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The feminine script of early nineteenth century centered on women's role as patient, long-suffering mothers. By mid-century, however, their daughters faced a world very different in social and economic options and in the physical experiences surrounding their bodies. In this groundbreaking study, Nancy Theriot turns to social and medical history, developmental psychology, and feminist theory to explain the fundamental shift in women's concepts of femininity and gender identity during the course of the century—from an ideal suffering womanhood to emphasis on female control of physical self. Theriot's first chapter proposes a methodological shift that expands the interdisciplinary horizons of women's history. She argues that social psychological theories, recent work in literary criticism, and new philosophical work on subjectivities can provide helpful lenses for viewing mothers and children and for connecting socioeconomic change and ideological change. She recommends that women's historians take bolder steps to historicize the female body by making use of the theoretical insights of feminist philosophers, literary critics, and anthropologists. Within this methodological perspective, Theriot reads medical texts and woman- authored advice literature and autobiographies. She relates the early nineteenth-century notion of "true womanhood" to the socioeconomic and somatic realities of middle-class women's lives, particularly to their experience of the new male obstetrics. The generation of women born early in the century, in a close mother/daughter world, taught their daughters the feminine script by word and action. Their daughters, however, the first generation to benefit greatly from professional medicine, had less reason than their mothers to associate womanhood with pain and suffering. The new concept of femininity they created incorporated maternal teaching but altered it to make meaningful their own very different experience. This provocative study applies interdisciplinary methodology to new and long-standing questions in women's history and invites women's historians to explore alternative explanatory frameworks.
A pioneering and influential examination of how social institutions and values shaped American scientific practice and thought. In its original edition, No Other Gods offered a pioneering and influential examination of the ways in which social institutions and values shaped American scientific practice and thought. In this revised and expanded edition, Rosenberg directs our attention to the dilemma posed by the social study of science: How can we reconcile the scientist's understanding of science as a quest for truth and knowledge with the historian's conviction that all knowledge bears the marks of the culture which gave it birth?
These classic studies of the history of economic change in 19th- and 20th-century United States, Canada, and British West Indies examine national product; capital stock and wealth; and fertility, health, and mortality. "A 'must have' in the library of the serious economic historian."—Samuel Bostaph, Southern Economic Journal
Contraception is not an invention of modern times, nor is it a purely personal matter. Social institutions such as the church and the state have exerted their influence as effectively as doctors, population theorists, and the early pioneers of the feminist movement. All of these claim a special expertise in matters of ethics and morality, and so have shaped the discourses on and practices of birth control over the centuries. In this engaging new book Robert Jütte offers a history of contraception from the Ancient world to the present day. He distinguishes two broad phases: first, a long phase, extending from the Ancient world up to the 18th century, in which birth control was part of a traditional form of sexual knowledge what Jütte calls, following the French social philosopher Michel Foucault, the ars erotica. In the second phase, which began in the 19th century, practices of birth control are increasingly shaped by the emerging models of scientific knowledge, while still retaining some vestiges of the erotic arts. In addition to the contraceptives we know and use today, from coitus interruptus to the condom and the pill, Jütte considers other methods of birth control as diverse as the use of herbal potions and vaginal pessaries, the castration of young boys and the enforced sterilization of men and women. This comprehensive history of one of the oldest and most widespread of human practices offers a rich and nuanced account of how men and women across the centuries have struggled with the needs both for sexual gratification and for limitation of offspring, while also looking beyond the present to catch a glimpse of how contraception might evolve in the future.
A Traffic of Dead Bodies enters the sphere of bodysnatching medical students, dissection-room pranks, and anatomical fantasy. It shows how nineteenth-century American physicians used anatomy to develop a vital professional identity, while claiming authority over the living and the dead. It also introduces the middle-class women and men, working people, unorthodox healers, cultural radicals, entrepreneurs, and health reformers who resisted and exploited anatomy to articulate their own social identities and visions. The nineteenth century saw the rise of the American medical profession: a proliferation of practitioners, journals, organizations, sects, and schools. Anatomy lay at the heart of the medical curriculum, allowing American medicine to invest itself with the authority of European science. Anatomists crossed the boundary between life and death, cut into the body, reduced it to its parts, framed it with moral commentary, and represented it theatrically, visually, and textually. Only initiates of the dissecting room could claim the privileged healing status that came with direct knowledge of the body. But anatomy depended on confiscation of the dead--mainly the plundered bodies of African Americans, immigrants, Native Americans, and the poor. As black markets in cadavers flourished, so did a cultural obsession with anatomy, an obsession that gave rise to clashes over the legal, social, and moral status of the dead. Ministers praised or denounced anatomy from the pulpit; rioters sacked medical schools; and legislatures passed or repealed laws permitting medical schools to take the bodies of the destitute. Dissection narratives and representations of the anatomical body circulated in new places: schools, dime museums, popular lectures, minstrel shows, and sensationalist novels. Michael Sappol resurrects this world of graverobbers and anatomical healers, discerning new ligatures among race and gender relations, funerary practices, the formation of the middle-class, and medical professionalization. In the process, he offers an engrossing and surprisingly rich cultural history of nineteenth-century America.