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Edition of D. H. Lawrence's last book, Apocalypse, along with other writings on the Revolution.
The first scholarly edition of Lawrence's earliest short stories.
You could describe D.H. Lawrence as the great multi-instrumentalist among the great writers of the twentieth century. He was a brilliant, endlessly controversial novelist who transformed, for better and for worse, the way we write about sex and emotions; he was a wonderful poet; he was an essayist of burning curiosity, expansive lyricism, odd humor, and radical intelligence, equaled, perhaps, only by Virginia Woolf. Here Geoff Dyer, one of the finest essayists of our day, draws on the whole range of Lawrence’s published essays to reintroduce him to a new generation of readers for whom the essay has become an important genre. We get Lawrence the book reviewer, writing about Death in Venice and welcoming Ernest Hemingway; Lawrence the travel writer, in Mexico and New Mexico and Italy; Lawrence the memoirist, depicting his strange sometime-friend Maurice Magnus; Lawrence the restless inquirer into the possibilities of the novel, writing about the novel and morality and addressing the question of why the novel matters; and, finally, the Lawrence who meditates on birdsong or the death of a porcupine in the Rocky Mountains. Dyer’s selection of Lawrence’s essays is a wonderful introduction to a fundamental, dazzling writer.
It was the sitting-room of a mean house standing in line with hundreds of others of the same kind along a wide road in South London. Now and again the trams hummed by but the room was foreign to the trams and to the sound of the London traffic.
Winner of a BC 2000 Book Prize Canada needs more books like this. -Wireweed
In 1912, D H Lawrence met Frieda von Richthofen, the wife of his former professor, and fell in love with her. The pair eloped to Bavaria, leaving her three children behind and two years later they were married. This book sheds a different light on the Lawrences, using several of Frieda's letters.