Download Free The Making Of Mia Book in PDF and EPUB Free Download. You can read online The Making Of Mia and write the review.

Almost two decades after the Vietnam War, most Americans remain convinced that U.S. prisoners are still being held captive in Southeast Asia, and many even accuse the government of concealing their existence. But as H. Bruce Franklin demonstrates in his startling investigation, there is no plausible basis for the belief in live POWs. Through scrupulous research, he shows for the first time how this illusion was fabricated and then converted into a powerful myth. Franklin reveals that in 1969 the Nixon administration, aided by militant pro-war forces, manufactured the POW/MIA issue to deflect attention from American atrocities in Vietnam, to undermine the burgeoning anti-war movement, and to stymie the Paris peace talks, resulting in the prolongation of the Vietnam War for another four years. Successive administrations, in an effort to mobilize public support for their continued economic and political warfare against Vietnam, asserted the possibility of live POWs at great emotional cost to both family members of the missing and countless Americans distressed about the fate of those supposedly left behind in Indochina. Born of political expediency, the POW/MIA issue was transformed in the 1980s into a potent myth. American culture was transfigured as movies and novels designed to reimage the Vietnam War turned the imagined post-war POWs into crucial symbols of betrayed American manhood and honor. Finally the myth began to turn against its creators when many Americans became convinced that the government itself was conspiring to betray the missing men. As he traces the evolution of the POW/MIA myth, Franklin not only exposes it as an elaborate hoax at the highest levels of government, butalso explains why the myth has penetrated to the heart of American life. By confronting the "true tragedy of the missing in Vietnam", Franklin helps us to understand how to heal the terrible psychological and spiritual wounds of the Vietnam War.
Gorgeous, feel-good debut of one woman's journey from rags to bitches... When Jo Hill lands a job as a PA at GLOSS magazine, she thinks it's the job of her dreams. But it soon turns into a nightmare. As a mousy secretary with a penchant for giant bags of Maltesers and comfy shoes, Jo doesn't exactly fit in at the uber-chic office. Her boss humiliates her; her colleagues bitch about her; even the receptionist ignores her. At first, Jo's not sure why - is it her hair, her figure, her clothes? Then she realises it's pretty much all of the above and that she'll never be like the sleek, glamorous girls flitting round the office in their Sass & Bide jeans and Gucci mules. Or will she? Jo might be overweight and overlooked, but she's different in other ways too. She's bright, ambitious and smart, and what's more, she has a plan. Reduced to tears for the umpteenth time by her boss - the gorgeous but vicious magazine publisher Joshua Garnet - Jo knows it's time for drastic action. She's had it with magazines and knows that 'discovering a whole new you' takes more than a manicure and a new MAC blusher. Jo's going to give herself the ultimate makeover and by the time she's finished, the magazine world - and Joshua - won't know what's hit them. Goodbye Jo, hello Mia - magazine diva extraordinaire.
A groundbreaking and always controversial musician, M.I.A. is an influential artist and an important cultural figure of the last decade. Here is a documentation of her entire visual output and a telling of her story in collages, photos, and prints from her early years in art school at Central Saint Martins London through to her hugely successful three albums, mixtapes, and live performances at PS1 MoMA, Coachella, various exhibitions, installations, and music video shoots. The artwork is comprised of a wide variety of materials and media: video stills turned to stencils pieced back together to make animated installations; spray-painted canvasses scanned then made into digital collages; photographs videotaped, then run through bad computer connections to create graphic prints; artwork on nails, walls, prints for T-shirts, handmade stage costumes—anything she could find while she was touring. Also included are assorted lyrics and portions of an exclusive interview in which she discusses candidly the personal events and themes which informed her art and music at the time of each campaign. Includes foreword by Steve Loveridge, friend since her art school days and frequent creative collaborator with M.I.A.
A heart-expanding novel about four Latinx teens who make New Year’s resolutions for one another—and the whirlwind of a year that follows. Fans of Erika L. Sánchez and Emery Lord will fall for this story of friendship, identity, and the struggle of finding yourself when all you want is to start over. From hiking trips to four-person birthday parties to never-ending group texts, Jess, Lee, Ryan, and Nora have always been inseparable. But now with senior year on the horizon, they’ve been growing apart. And so, as always, Jess makes a plan. Reinstating their usual tradition of making resolutions together on New Year’s Eve, Jess adds a new twist: instead of making their own resolutions, the four friends assign them to one another—dares like kiss someone you know is wrong for you, find your calling outside your mom’s Puerto Rican restaurant, finally learn Spanish, and say yes to everything. But as the year unfolds, Jess, Lee, Ryan, and Nora each test the bonds that hold them together. And amid first loves, heartbreaks, and life-changing decisions, beginning again is never as simple as it seems.
