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This 1856 work, advocating the abolition of mechanical restraints in treating mentally ill patients, is a key text of asylum reform.
This lecture delivered in 1838 promotes a more humane and compassionate approach to the treatment of the mentally ill in asylums. It is a fascinating historical document that sheds light on the early efforts to reform institutional care. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
First published in 2006. A private madhouse can be defined as a privately owned establishment for the reception and care of insane persons, conducted as a business proposition for the personal profit of the proprietor or proprietors. The history of such establishments in England and Wales can be traced for a period of over three and a half centuries, from the early seventeenth century up to the present day. This volume is a study of private madhouses in England in the eighteenth and nineteenth centuries.
An archaeology of lunacy is a materially focused exploration of the first wave of public asylum building in Britain and Ireland, which took place during the late-Georgian and early Victorian period. Examining architecture and material culture, the book proposes that the familiar asylum archetype, usually attributed to the Victorians, was in fact developed much earlier. It looks at the planning and construction of the first public asylums and assesses the extent to which popular ideas about reformed management practices for the insane were applied at ground level. Crucially, it moves beyond doctors and reformers, repopulating the asylum with the myriad characters that made up its everyday existence: keepers, clerks and patients. Contributing to archaeological scholarship on institutions of confinement, the book is aimed at academics, students and general readers interested in the material environment of the historic lunatic asylum.
Social Order/Mental Disorder represents a provocative and exciting exploration of social response to madness in England and the United States from the eighteenth through the twentieth centuries. Scull, who is well-known for his previous work in this area, examines a range of issues, including the changing social meanings of madness, the emergence and consolidation of the psychiatric profession, the often troubled relationship between psychiatry and the law, the linkages between sex and madness, and the constitution, character, and collapse of the asylum as our standard response to the problems posed by mental disorder. This book is emphatically not part of the venerable tradition of hagiography that has celebrated psychiatric history as a long struggle in which the steady application of rational-scientific principles has produced irregular but unmistakable evidence of progress toward humane treatments for the mentally ill. In fact, Scull contends that traditional mental hospitals, for much of their existence, resembled cemeteries for the still breathing, medical hubris having at times served to license dangerous, mutilating, even life-threatening experiments on the dead souls confined therein. He argues that only the sociologically blind would deny that psychiatrists are deeply involved in the definition and identification of what constitutes madness in our world – hence, claims that mental illness is a purely naturalistic category, somehow devoid of contamination by the social, are taken to be patently absurd. Scull points out, however, that the commitment to examine psychiatry and its ministrations with a critical eye by no means entails the romantic idea that the problems it deals with are purely the invention of the professional mind, or the Manichean notion that all psychiatric interventions are malevolent and ill-conceived. It is the task of unromantic criticism that is attempted in this book.
In his 1852 novel Basil, Wilkie Collins' narrator concludes that "those ghastly heart-tragedies laid open before me ... are not to be written, but ... are acted and reacted, scene by scene, year by year, in the secret theatre of home." Taking this memorable quote as her starting point, Jenny Bourne Taylor demonstrates how Victorian psychology is central to an understanding of the complexity and vitality of Collins' fiction, exploring the boundaries of mind/body, sanity/madness, and consciousness/unconsciousness. Taylor's depth of research and thoughtful analysis establishes the importance of Collins as a writer whose fiction challenges the cultural constructions of the nineteenth century, and proves "the impossibility of drawing a precise boundary between fictional and psychological codes". Going beyond conventional discussion of the sensation genre, here we see the depth and range of Collins' writing and gain an understanding of its relation to Victorian medical thought. The study includes close readings of five novels: Basil (1852), The Woman in White (1859-60), No Name (1862-3), Armadale (1864-66), and The Moonstone (1868). Consideration is also given to Man and Wife (1870), The New Magdalen (1872), The Law and the Lady (1875), Jezebel's Daughter (1879), Heart and Science (1882-3), The Fallen Leaves (1879), and The Legacy of Cain (1889). CONTENTS Foreword by Andrew Mangham Introduction - Collins as a sensation novelist Chapter 1 - The psychic and the social: Boundaries of identity in nineteenth-century psychology Chapter 2 - Nervous fancies of hypochondriacal bachelors - Basil, and the problems of modern life Chapter 3 - The Woman in White - Resemblance and difference - patience and resolution Chapter 4 - Skins to jump into - Femininity as masquerade in No Name Chapter 5 - Armadale - The sensitive subject as palimpsest Chapter 6 - Lost parcel or hidden soul? Detecting the unconscious in The Moonstone Chapter 7 - Resistless influences - Degeneration and its negation in the later fiction