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The twenty-first century has been marked by an "oceanic turn" and by groundbreaking new research on the previously hidden depths of maritime life, literature, and culture. The Maritime World of the Anglo-Saxons builds upon these new areas of research as the first major volume of essays to explore Anglo-Saxon England's complex relationship to its maritime history, economy, and sensibilities. Individual essays focus on maritime travel, Viking invasions by sea, littoral culture, the archeology of the whale, and literary mythologies of monstrous sea creatures, bringing together insights from a range of disciplines: archeology, history, literature, paleography, linguistics, art history, critical theory, geography, and cultural studies.
We tend to think of early medieval people as unsophisticated about geography because their understandings of space and place often differed from ours, yet theirs were no less complex. Anglo-Saxons conceived of themselves as living at the centre of a cosmos that combined order and plenitude, two principles in a constant state of tension. In Inhabited Spaces, Nicole Guenther Discenza examines a variety of Anglo-Latin and Old English texts to shed light on Anglo-Saxon understandings of space. Anglo-Saxon models of the universe featured a spherical earth at the centre of a spherical universe ordered by God. They sought to shape the universe into knowable places, from where the earth stood in the cosmos, to the kingdoms of different peoples, and to the intimacy of the hall. Discenza argues that Anglo-Saxon works both construct orderly place and illuminate the limits of human spatial control.
The thirteen essays and the final poem contained in this volume reflect the fundamental importance of water across the whole breadth of medieval endeavour and understanding, as both source of life, and object of scholarly fascination, whose manifestations were the source of rich symbolism and imaginings. Ranging geographically from Ireland to the Arab world and from Iceland to Byzantium and chronologically from the fourth century CE to the sixteenth, the essays explore perceptions and theories of water through a wide range of approaches. Contributors are Michael Bintley, Tom Birkett, Laura Borghetti, Rafał Borysławski, Marilina Cesario, Marusca Francini, Kelly Grovier, Deborah Hayden, Simon Karstens, Andreas Lammer, David Livingstone, Luca Loschiavo, Hugh Magennis, Colin Fitzpatrick Murtha, François Quiviger, Elisa Ramazzina, and Karl Whittington.
Anglo-Saxon England is the only publication which consistently embraces all the main aspects of study of Anglo-Saxon history and culture - linguistic, literary, textual, palaeographic, religious, intellectual, historical, archaeological and artistic - and which promotes the more unusual interests - in music or medicine or education, for example. Articles in volume 37 include: Record of the thirteenth conference of the International Society of Anglo-Saxonists at the Institute of English Studies, University of London, 30 July to 4 August 2007; The virtues of rhetoric: Alcuin's Disputatio de rhetorica et de uirtutibus; King Edgar's charter for Pershore (972); Lost voices from Anglo-Saxon Lichfield; The Old English Promissio Regis; 'lfric, the Vikings, and an anonymous preacher in Cambridge, Corpus Christi College (162); Re-evaluating base-metal artifacts: an inscribed lead strap-end from Crewkerne, Somerset; Anglo-Saxon and related entries in the Oxford Dictionary of National Biography (2004); Bibliography for 2007.
An investigation of the non-human world in the Exeter Book riddles, drawing on the exciting new approaches of eco-criticism and eco-theology.
The definitive and fully illustrated guide to the Bayeux Tapestry. The full history of the events leading up to the Battle of Hastings and the story of the tapestry itself. Most people know that the Bayeux Tapestry depicts the moment when the last Anglo-Saxon king of England, Harold Godwinson, was defeated at the Battle of Hastings in 1066 by his Norman adversary William the Conqueror. However, there is much more to this historic treasure than merely illustrating the outcome of this famous battle. Full of intrigue and violence, the tapestry depicts everything from eleventh-century political and social life—including the political machinations on both sides of the English Channel in the years leading up to the Norman Conquest—to the clash of swords and stamp of hooves on the battle field. Drawing on the latest historical and scientific research, authors David Musgrove and Michael Lewis have written the definitive book on the Bayeux Tapestry, taking readers through its narrative, detailing the life of the tapestry in the centuries that followed its creation, explaining how it got its name, and even offering a new possibility that neither Harold nor William were the true intended king of England. Featuring stunning, full- color photographs throughout, The Story of the Bayeux Tapestry explores the complete tale behind this medieval treasure that continues to amaze nearly one thousand years after its creation.
