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From the riotous days of Prohibition and the Jazz Age to the brutal awakening of Pearl Harbor, one man ruled the fate of America's most dangerous criminals. He was Lewis E. Lawes, warden of Sing Sing prison, the Big House up the river, who believed that no man was beyond redemption. Warden Lawes couldn't banish the electric chair (though he tried) but he knew that humanitarian care and good morale provided better security than the stoutest walls. Lawes befriended the Hollywood greats, Charlie Chaplin and Humphrey Bogart and Spencer Tracy and Harry Warner, opening Sing Sing to the movies and exposing prisoners to the glamour of the silver screen. He brought Babe Ruth to Sing Sing, fielded a winning football team called The Black Sheep that brought gridiron glory to the circuit known as the Big Pen, and ran training shops, school classes and culture programs. Truly, Warden Lawes made Sing Sing sing. But Lawes was no pushover. He brought law to Sing Sing, a tale that comes alive in the hands of prize-winning New York Times reporter Ralph Blumenthal. He killed on orders from the state, consigning 303 condemned men and women to the electric chair. But he crusaded fiercely against the death penalty as useless and preached that every man deserved a second chance, even if, in the end, he faced a terrible betrayal. Lawes taught the nation that a jail was a lockup but a prison was a community. With his perfect name and flawless eye for fashion, Lawes took over as the ninth warden in eight years -- at 39, the youngest man to lead the century-old institution, then overflowing with more than a thousand hardened criminals and luckless youths. Vice was rife -- bribery, alcohol, drugs and sex. The political bosses held sway, swinging deals for favored inmates. Enemies accused him of coddling prisoners but he ridiculed the charge. No one was coddled on a food budget of 18 cents a day. Lawes lived with his wife and daughters in a Victorian mansion abutting the cellblock, where he was shaved each morning by a prison barber convicted of slashing a man's throat, the household cook was a murderer, and his youngest daughter's favorite babysitter was serving twenty-five years for kidnapping. Lawes tamed the tyrannical Charles E. Chapin who had terrorized generations of reporters as the editor of Joseph Pulitzer's Evening World before murdering his wife and winding up as Lawes's favorite horticulturist, the Rose Man of Sing Sing. Lawes championed the advent of radio and used it to inspire his prisoners and educate the public on penal reform. He wrote film scripts and radio plays and dramas and best-selling books. But in the end, his finest tribute came not from the mighty but a lowly prisoner in the yard who muttered, to no one in particular, "There was a right guy."
This biography of the early 20th-century newspaper giant who became news after killing his wife “has the pace and detail of an engrossing historical novel” (Boston Herald). As city editor of Joseph Pulitzer’s New York Evening World, Charles E. Chapin was the quintessential newsroom tyrant: he drove reporters relentlessly, setting the pace for evening press journalism with blockbuster stories from the Harry K. Thaw trial to the sinking of the Titanic. At the pinnacle of his fame in 1918, Chapin was deeply depressed and facing financial ruin. He decided to kill himself and his wife Nellie. But after shooting Nellie in her sleep, he failed to take his own life. The trial made one hell of a story for the Evening World’s competitors, and Chapin was sentenced to life in Ossining, New York’s, infamous Sing Sing Prison. In The Rose Man of Sing Sing, James McGrath Morris tracks Chapin’s journey from Chicago street reporter to celebrity New York powerbroker to infamous murderer. But Chapin’s story is not without redemption: in prison, he started a newspaper fighting for prisoner rights, wrote a best-selling autobiography, had two long-distance love affairs, and transformed barren prison plots into world-famous rose gardens. The first biography of one of the founding figures of modern American journalism, and a vibrant chronicle of the cutthroat culture of scoops and scandals, The Rose Man of Sing Sing is also a hidden history of New York at its most colorful and passionate.
