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Recent years have witnessed an explosion of academic and popular interest in the issue of social identity. Yet the subject areas of regional and sub-regional identities, and historical engagements between ’the regional’, ’the local’ and ’the national’, remain very neglected. Seeking to make a contribution towards redressing these areas of neglect and to further advancing our knowledge and understanding of the general issue of social identity, this volume of essays offers the reader an exploration of some of the rich and varied, historical interpretations of ’the North’ and ’Northernness’. The focus rests mainly, but not exclusively, upon the North of England. Taken as a whole, the essays highlight the contingent, fluid, and ambiguous nature of ’Northenness’, its complex and shifting interplay with feelings of localism and nationalism, and the profound, if varying, influences of class, race, gender, sport, tourism, music and political and economic structures and concerns upon ’northern’ identities. This book will hold a general appeal to readers interested in the issue of social identity, especially in its regional and local manifestations and engagements. It will find a wide readership across the humanities and social sciences. It should be compulsory reading for those in New Labour addressing the issue of the ’North-South divide’.
This book is concerned with the remarkable changes made to the built environment in Lancashire’s main textile district – essentially the eastern and central parts of the county – during the Industrial Revolution (c1780-c1850). A case-study approach is taken, with findings from investigations at six different types of site being presented. The sites included are water-powered mill remains in the Cheesden Valley, near Rochdale; Barrow Bridge factory village, near Bolton; the former handloom weavers’ colony at Club Houses, Horwich; Preston’s Winckley Square; Eanam Wharf at Blackburn; and, to the north of Bolton, the road between Bromley Cross and Edgworth. The case studies show how, in rural and urban areas alike, developments in industry, housing and transport greatly extended the built environment and brought striking new features to it. Emphasis is placed on interpreting the physical evidence the sites provide, linking it with that taken from various types of documentary source, especially historical maps. By making comparisons with developments occurring at similar types of site elsewhere in Britain, as well as in Europe and North America, the forms the changes took are explained and their significance assessed. Additionally, insights are provided into the economic and social impact the changes brought, especially on the everyday lives that people led.
A comprehensive and up-to-date introduction to all the archaeological periods covering Britain from early prehistory to the industrial revolution. It provides a one-stop textbook for the entire archaeology of Britain.
Presents a new perspective on the Industrial Revolution providing far more than just an account of industrial change. Looks at the development of the economic structures and includes chapters on financing the revolution, technological change, markets and demand, transport and food. The final section looks at economic change and its impact and includes chapters on demography, the household, families, authority and regulation, and the built environment. Providing a complete summary of the various debates in the literature on this period, making a strong case for re-introducing a regional approach to the history of the age.
This book is the outcome of the first joint conference of the two country's foremost societies devoted to the archaeological study of the early-modern and modern worlds. It discusses the progress of industrialization and its impact upon modern society.
This collection aims to give insight to the reader as to how poetic approaches to documentary filmmaking have helped to develop the documentary form into a rich and diverse way of representing the real world in film. As such, it is the aesthetics of documentary filmmaking that becomes the primary focus of discussion within this collection. The majority of the chapters are written by documentary filmmakers who give insight into how poetics have influenced their own approach to documentary filmmaking, while other chapters are written by film scholars who analyse the work of others, in order to uncover how poetics are manifested in existing documentary films. This book will be of interest to those who produce documentary films, as well as those who have an interest in the work of other documentary filmmakers.