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Shakespeare's plays are stuffed with letters - 111 appear on stage in all but five of his dramas. But for modern actors, directors, and critics they are frequently an awkward embarrassment. Alan Stewart shows how and why Shakespeare put letters on stage in virtually all of his plays. By reconstructing the very different uses to which letters were put in Shakespeare's time, and recapturing what it meant to write, send, receive, read, and archive a letter, it throws new light on some of his most familiar dramas. Early modern letters were not private missives sent through an anonymous postal system, but a vital - sometimes the only - means of maintaining contact and sending news between distant locations. Penning a letter was a serious business in a period when writers made their own pen and ink; letter-writing protocols were strict; letters were dispatched by personal messengers or carriers, often received and read in public - and Shakespeare exploited all these features to dramatic effect. Surveying the vast range of letters in Shakespeare's oeuvre, the book also features sustained new readings of Hamlet, King Lear, Antony and Cleopatra, The Merchant of Venice and Henry IV Part One.
How did the penitentiary get its name? Why did the English impose long prison sentences? Did class and economic conflict really lie at the heart of their correctional system? In a groundbreaking study that challenges the assumptions of modern criminal justice scholarship, Laurie Throness answers many questions like these by exposing the deep theological roots of the judicial institutions of eighteenth-century Britain. The book offers a scholarly account of the passage of the Penitentiary Act of 1779, combining meticulous attention to detail with a sweeping theological overview of the century prior to the Act. But it is not just an intellectual history. It tells a fascinating story of a broader religious movement, and the people and beliefs that motivated them to create a new institution. The work is original because it relies so completely on original sources. It is mystical because it mingles heavenly with earthly justice. It is authoritative because of its explanatory power. Its anecdotes and insights, poetry and song, provide intriguing glimpses into another era strangely familiar to our own. Of special interest to social and legal historians, criminologists, and theologians, this work will also appeal to a wider audience of those who are interested in Christianity's impact on Western culture and institutions.
Volume III of the Oxford History of the Irish Book outlines the impact of the rise of print in early modern Ireland in a series of groundbreaking essays, charting the development of a print culture in Ireland and the transformations it brought to conceptions of politics, religion, and literature. This is an authoritative volume with essays by key scholars that will be the standard guide for many years to come.
A new assessment of the life and political career of Lord Shelburne, prime minister 1782-83, and of the context in which he lived. Lord Shelburne, Prime Minister in 1782-83, was a profoundly important politician, whose achievements included the negotiation of the peace with the newly-independent United States. This book constitutes a major and long overdue reappraisal of the politician considered by Disraeli to be the "most neglected Prime Minister". The book indicates, caters for, and leads the revival of interest in high politics, including its gendered aspects. It covers Shelburne's friends, his finances, and his politics, and places him carefully within both an international and a national context. For the first time his complicated but compelling family life, his satisfying relations with women, andhis Irish ancestry are presented as essential factors for understanding his public impact overall. Shelburne was a politician, patron, and cultural leader whose relationship to many of the ideas, influences, and individuals of the European Enlightenment are also emphasised. The book is thoroughly up to date, written by leading authorities in the field, and predominantly based on unpublished primary research. Shelburne and his circle constituted oneof the most important [and progressive] elements in British and European politics during the second half of the eighteenth century, and the book will appeal to all readers interested in the Enlightenment. NIGEL ASTON isReader in Early Modern History in the School of Historical Studies at the University of Leicester; CLARISSA CAMPBELL ORR is Reader in Enlightenment, Gender and Court Studies at Anglia Ruskin University.