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The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Adi Parva by Kisari Mohan Ganguli SECTION I Om! Having bowed down to Narayana and Nara, the most exalted male being, and also to the goddess Saraswati, must the word Jaya be uttered. Ugrasrava, the son of Lomaharshana, surnamed Sauti, well-versed in the Puranas, bending with humility, one day approached the great sages of rigid vows, sitting at their ease, who had attended the twelve years' sacrifice of Saunaka, surnamed Kulapati, in the forest of Naimisha. Those ascetics, wishing to hear his wonderful narrations, presently began to address him who had thus arrived at that recluse abode of the inhabitants of the forest of Naimisha. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Discover the epic saga of ancient India in The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 1, translated by Kisari Mohan Ganguli. This monumental work delves into the complexities of dharma, power, and human nature, inviting readers to witness a timeless tale of conflict, duty, and morality. As the narrative unfolds, you will be captivated by the legendary characters, each grappling with their destinies against the backdrop of an impending war. But here’s a thought-provoking question: What sacrifices will they make, and what truths will they uncover in the pursuit of righteousness?Through epic battles, intricate relationships, and philosophical dialogues, Ganguli’s translation brings to life the profound wisdom embedded in this ancient text. The Mahabharata transcends mere storytelling, presenting a rich tapestry of moral dilemmas and ethical quandaries that resonate with the human experience. Are you prepared to journey through a world where every choice carries weight and every action has consequences? This epic invites you to reflect on your own values and beliefs as you immerse yourself in its timeless wisdom.With its compelling narratives and unforgettable characters, The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 1 serves as both a literary masterpiece and a profound exploration of life’s greatest challenges. It’s not just a story; it's a guide to understanding our place in the universe. Don’t miss your chance to explore the depths of this epic tale. Purchase The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 1 today and embark on an extraordinary journey through history and philosophy!
The present book is a translation of original Mahabharata written by Vyasa in sanskrit prose. This translation has been carried out in the form of prose in the English language.
"The Mahabharata Vol. 4: Book 13" is an exceptional literary work translated by Kisari Mohan Ganguli. This volume delves into the profound and epic tale of the Mahabharata, one of the most revered and enduring mythological texts of ancient India. Within the pages of this volume, readers will find themselves immersed in the captivating world of gods, heroes, and intricate human dramas. "Book 13" explores the climactic events leading up to the great Kurukshetra war, a colossal conflict between two royal families, the Pandavas and the Kauravas. Kisari Mohan Ganguli's translation of the Mahabharata beautifully captures the essence of the original Sanskrit epic, allowing readers to experience the intricate plotlines, ethical dilemmas, and timeless wisdom embedded within the narrative. "The Mahabharata Vol. 4: Book 13" presents a treasure trove of cultural and spiritual knowledge that continues to inspire and enlighten readers to this day. Whether one is well-versed in Hindu mythology or new to this ancient epic, this volume offers an immersive experience, providing a glimpse into a bygone era and a deep exploration of timeless human truths. Kisari Mohan Ganguli's translation of the Mahabharata invites readers to embark on a transformative journey, leaving an indelible impression on their hearts and minds.
Why should we be good? How should we be good? And how might we more deeply understand the moral and ethical failings--splashed across today's headlines--that have not only destroyed individual lives but caused widespread calamity as well, bringing communities, nations, and indeed the global economy to the brink of collapse? In The Difficulty of Being Good, Gurcharan Das seeks answers to these questions in an unlikely source: the 2,000 year-old Sanskrit epic, Mahabharata. A sprawling, witty, ironic, and delightful poem, the Mahabharata is obsessed with the elusive notion of dharma--in essence, doing the right thing. When a hero does something wrong in a Greek epic, he wastes little time on self-reflection; when a hero falters in the Mahabharata, the action stops and everyone weighs in with a different and often contradictory take on dharma. Each major character in the epic embodies a significant moral failing or virtue, and their struggles mirror with uncanny precision our own familiar emotions of anxiety, courage, despair, remorse, envy, compassion, vengefulness, and duty. Das explores the Mahabharata from many perspectives and compares the successes and failures of the poem's characters to those of contemporary individuals, many of them highly visible players in the world of economics, business, and politics. In every case, he finds striking parallels that carry lessons for everyone faced with ethical and moral dilemmas in today's complex world. Written with the flair and seemingly effortless erudition that have made Gurcharan Das a bestselling author around the world--and enlivened by Das's forthright discussion of his own personal search for a more meaningful life--The Difficulty of Being Good shines the light of an ancient poem on the most challenging moral ambiguities of modern life.
The Bhagavad Gita, or the song of God, was revealed by Lord Shree Krishna to Arjun on the threshold of the epic war of Mahabharata. A decisive battle between two sets of cousins, the Kauravas and the Pandavas, was just about to commence on the battlefield of Kurukshetra. A detailed account of the reasons that led to such a colossal war is given under Introduction-The Setting of the Bhagavad Gita. The Bhagavad Gita is primarily a conversation between Lord Shree Krishna and Arjun. Yet, the first chapter begins with a dialogue between King Dhritarashtra and his minister Sanjay. Dhritarashtra being blind, could not leave his palace in Hastinapur but was eager to know the ongoings of the battlefield. Sanjay was a disciple of Sage Ved Vyas, the author of the epic Mahabharata and several other Hindu scriptures. Sage Ved Vyas possessed a mystic ability to see and hear events occurring in distant places. He had bestowed upon Sanjay the miraculous power of distant vision. Therefore, Sanjay could see and hear what transpired on the battleground of Kurukshetra, and gave a first-hand account to King Dhritarashtra, while still being in his palace.
"THE MAHABHARATA ENDURES AS THE GREAT EPIC OF INDIA. While Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra, Ajaya is the tale of the Kauravas, who were decimated to the last man. From the pen of the author who gave voice to Ravana in the national bestseller, ASURA, comes the riveting narrative which compels us to question the truth behind the Mahabharata. THE DARK AGE OF KALI IS RISING and every man and woman must choose between duty and conscience, honour and shame, life and death… o The Pandavas, banished to the forest following the disastrous games of dice, return to Hastinapura. o Draupadi has vowed not to bind her hair till she washes it in the blood of the Kauravas. o Karna must choose between loyalty and gratitude, friend and Guru. o Aswathama undertakes a perilous mission to the mountains of Gandhara, in search of the Evil One. o Kunti must decide between her firstborn and her other sons. o Guru Drona has to stand with either his favourite disciple or his beloved son. o Balarama, having failed to convince his brother about the adharma of violence, walks the streets of Bharatavarsha, spreading the message of peace. o Ekalavya is called to make the ultimate sacrifice to uphold a woman’s honour. o Jara, the beggar, sings of Krishna’s love while his blind dog, Dharma, follows. o Shakuni can almost see the realization of his dream to destroy India. As the Pandavas stake their claim to the Hastinapura throne, the Kaurava Crown Prince, Suyodhana, rises to challenge Krishna. As great minds debate dharma and adharma, power hungry men prepare for an apocalyptic war. The women, highborn and humble, helplessly watch the unfolding disaster with deep foreboding. And greedy merchants and unscrupulous priests lie in wait like vultures. Both sides know that beyond the agony and carnage the winner will take all. But even as gods conspire and men’s destinies unfold, a far greater truth awaits. ***** One of the six most remarkable writers of India. DNA An Amazing read. The WEEK Unique voice of a rebellious author telling the story from the other side, a feat a few have dared or managed so well. Bihar Times"
It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.