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The runaway Estonian bestseller tells the imaginative and moving story of a boy tasked with preserving ancient traditions in the face of modernity. Set in a fantastical version of medieval Estonia, The Man Who Spoke Snakish follows a young boy, Leemet, who lives with his hunter-gatherer family in the forest and is the last speaker of the ancient tongue of snakish, a language that allows its speakers to command all animals. But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their “bread” (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest’s sacred grove. With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett.
One summer, when both his parents are away for work, Oskar is sent to the countryside to live with his grandma. A dreary prospect turns into disaster when Oskar realises he left his mobile phone back at home. What will he do all summer now? Lonely and bored, Oskar crafts a phone out of a block of wood he finds in the shed and uses it to pretend to call things. To his surprise, the things reply! He speaks to a tough-talking iron, a poetising bin, a bloodthirsty wardrobe, a red balloon that gets tangled in the crown of a birch tree, and many more. Oskar finds himself in high demand, helping the things solve their problems and achieve their dreams. Oskar and the Things is a charming book about the power of the imagination and friendship, by Estonia's leading children's writer, Andrus Kivirähk. With a lively translation by Adam Cullen, and the original illustrations by Anne Pikkov, it is the perfect gift for an introverted child with a rich inner life.
The first in a series of books that have taken Europe by storm and are soon to be filmed, featuring a chemist-turned-sleuth who battles ignorance and superstition—as well as killers—in a beautiful setting and in a gripping and mysterious era of historyThe Apothecary Melchior series plunges the reader into 15th-century Tallinn when Estonia is at the edge of Christian lands and the last foothold before the East: a town of foreign merchants and engineers, dominated by the mighty castle of Toompea and the construction of St Olaf's Church, soon to become the tallest building in the world. Apothecary Melchior is a divisive figure in the town: respected for his arcane knowledge and scientific curiosity but also slightly feared for his mystical witch-doctor aura. When a mysterious murder occurs in the castle, Melchior is called in to help find the killer and reveals a talent for detection. But Tallinn has a serial killer in its midst, and Melchior is tested to the limit in a plot with as many twists and turns as the turreted castle itself. Melchior uncovers a mystery surrounding St Olaf's and a secret society that has been controlling the town for years, uncovering truths about the town that may spell danger.
How rarely science-fiction writers succeed in creating a wholly alien culture may be judged from any adequate study of an earthly culture of a time or place which does not form part of our direct heritage. S.F's aliens may have pseudopods or supersdentific gadgets, but rarely so wholly different a frame of reference as man himself has achieved in other eras. Here F&SFs favorite Scandinavian skald takes us to Iceland near the end of the tenth century and convincingly depicts a truly "alien" way of life and teaches us the tragic truth that the role of a twentieth-century timetraveler to a "primitive" culture need not necessarily be that of Prometheus the Fire-Bringer.
"The Adventure of the Speckled Band" by Arthur Conan Doyle follows Sherlock Holmes and Dr. Watson as they investigate the mysterious death of a woman in a locked room. Her sister, fearing for her life, seeks Holmes' help. The clues point to a chilling family secret and a strange sound in the night, leading Holmes to uncover a sinister plot hidden in plain sight.
Dorota Maslowska's audacious debut novel establishes her as a new young literary voice of international importance.
"1968. Riga. News of the Prague Spring washes across Europe, causing ripples on either side of the Iron Curtain. A young Estonian woman has agreed to pose as a model for a famous, sculptor, who is trying to evade military service and escape to the West. Although the model has only a vague awareness of politics -- her interest in life is primarily poetic -- the consequences of the politics of both past and present repeatedly make themselves felt. Chance remarks overheard prompt memories of people and places, language itself becomes fluid, by turns deceptive and reassuring. The Beauty of History is a novel of poetic intensity, of fleeting moods and captured moments. It is powerfully evocative of life within the Baltic States during the Soviet occupation, and of the challenge to artists to express their individuality whilst maintaining at least an outward show of loyalty to the dominant ideology. Written on the cusp of independence, as Estonia and Latvia sought to regain their sovereignty in 1991, this is a novel that can be seen as an historic document -- wistful, unsettling, and beautiful"--Back cover.
“The provocative Icelandic poet’s debut novel . . . urgently explores the challenges and costs of a young woman’s passionate yet toxic relationship.” —Time, Best Books of Summer 2021 As a young university student, Lilja is quickly smitten with the intelligent, beautiful young man from school who quotes Derrida and reads Latin and cooks balanced vegetarian meals. Before she knows it, she’s moved into his cramped apartment, surrounded by sour towels and flat Diet Cokes. As the newfound intimacy of sharing a shower and a bed fuels her desire to please her partner, his subtle abuses continue to mount undetected. Lilja desperately tries to meet his every need, slowly losing her sense of self in the process. In her debut novel, Thora Hjörleifsdóttir sheds light on the commonplace undercurrents of violence that so often go undetected in romantic relationships. She deftly illustrates the failings of psychiatric systems in recognizing symptoms of cruelty, and in powerful, poetic prose depicts the unspooling of a tender-hearted woman desperate to love well.