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John Rees, soldier and freedom fighter, was a shadowy figure who surfaced during two crucial nineteenth-century revolts and then disappeared from history. For the first time, author John Humphries reveals the fate of the man, first mentioned as a member of the New Orleans Greys, who fought for Texan Independence at the Alamo and narrowly escaped execution at the Goliad Mission. Later, Rees was one of the main agitators in the doomed Welsh Chartist movement. Twenty-two men died during the Chartist attack upon the Westgate Hotel when a detachment from the 45th Regiment of Foot, hidden behind the hotel's shuttered windows, discharged their muskets into the crowd. For waging war against the monarch, thirteen of the Chartist leaders were indicted for high treason in the last great show trial in British legal history, while Rees escaped back to the American West. Rees' spectacular journey from the bloodied sands of Texas to the last armed uprising on British soil is only one of the stories told in this book.
A New York Times bestseller! “Lively and absorbing. . ." — The New York Times Book Review "Engrossing." —Wall Street Journal “Entertaining and well-researched . . . ” —Houston Chronicle Three noted Texan writers combine forces to tell the real story of the Alamo, dispelling the myths, exploring why they had their day for so long, and explaining why the ugly fight about its meaning is now coming to a head. Every nation needs its creation myth, and since Texas was a nation before it was a state, it's no surprise that its myths bite deep. There's no piece of history more important to Texans than the Battle of the Alamo, when Davy Crockett and a band of rebels went down in a blaze of glory fighting for independence from Mexico, losing the battle but setting Texas up to win the war. However, that version of events, as Forget the Alamo definitively shows, owes more to fantasy than reality. Just as the site of the Alamo was left in ruins for decades, its story was forgotten and twisted over time, with the contributions of Tejanos--Texans of Mexican origin, who fought alongside the Anglo rebels--scrubbed from the record, and the origin of the conflict over Mexico's push to abolish slavery papered over. Forget the Alamo provocatively explains the true story of the battle against the backdrop of Texas's struggle for independence, then shows how the sausage of myth got made in the Jim Crow South of the late nineteenth and early twentieth century. As uncomfortable as it may be to hear for some, celebrating the Alamo has long had an echo of celebrating whiteness. In the past forty-some years, waves of revisionists have come at this topic, and at times have made real progress toward a more nuanced and inclusive story that doesn't alienate anyone. But we are not living in one of those times; the fight over the Alamo's meaning has become more pitched than ever in the past few years, even violent, as Texas's future begins to look more and more different from its past. It's the perfect time for a wise and generous-spirited book that shines the bright light of the truth into a place that's gotten awfully dark.
"Among the fifty or so Texan survivors of the siege of the Alamo was Joe, the personal slave of Lt. Col. William Barret Travis. First interrogated by Santa Anna, Joe was allowed to depart (along with Susana Dickinson) and eventually made his way to the seat of the revolutionary government at Washington-on-the-Brazos. Joe was then returned to the Travis estate in Columbia, Texas, near the coast. He escaped in 1837 and was never captured. Ron J. Jackson and Lee White have meticulously researched plantation ledgers, journals, memoirs, slave narratives, ship logs, newspapers, personal letters, and court documents to fill in the gaps of Joe's story. "Joe, the Slave Who Became an Alamo Legend" provides not only a recovered biography of an individual lost to history, but also offers a fresh vantage point from which to view the events of the Texas Revolution"--
"The majority of the stories of the Alamo fight have been partly legendary, partly hearsay and at best fragmentary. It has been left to John Myers Myers to present an exhaustively researched book which reveals the chronicle of the siege of the Alamo in an entirely different light. . . . Myers' story will stand as the best that has yet been written on the Alamo. . . . It's a classic."-Boston Post "Here is a historian with the vitality and drive to match his subject. A reporter of the first rank, he can clothe the dry bones of history with the living stuff of which today's news is made."-Chicago Tribune John Myers Myers authored sixteen books, including Doc Holliday and Tombstone's Early Years, also available as Bison Books.
Budd Boetticher (1916-2001) was a bullfighter, a pleasant madman and a talented journeyman filmmaker who could--with the right material and drive--create a minor Western film classic as easily as he could kill a bull. Yet pain and passion naturally mixed in both endeavors. Drawing on studio archives and featuring insightful interviews with Boetticher and those who worked with him, this retrospective looks at each of his 33 films in detail, covering his cinematic career from his days as an assistant's assistant on the set of Hal Roach comedies to his last documentary some 45 years later.
Last Stands from the Alamo to Benghazi examines how filmmakers teach Americans about the country’s military past. Examining twenty-three representative war films and locating them in their cultural and military landscape, the authors argue that Hollywood’s view of American military history has evolved in two phases. The first phase, extending from the very beginnings of filmmaking to the Korean War, projected an essential patriotic triumphalism. The second phase, from the Korean and Vietnam Wars to the present, reflects a retreat from consensus and reflexive patriotism. In describing these phases, the authors address recurring themes such as the experience of war and combat, the image of the American war hero, race, gender, national myths, and more. With helpful film commentaries that extend the discussion through popular movie narratives, this book is essential for anyone interested in American military and film history.
A New York Times bestselling novel, modern historical classic, and winner of the TCU Texas Book Award, The Spur Award and the Wrangler Award for Outstanding Western Novel It’s 1836, and the Mexican province of Texas is in revolt. As General Santa Anna’s forces move closer to the small fort that will soon be legend, three people’s fates will become intrinsically tied to the coming battle: Edmund McGowan, a proud and gifted naturalist; the widowed innkeeper Mary Mott; and her sixteen-year-old son, Terrell, whose first shattering experience with love has led him into the line of fire. Filled with dramatic scenes, and abounding in fictional and historical personalities—among them James Bowie, David Crockett, William Travis, and Stephen Austin—The Gates of the Alamo is a faithful and compelling look at a riveting chapter in American history.
Through a top-secret process, 33 combat-hardened Vietnam veterans are headed into the past on a mission to secure the richest oil land in history as American territory.
Interpreting the famous siege and battle that has inspired art for more than 170 years, this unique resource traces the musical history of the Alamo and offers the only complete discography and list of songs about the legendary battle. Chapters cover the many and varied musical interpretations of the Alamo and its heroes, illuminating various periods of American musical history throughout. From nineteenth-century folk ballads, minstrel show tunes, and orchestral marches, to recent pop chart hits, children's songs, theatrical productions, and big-screen film scores, all are gathered in this complete compendium, helping to remember the Alamo. Also included is a thirty-minute audio CD of music representative of the Alamo.
Although The Alamo fell in the early morning of March 6, 1836, the death of the Alamo defenders has come to symbolize courage and sacrifice for the cause of liberty. The memories of James Bowie, Davy Crockett, and William B. Travis are as powerful today as when the Texan Army routed Santa Anna to the cry "Remember the Alamo!" This book is more than a tribute to those who fell defending the mission. It is a thoroughly researched, vividly illustrated, objective description of the circumstances building up to and leading from that stand. By using contemporary writings, this history describes the political and military organizations of both sides, the weapons and equipment available to them, and the enduringly famous personalities involved, creating a vivid picture of this dramatic battle and the period in which it was fought.