In this toe-tapping jazz tribute, the traditional "This Old Man" gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound "divine." Easy on the ear and the eye, this playful introduction to nine jazz giants will teach children to count--and will give them every reason to get up and dance! Includes a brief biography of each musician.
This “gripping social history” (Publishers Weekly), with all the passion and pathos of a classic opera, chronicles the riveting first campaign against the death penalty waged in 1895 by American pioneer activist, Cora Slocomb, Countess of Brazzà, to save the life of a twenty-year-old illiterate Italian immigrant, Maria Barbella, who killed the man who had abused her. Previously published as The Trials of Maria Barbella. In 1895, a twenty-two-year-old Italian seamstress named Maria Barbella was accused of murdering her lover, Domenico Cataldo, after he seduced her and broke his promise to marry her. Following a sensational trial filled with inept lawyers, dishonest reporters and editors, and a crooked judge repaying political favors, the illiterate immigrant became the first woman sentenced to the newly invented electric chair at Sing Sing, where she is also the first female prisoner. Behind the scenes, a corporate war raged for the monopoly of electricity pitting two giants, Edison and Westinghouse with Nikola Tesla at his side, against each other. Enter Cora Slocomb, an American-born Italian aristocrat and activist, who launched the first campaign against the death penalty to save Maria. Rallying the New York press, Cora reached out across the social divide—from the mansions of Fifth Avenue to the tenements of Little Italy. Maria’s “crime of honor” quickly becomes a cause celebre, seizing the nation’s attention. Idanna Pucci, Cora’s great-granddaughter, masterfully recounts this astonishing story by drawing on original research and documents from the US and Italy. This dramatic page-turner, interwoven with twists and unexpected turns, grapples with the tragedy of immigration, capital punishment, ethnic prejudice, criminal justice, corporate greed, violence against women, and a woman’s right to reject the role of victim. Over a century later, this story is as urgent as ever.
#1 NEW YORK TIMES BESTSELLER • Stunning and brutally powerful, "one of the most important novels of our time" (The New York Times) tells the story of a man named Farragut, his crime and punishment, and his struggle to remain a man in a universe bent on beating him back into childhood. In a nightmarish prison, out of Farragut's suffering and astonishing salvation, Pulitzer Prize-winning author John Cheever crafted his most powerful work of fiction. Only Cheever could deliver these grand themes with the irony, unforced eloquence, and exhilarating humor that make Falconer such a triumphant work of the moral imagination.
The New York Times bestseller about a young black man's journey from violence and despair to the threshold of stardom: "A beautiful tribute to the power of good teachers" (Terry Gross, Fresh Air). "One of the most inspiring stories I've come across in a long time."-Pamela Paul, New York Times Book Review Ryan Speedo Green had a tough upbringing in southeastern Virginia: his family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of twelve, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of twenty-four, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers. Today, he is a rising star performing major roles at the Met and Europe's most prestigious opera houses. Sing for Your Life chronicles Ryan's suspenseful, racially charged and artistically intricate journey from solitary confinement to stardom. Daniel Bergner takes readers on Ryan's path toward redemption, introducing us to a cast of memorable characters -- including the two teachers from his childhood who redirect his rage into music, and his long-lost father who finally reappears to hear Ryan sing. Bergner illuminates all that it takes -- technically, creatively -- to find and foster the beauty of the human voice. And Sing for Your Life sheds unique light on the enduring and complex realities of race in America.
Who Should Sing "Ol' Man River"?: The Lives of an American Song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises.
The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners’ rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture.
Without romanticizing the prisoners in his stories, the author--who served for many years as the Catholic chaplain at Sing Sing prison--humanizes them, offers a compelling picture of the reality of an oppressive criminal justice system, and describes the challenge and joy of proclaiming the gospel in such an environment.
An old man lived in a remote valley, where he sang, whistled or played music on his wind-up gramophone. The animals in the valley came to love his music. As the years passed he became forgetful, and one day he forgot to sing. But the animals knew how to remind him.