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One of Twain's most celebrated novellas, 'The Man That Corrupted Hadleyburg' is a satirical retelling of the Garden of Eden story in the Bible, in which the author, mocking the supposed honesty and incorruptibility of the inhabitants of an imaginary American town, shows how man is fundamentally bad and cannot resist the temptations of gold. This collection also includes another acclaimed novella, 'A Double-Barrelled Detective Story', a spoof of the mystery genre featuring Sherlock Holmes in the American West, as well as lesser-known narratives such as 'The Belated Russian Passport' and 'The Death Disk'. Together, these tales are a testament to Twain's inexhaustible gift for invention and his skills as a storyteller.
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Mark Twain's classic tale is a funny yet blistering indictment of political hypocrisy. A mysterious stranger is treated badly by the town of Hadleyburg-the town that proclaims itself "the most honest and upright town in the region." Through an ingenious sting operation, the stranger sets out to expose Hadleyburg's leading citizens and reveal their greedy, deceitful natures. Twain's burning wit and insight into political posturing and civic cowardice seem more pertinent than ever.
Originally published: Berkeley, Calif; London: University of California Press, 1969.
For deft plotting, riotous inventiveness, unforgettable characters, and language that brilliantly captures the lively rhythms of American speech, no American writer comes close to Mark Twain. This sparkling anthology covers the entire span of Twain’s inimitable yarn-spinning, from his early broad comedy to the biting satire of his later years. Every one of his sixty stories is here: ranging from the frontier humor of “The Celebrated Jumping Frog of Calaveras County,” to the bitter vision of humankind in “The Man That Corrupted Hadleyburg,” to the delightful hilarity of “Is He Living or Is He Dead?” Surging with Twain’s ebullient wit and penetrating insight into the follies of human nature, this volume is a vibrant summation of the career of–in the words of H. L. Mencken–“the father of our national literature.”
Over the last twenty years of his life, Mark Twain was a controversial figure. He evolved from the "clown prince of American literature" into a biting social critic and political observer. While some pundits hailed him as a satirist equal to Cervantes and Jonathan Swift, others excoriated him as a "degenerate literary freak" who wielded a "scurrilous and venomous pen." This volume traces the evolution of Mark Twain's public image between 1891 and his death in 1910. It features hundreds of reviews and other critical notices in magazines and newspapers across the U.S. and other English-speaking countries. The selected samples represent the full range of critical opinion, whether favorable or hostile, about his late writings. Sources reflect geographical differences in Twain's reputation, such as the conflicted responses in the British colonies towards his anti-imperialism and the pious disapproval in the American heartland of his attacks on foreign missions.