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The Westminster Retable was conserved at the Hamilton Kerr Institute, University of Cambridge.
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
Featuring illuminated manuscripts from nineteen Boston-area institutions, Beyond Words provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. With over 150 manuscripts on display, Manuscripts for Pleasure & Piety at the McMullen Museum focuses on lay readership and the place of books in medieval society. The High Middle Ages witnessed an affirmation of the visual and, with it, empirical experience. There was an explosion of illumination. Various types of images, whether in prayer or professional books, attest to the newfound importance of visual demonstration in matters of faith and science alike."--
Scholars have until now lacked a detailed study of the Octateuchs, a group of five illustrated Byzantine manuscripts that accompany the text of the first eight books of the Bible. Since the first historical studies of Early Christian and Byzantine art in the late nineteenth century, the Octateuchs have been considered important to hypotheses about the development of biblical illustration as well as to more detailed iconographic studies. John Lowden's study makes available much new information about the Octateuchs that includes a number of previously unpublished manuscript images and pages. Lowden examines the Octateuchs both individually and as a group, determining the relationships among them and offering many suggestions concerning the process of their creation. The author also covers topics ranging from antiquity to the Renaissance and takes up issues as diverse as the invention of illustration, the transmission of iconography, the role of archetypes and lost models, and the artist as copyist or inventor. His broader discussion includes individual works ranging from Dura Europos to the Sistine Chapel and art-historical constructs such as the Macedonian Renaissance. In addition, Lowden critically examines approaches to studies of such illustrations, specifically those of Kurt Weitzmann.
More than a generation has passed since the appearance of the last major Catholic Bible dictionary. It has been a fertile generation for biblical scholarship, an eventful time for biblical archaeology, and a fruitful time for the Church’s interpretation of the Bible. It is time for a new resource. Scott Hahn, internationally renowned theologian and biblical scholar, has inspired millions with his insight into the Catholic faith. Now he brings us this important reference guide, written specifically for Catholics, which contains more than five thousand clear and accessible entries and covers a wide range of people, places, and topics. From Genesis to Revelation, the whole of salvation history is presented and explained in smart, easy-to-understand prose. Catholic Bible Dictionary is an invaluable source of information, insight, and guidance for Catholics and others who are interested in enriching their understanding of Sacred Scripture. Scott Hahn draws from two millennia of scholarship to create an accessible and comprehensive tool for deeper and more rewarding biblical study.
Until 2008 the Jaharis Lectionary was a hidden treasure: an illuminated Byzantine manuscript that was almost entirely unknown, even to scholars. Superbly preserved, it is arguably the most important Byzantine work to come to the Metropolitan Museum's renowned collection since the 1917 gifts of J. Pierpont Morgan. It represents the apogee of Constantinopolitan craftsmanship around the year 1100.In this important study, John Lowden, a leading expert on Byzantine manuscripts, discusses his discoveries about this extraordinary manuscript within the broader context of Byzantine book illumination. He traces the book's history from its acquisition to its production in Constantinople. By detailed analysis and comparison, the author shows how the manuscript was made for use in the patriarchal church of Hagia Sophia.