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Retold in simple language, underlining importance of each Purana, with a lucid summary.
Puranas are not Itihas or history as it is understood in the West. A proper interpretation of Itihas and the Puranas would be to regard them as the words of seers who availed themselves of the available literature and classified it into various tomes of ancient life that contributed handsomely in forming the psyche of the East. In truth, there is a body of writings which are popular expositions of inherited truths amongst the people at large. Dharma, as the chief factor in shaping of human life, is the underlying motive of these ancient scriptures. Nevertheless, whatever the content and period of several Puranas including the Markandeya Purana may be, they embody ancient legends as the very name Purana signifies.
A gorgeous, lucid rendering of the majestic conclusion to the Mahabharata As an epilogue to the greatest epic of all time, the Harivamsha further elaborates on the myriad conflicts of dharma and the struggle between good and evil. Stories abound—from the cosmogony of the universe to the legends of the solar and lunar dynasties and even a foreshadowing of kali yuga in the future. At the centre of all these magnificent tales is the mercurial figure of Krishna, whose miraculous life and wondrous exploits are recounted with vivid detail. In offering a glimpse into Krishna’s life—as a mischievous child, as an enchanting lover, as a discerning prince—this luminous text sheds light on many questions left unanswered in the Mahabharata. Brimming with battles and miracles, wisdom and heroics, philosophical insight and psychological acuity, Bibek Debroy’s splendid translation of the Harivamsha is absolutely essential reading for all those who love the Mahabharata.
In ancient Bharatha, 64 arts were taught in the gurukulas, history being one of them. In these pages of history, we come across the enthralling account of the lives of great Maharshis, Sage Markandeya being one of them. He also figures among the Puranapurushas. He was born in the Bhrigu clan and was also called Bhargava, Bhrigunandana, and so on. He was an intellectual giant from birth and mastered the Vedas and Shastras. He also developed all the great qualities expected of a good human being and turned out to be a paragon of virtues. Unfotunately, he was destined by Lord Brahma to live a short but meaningful life. However, the saptharishis blessed him with a long life which was not in accordance with the creator’s blessings. So when the day of his doom actually arrived, Markandeya chanted the Mrithyunjaya Manthra, prayed hard to Lord Sankara and chanted ‘Aum’ with a pure heart. Lord Yama himself came to take him when Lord Sankara came out of the Sivalinga which young Markandeya held in an embrace. Yama had to beat a hasty retreat after being told by Sankara that the young boy had conquered death by severe tapas. Needless to say that the young boy’s worried parents were supremely happy at the turn of events. Markandeya was such a great tapasvi that Indra felt threatened. So, when he sent Kamadeva, Vasantha and a few apsaras to distract him, they failed. At the end of his tapas, Lord Nara-Narayana himself appeared before him and blessed him to experience the Vaishnavi maya. Markandeya was ensnared by the tentacles of Lord Mahavishnu’s maya and he spent thousands of years struggling in the sea of deluge. This is when he had a strange experience, that of the Lord’s Vaishnavi Maya – he was sucked into a child’s body where he saw the entire creation of the Lord and then was thrown out by the force of the child’s breathing. Lord Siva felt that people like the sage had the capacity to make others pure by their very darshan. After this , Markandeya wrote a famous epic which came to be known as Markandeya Purana. He got initiated to Shiva Sahasranama and composed Skandanama Sankeerthana and Sri Krishnamahima. Sage Markandeya remained by the side of the Pandavas whenever they were in trouble and infused confidence into them. He was present when Bhisma cast away his mortal body. He believed that only one force was true and real on earth and that was Sri Krishna. He believed that clean words, clean work and clean water (source of life) can raise man from being mundane to divinity. In short, sage Markandeya was a beacon for all ages, a true friend, and a model personality. Our other books here can be searched using #BharathaSamskruthiPrakashana
About 16 centuries ago, an unknown Indian author or authors gathered together the diverse threads of already ancient traditions and wove them into a verbal tapestry that today is still the central text for worshippers of the Hindu Devi, the Divine Mother. This spiritual classic, the Devimahatmya, addresses the perennial questions of the nature of the universe, humankind, and divinity. How are they related, how do we live in a world torn between good and evil, and how do we find lasting satisfaction and inner peace? These questions and their answers form the substance of the Devimahatmya. Its narrative of a dispossessed king, a merchant betrayed by the family he loves, and a seer whose teaching leads beyond existential suffering sets the stage for a trilogy of myths concerning the all-powerful Divine Mother, Durga, and the fierce battles she wages against throngs of demonic foes. In these allegories, her adversaries represent our all-too-human impulses toward power, possessions, and pleasure. The battlefields symbolize the field of human consciousness on which our lives' dramas play out in joy and sorrow, in wisdom and folly. The Devimahatmya speaks to us across the ages of the experiences and beliefs of our ancient ancestors. We sense their enchantment at nature's bounty and their terror before its destructive fury, their recognition of the good and evil in the human heart, and their understanding that everything in our experience is the expression of a greater reality, personified as the Divine Mother.
A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
Vishnu Puran is believed to be one of the most important Puranas, if not the most valuable ancient record of the faith called Sanatan Dharma. Its stories reveal about the various exploits of Vishnu incarnations. In rendering this holy text into English, the attention has been paid to put only those details that have certain fundamental truths of life. Hence, in this work those details have been deliberately omitted which may appear rather confusing or uninteresting to the reader not having the initiation in the sacred love. The main thrust of this attempt has been to show a clear glimpse of our ancient hermitage.