An Invitation to Community and Models for Connection After almost every presentation activist and writer Mia Birdsong gives to executives, think tanks, and policy makers, one of those leaders quietly confesses how much they long for the profound community she describes. They have family, friends, and colleagues, yet they still feel like they're standing alone. They're "winning" at the American Dream, but they're lonely, disconnected, and unsatisfied. It seems counterintuitive that living the "good life"--the well-paying job, the nuclear family, the upward mobility--can make us feel isolated and unhappy. But in a divided America, where only a quarter of us know our neighbors and everyone is either a winner or a loser, we've forgotten the key element that helped us make progress in the first place: community. In this provocative, groundbreaking work, Mia Birdsong shows that what separates us isn't only the ever-present injustices built around race, class, gender, values, and beliefs, but also our denial of our interdependence and need for belonging. In response to the fear and discomfort we feel, we've built walls, and instead of leaning on each other, we find ourselves leaning on concrete. Through research, interviews, and stories of lived experience, How We Show Up returns us to our inherent connectedness where we find strength, safety, and support in vulnerability and generosity, in asking for help, and in being accountable. Showing up--literally and figuratively--points us toward the promise of our collective vitality and leads us to the liberated well-being we all want.
Mia is fifteen and during her summer vacation she starts working at a children's playhouse, meets new people (including Eric, who she knew once long ago when he was not so interesting) and continues sibling warfare with her younger brother Chris.
He was only supposed to tempt Vanessa Reynolds away from her plot to become queen. The pretty, single mother may believe she's going to marry his father, but Prince Marcus Salvatora will do everything in his power to prevent a royal marriage. Yet befriending the lovely American and her adorable baby girl has the debonair bachelor awash in confusion. This woman and her child are not schemers. In fact, they could make his life complete. But once she leaves without a wedding ring, the powerful prince knows he'll be forbidden to ever truly make her his own.
"Love Inspired inspirational romance"--Spine.
After decades of liberalization of the telecommunications industry around the world and technological convergence that allows for increasing competition, sector-specific regulation of telecommunications has been on the decline. As a result, the telecommunications industry stands in the middle of a debate that calls for either a total deregulation of access to broadband infrastructures or a separation of infrastructure from service delivery. This book proposes new approaches to dealing with the current and future issues of regulation of telecommunication markets on both a regional and a global scale. This volume represents a valuable compendium of ideas regarding global trends in the telecommunications industry that focus on market and regulatory issues and company strategies. With an international cast of contributors, Regulation and the Evolution of the Global Telecommunications Industry also provides insight into topics including: mobile Internet development, structural function and separation, global experiences with next generation networks, technology convergence and the role of regulation, and the regulatory impact on the balance between static and dynamic efficiencies. The empirical evidence and experiences presented here illustrate the diversity of thoughts and research that characterize this important area of academic and business research. Thus, it will be a critical reference for scholars and students of regulatory economics, policy and finance and researchers and administrators of the telecom industry.
"In The Making of James Agee, Hugh Davis takes a comprehensive look at Agee's career, showing the interrelatedness of his concerns as a writer. A full view of Agee's oeuvre, Davis argues, illuminates its deeply political nature and reveals a debt to various sources, particularly European surrealism, that have been little noted by previous Agee scholars." "Davis challenges the view of Agee that has persisted since his death - that he is best understood primarily as a romantic individualist at odds with convention and the literary mainstream - and argues that this myth was largely constructed by friends and associates who were so immersed in the tenets of modernism that they distorted Agee's work (and aesthetic intent) in an attempt to purify it in modernist terms. In revealing a writer of far greater complexity than the myth allows, Davis explores, for example, the leftist poetry that Agee wrote in the 1930s, which was almost completely suppressed by his editors. He also throws a fresh light on Agee's collaboration with photographer Walker Evans on Let Us Now Praise Famous Men and reevaluates A Death in the Family in light of recent scholarship that has produced an almost entirely new version of the novel, one much closer to Agee's original intentions."--BOOK JACKET.