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A maiden's daydreams of what she will buy with the money she expects to earn for a pail of milk she carries on her head earn her a valuable lesson, instead.
Relates how Benjamin Banneker's grandmother journeyed from England to Maryland in the late seventeenth century, worked as an indentured servant, began a farm of her own, and married a freed slave.
Carrying her pail of milk upon her head, a milkmaid daydreams of what she will purchase once she sells the milk at market. But the milk is spilt before the maid can sell it, and thus readers learn the phrase 'don't count your chickens before they're hatched.' Additional features include pages defining fables and morals, an introduction to Aesop, a Think-About-It section, activities for further learning, and an introduction to both the author and illustrator.
In this catalogue for the exhibition, Walter Liedtke, Curator of Paintings at the Metropolitan, drawing on the Museum's five Vermeers, scenes by other Dutch masters in the Museum's collection, including Pieter de Hooch, Gabriel Metsu, Nicolaes Maes, and Emanuel de Witte, and several works on paper, places the picture in the context of the artist's brief career and relates it to contemporary developments in Dutch art. In addition to an extended discussion of the painting's provenance, he provides a detailed study of the composition, the several revisions made during the course of execution, and the subtle relationships between light and shadow, color, contour, and shape. And he proposes a most intriguing argument for an erotic subtext, pointing out that, like maids and kitchen maids in earlier Netherlandish art, the figure in The Milkmaid was meant to attract the male viewer, to rouse in him temptation and restraint, desire and reservation, while the kitchen maid herself, endowed with traits typically reserved for higher-class women and surrounded by references to romance both literal and oblique, is presented as having amorous thoughts of her own.
CHAPTER I. It was half-past four o’clock (by the testimony of the land-surveyor, my authority for the particulars of this story, a gentleman with the faintest curve of humour on his lips); it was half-past four o’clock on a May morning in the eighteen forties. A dense white fog hung over the Valley of the Exe, ending against the hills on either side. But though nothing in the vale could be seen from higher ground, notes of differing kinds gave pretty clear indications that bustling life was going on there. This audible presence and visual absence of an active scene had a peculiar effect above the fog level. Nature had laid a white hand over the creatures ensconced within the vale, as a hand might be laid over a nest of chirping birds. The noises that ascended through the pallid coverlid were perturbed lowings, mingled with human voices in sharps and flats, and the bark of a dog. These, followed by the slamming of a gate, explained as well as eyesight could have done, to any inhabitant of the district, that Dairyman Tucker’s under-milker was driving the cows from the meads into the stalls. When a rougher accent joined in the vociferations of man and beast, it would have been realized that the dairy-farmer himself had come out to meet the cows, pail in hand, and white pinafore on; and when, moreover, some women’s voices joined in the chorus, that the cows were stalled and proceedings about to commence.
'An ass, clothed in the skin of a lion...' Aesop's animal fables are some of the earliest stories ever told, thought to have been composed by a slave in Greek antiquity and giving glimpses of a world that is harsh, pitiless and yet also eerily familiar. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions Aesop is believed to have lived in 6th century BC. Aesop's The Complete Fables is available in Penguin Classics.
One hundred twenty-six best-loved fables of Aesop.
In the mid-1800s thousands of pioneers crossed the western plains of the United States using the 2,000-mile pathway called the Oregon Trail. Minnow and her family live in one of the many native villages scattered across the plains. She has a lively sense of adventure and her favorite pastime is swimming in the nearby river where she rightly earns her nickname. Rose and her family are traveling in one of the many wagon trains making their way west. It's been a tedious journey with little excitement. Rose can't wait for something thrilling to happen. And one day it does. On the banks of a rushing river that divides one way of life from another, two very different cultures come face-to-face, with life-changing results.In addition to writing children's books, Judy Young teaches poetry writing workshops for children and educators across the country. Her other books with Sleeping Bear Press include the popular R is for Rhyme: A Poetry Alphabet and The Lucky Star. Judy lives near Springfield, Missouri. A graduate of the Ringling School of Art and Design, Bill Farnsworth has created paintings for magazines, advertisements, children's books, and fine art commissions. He has illustrated more than 50 children's books and his book awards include a Teachers' Choice Award, the 2005 Patricia Gallagher Award, and the 2007 Volunteer State Book Award. Bill lives in Venice, Florida.