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This Pulitzer Prize–winning author’s true account of the thief behind the famed 1972 heist is “an engrossing crime biography . . . [and] a fast-paced romp” (Kirkus Reviews). Growing up in Rochester, New York, Bobby Comfort wanted to be a good something. It just so happened that he was great at being a criminal. In January 1972, men in tuxedos robbed the Pierre, the luxurious Manhattan hotel, and got away with eleven million dollars’ worth of cash and jewelry. The police were baffled by how such a large-scale operation could go off so smoothly. The answer lay in the leader of the thieves, a man by the name of Bobby Comfort. He had taken to crime from a young age with card sharping and petty theft. Eventually, taking money from the rich was where he excelled. Sort of like Robin Hood—except for the part where he kept the loot himself—Comfort masterminded what was, at the time, the most lucrative heist in history, while appearing to his neighbors like an ordinary suburban family man. In this blend of insightful biography and true crime, Pulitzer Prize–winning journalist Ira Berkow chronicles the story, using first-hand accounts to weave together a fascinating portrait of a criminal and “a corking good cops-and-robbers tale” (Library Journal).
New York City, 1972.Bobby Comfort and Sammy “the Arab” Nalo were highly skilled jewel thieves who specialized in robbing luxury Manhattan hotels. With the blessing of the Lucchese Crime Family, their next plot targeted the posh Pierre Hotel—host to kings and queens, presidents and aldermen, and the wealthiest of the wealthy. Attired in tuxedoes and driven in a limousine, this band of thieves arrived at the Pierre, seized the security guards and, in systematically choreographed moves, swiftly took the night staff—and several unfortunate guests who happened to be roaming about the lobby—as hostages.The deposit boxes inside the vault chamber were plundered and the gentlemanly thieves departed in their limousine with a haul of $28 million. But then matters began to deteriorate. The authorities immediately suspected Comfort and Nalo of masterminding The Pierre ambush and arrested them, but the veteran criminals kept their mouths shut. The Lucchese Family funneled a $500,000 bribe to the presiding judge to quash the charges—and to this day The Pierre Hotel caper remains unsolved.
The New York Times–bestselling author’s pioneering true crime classic: It’s “Truman Capote’s In Cold Blood turned inside out” (Newsweek). During an armed robbery in 1974, five hostages were held in the basement of a small home-audio store in Ogden, Utah, by a group of enlisted US Air Force airmen stationed at a nearby base. The victims—including wife and mother Carol Naisbitt—were brutally tortured, shot in the head, and left for dead. Yet somehow, Carol’s sixteen-year-old son made it out alive—and “the emotional strain his family underwent during his year-long hospitalization, is the heart of Kinder’s story” (Kirkus Reviews). In Victim, the first true crime book to go beyond the headlines and tell story of love, loss, courage, and survival, “the crime in question becomes not merely something that happened to somebody else somewhere else, but rather an event that touches us all firsthand and very deeply.” A compelling and tragic look at how lives can be changed forever by a random act of violence, it remains one of the most influential books in the victims’ rights movement and has become required reading for trainees at the FBI Academy at Quantico (Boston Herald).
NEW YORK TIMES BESTSELLER • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, this gloriously entertaining novel is “fast-paced, keen-eyed and very funny ... about race, power and the history of Harlem all disguised as a thrill-ride crime novel" (San Francisco Chronicle). "Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn't ask where it comes from. He knows a discreet jeweler downtown who doesn't ask questions, either. Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the "Waldorf of Harlem"—and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle's ingenious story plays out in a beautifully recreated New York City of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. But mostly, it's a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead. Look for Colson Whitehead’s new novel, Crook Manifesto!
