousness-raising. The collection’s fourteen original essays trace the discourse of techno-orientalism across a wide array of media, from radio serials to cyberpunk novels, from Sax Rohmer’s Dr. Fu Manchu to Firefly. Applying a variety of theoretical, historical, and interpretive approaches, the contributors consider techno-orientalism a truly global phenomenon. In part, they tackle the key question of how these stereotypes serve to both express and assuage Western anxieties about Asia’s growing cultural influence and economic dominance. Yet the book also examines artists who have appropriated techno-orientalist tropes in order to critique racist and imperialist attitudes. Techno-Orientalism is the first collection to define and critically analyze a phenomenon that pervades both science fiction and real-world news coverage of Asia. With essays on subjects ranging from wartime rhetoric of race and technology to science fiction by contemporary Asian American writers to the cultural implications of Korean gamers, this volume offers innovative perspectives and broadens conventional discussions in Asian American Cultural studies.