This volume combines a comprehensive exploration of all vessel glass from middle and late Anglo-Saxon England and a review of the early glass with detailed interpretation of its meaning and place in Anglo-Saxon society. Analysis of a comprehensive dataset of all known Anglo-Saxon vessel glass of middle Anglo-Saxon date as a group has enabled the first quantification of form, colour, and decoration, and provided the structure for a new typological, chronological and geographical framework. The quantification and comparison of the vessel glass fragments and their attributes, and the mapping of the national distribution of these characteristics (forms, colours and decoration types), both represent significant developments and create rich opportunities for the future. The geographical scope is dictated by the glass fragments, which are from settlements located along the coast from Northumbria to Kent and along the south coast to Southampton. Seven case studies of intra-site glass distribution reveal that the anticipated pattern of peripheral disposal alongside dining waste is widespread, although exceptions exist at the monastic sites at Lyminge, Kent, and Jarrow, Tyne and Wear. Overall, the research themes addressed are the glass corpus and its typology; glass vessels in Anglo-Saxon society; and glass vessels as an economic indicator of trade and exchange. Analysis reveals new understandings of both the glass itself and the role of glass vessels in the social and economic mechanisms of early medieval England. There is currently no comprehensive work examining early medieval vessel glass, particularly the post sixth-century fragmentary material from settlements, and my monograph will fill that gap. The space is particularly noticeable when considering books on archaeological glass from England: the early medieval period is the only one with no reference volume; no recent, through and accessible source of information. The British Museum published a monograph entitled ‘Catalogue of Anglo-Saxon Glass in the British Museum’ in 2008, but as the title suggests it is a catalogue at heart, and of a collection of fifth and sixth century grave goods in a single museum. Chronologically, a volume on the subject would fill the space between various books on Roman glass from Britain and ‘Medieval glass vessels found in England c. AD 1200-1500’ by Rachel Tyson. This book on early medieval vessel glass and the contexts from which it came will also make a significant contribution to early medieval settlement studies and the archaeology of trade in this period: both are growth areas of scholarship and interest and vessel glass provides a new tool to address key debates in the field.
This collection of fifteen papers ranges from the author's initial interest in the Tapestry as a source of information on early medieval dress, through to her startling recognition of the embroidery's sophisticated narrative structure. Developing the work of previous authors who had identified graphic models for some of the images, she argues that not just the images themselves but the contexts from which they were drawn should be taken in to account in 'reading' the messages of the Tapestry. In further investigating the minds and hands behind this, the largest non-architectural artefact surviving from the Middle Ages, she ranges over the seams, the embroidery stitches, the language and artistry of the inscription, the potential significance of borders and the gestures of the figures in the main register, always scrutinising detail informatively. She identifies an over-riding conception and house style in the Tapestry, but also sees different hands at work in both needlecraft and graphics. Most intriguingly, she recognises an sub-contractor with a Roman source and a clownish wit. The author is Professor of Anglo-Saxon Culture at The University of Manchester, UK, a specialist in Old English poetry, Anglo-Saxon material culture and medieval dress and textiles.
An authoritative life of Edward the Confessor, the monarch whose death sparked the invasion of 1066 One of the last kings of Anglo-Saxon England, Edward the Confessor regained the throne for the House of Wessex and is the only English monarch to have been canonized. Often cast as a reluctant ruler, easily manipulated by his in-laws, he has been blamed for causing the invasion of 1066—the last successful conquest of England by a foreign power. Tom Licence navigates the contemporary webs of political deceit to present a strikingly different Edward. He was a compassionate man and conscientious ruler, whose reign marked an interval of peace and prosperity between periods of strife. More than any monarch before, he exploited the mystique of royalty to capture the hearts of his subjects. This compelling biography provides a much-needed reassessment of Edward’s reign—calling into doubt the legitimacy of his successors and rewriting the ending of Anglo-Saxon England.
Essays on the post-modern reception and interpretation of the Middle Ages. Though Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme. The first part features four short essays that directly address manifestations of sexism in postmedieval responses to the Middle Ages: gender substitutions in a Grail Quest episode of the 2023 television series Mrs. Davis, repurposed misogyny in the last two episodes of Game of Thrones (2011-19), traditional gender stereotypes in Capital One's credit card commercials from 2000 to 2013, and "shaggy" medievalism in Robert Eggers' 2022 film The Northman. The second part contains ten longer essays, which collectively continue to demonstrate the ubiquity of gender issues and the extraordinary flexibility of approaches to them. The authors discuss the misogynistic sexualization of Grendel's mother in Parke Godwin's 1995 fantasy novel The Tower of Beowulf, in Graham Baker's 1999 film Beowulf, in three episodes from the television series Xena: Warrior Princess, and in Robert Zemeckis's 2007 film Beowulf; gender substitution in David Lowery's 2021 film The Green Knight and in Kinoku Nasu's and Takashi Takeuchi's anime series Fate (2004-); female authorship of three early-nineteenth-century plays about court ladies' medieval empowerment; extraordinary violence in medievalist video games; nationalism in fake nineteenth-century medievalist documents and in contemporary online fora; racial discrimination in video gaming and in Jim Crow literature; and the condemnation of racism in Maria Dahvana Headley's 2018 novel The Mere Wife.