WINNER OF THE 2020 RBC TAYLOR PRIZE • "Readers might well wonder if Jonathan Swift at his edgiest has been at work."—RBC Taylor Prize Jury Citation • "A remarkable biography of an even more remarkable 17th-century individual ... Beautifully written and endlessly thought-provoking."—Maclean’s Murderer. Salesman. Pirate. Adventurer. Cannibal. Co-founder of the Hudson's Bay Company. Known to some as the first European to explore the upper Mississippi, and widely as the namesake of ships and hotel chains, Pierre-Esprit Radisson is perhaps best described, writes Mark Bourrie, as “an eager hustler with no known scruples.” Kidnapped by Mohawk warriors at the age of fifteen, Radisson assimilated and was adopted by a powerful family, only to escape to New York City after less than a year. After being recaptured, he defected from a raiding party to the Dutch and crossed the Atlantic to Holland—thus beginning a lifetime of seized opportunities and frustrated ambitions. A guest among First Nations communities, French fur traders, and royal courts; witness to London’s Great Plague and Great Fire; and unwitting agent of the Jesuits’ corporate espionage, Radisson double-crossed the English, French, Dutch, and his adoptive Mohawk family alike, found himself marooned by pirates in Spain, and lived through shipwreck on the reefs of Venezuela. His most lasting venture as an Artic fur trader led to the founding of the Hudson’s Bay Company, which operates today, 350 years later, as North America’s oldest corporation. Sourced from Radisson’s journals, which are the best first-hand accounts of 17th century Canada, Bush Runner tells the extraordinary true story of this protean 17th-century figure, a man more trading partner than colonizer, a peddler of goods and not worldview—and with it offers a fresh perspective on the world in which he lived.
A riveting and frequently hilarious insider account of one of the twentieth century’s most outrageous capers. On the evening of January 17, 1950, armed robbers wearing Captain Marvel masks entered the Brink’s Armored Car building in Boston, Massachusetts. They walked out less than an hour later with more than $2.7 million in cash and securities. It was a brazen and expertly executed theft that captured the imaginations of millions of Americans and baffled the FBI and local law enforcement officials. But what appeared on the surface to be the perfect crime was, in fact, the end result of a mind-boggling series of mistakes, miscalculations, and missteps. The men behind the masks were not expert bank robbers but a motley crew of small-time crooks who bumbled their way into a record-breaking payday and managed to elude the long arm of the law for six years. New York Times–bestselling author Noel Behn tape-recorded nearly one thousand hours of interviews with the surviving robbers, including motormouthed mastermind Tony Pino, a character so colorful he might have been dreamed up by a Hollywood screenwriter, to tell the uncensored story of the heist forever known as “the Great Brink’s Robbery.” Fun and suspenseful from first page to last, Behn’s true-crime classic was the basis for The Brink’s Job (1978), the Academy Award–nominated film directed by William Friedkin and starring Peter Falk and Peter Boyle.
Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.
On Aug. 14, 1975, eight daring thieves ransacked 148 massive safe-deposit boxes at a secret bank used by organized crime, La Cosa Nostra, and its associates in Providence, R.I. The crooks fled with duffle bags crammed full of cash, gold, silver, stamps, coins, jewels and high-end jewelry. The true value of the loot has always been kept secret, partly because it was ill-gotten to begin with, and partly because there was plenty of incentive to keep its true worth out of the limelight. It's one thing for authorities to admit they didn't find a trace of goods worth from $3 million to $4 million, and entirely another when what was at stake was more accurately valued at about $30 million, the equivalent of $120 million today. It was the biggest single payday in the criminal history of the Northeast. Nobody came close, not the infamous James "Whitey" Bulger, not John "The Dapper Don" Gotti, not even the Brinks or Wells Fargo robbers. The heist was bold enough and big enough to rock the underworld to its core, and it left La Cosa Nostra in the region awash in turmoil that still reverberates nearly 38 years later. "The Last Good Heist" is the inside story of the robbery and its aftermath.
NATIONAL BESTSELLER • With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a beloved bestseller, Rick Bragg continues his personal history of the Deep South. This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate brawler, who could sit for hours with a baby in the crook of his arm. In telling Charlie’s story, Bragg conjures up the backwoods hamlets of Georgia and Alabama in the years when the roads were still dirt and real men never cussed in front of ladies. A masterly family chronicle and a human portrait so vivid you can smell the cornbread and whiskey, Ava’s Man is unforgettable.