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The Most Complete Collection of Impossible Crime Stories Ever Assembled, with puzzling mysteries by Stephen King, Dashiell Hammett, Lawrence Block, Agatha Christie, Georges Simenon, Dorothy L. Sayers, P. G. Wodehouse, Erle Stanley Gardner, and many, many more THE BLACK LIZARD BIG BOOK OF LOCKED-ROOM MYSTERIES: An empty desert, a lonely ski slope, a gentleman’s study, an elevator car—nowhere is a crime completely impossible. Edgar Award–winning editor Otto Penzler has collected sixty-eight of the all-time best impossible-crime stories from almost two hundred years of the genre. In addition to the many classic examples of the form—a case of murder in a locked room or otherwise inaccessible place, solved by a brilliant sleuth—this collection expands the definition of the locked room to include tales of unbelievable thefts and incredible disappearances. Among these pages you’ll find stories with evocative titles like “The Flying Death”, “The Man From Nowhere”, “A Terribly Strange Bed”, and “The Theft of the Bermuda Penny”, not to mention appearances by some of the cleverest characters in all of crime, including Arthur Conan Doyle’s Sherlock Holmes, Georges Simenon’s Jules Maigret, Agatha Christie’s Hercule Poirot, Dashiell Hammett’s Continental Op, and many more. Featuring • Unconventional means of murder • Pilfered jewels • Shocking solutions Includes • Edgar Allan Poe’s “The Murders in the Rue Morgue”, the first detective story and the first locked-room mystery • Masters of the short story form: Edward D. Hoch, Ellery Queen, Carter Dickson, and Stanley Ellin A VINTAGE CRIME/BLACK LIZARD ORIGINAL
Although fantasy and supernatural literature have long and celebrated histories, many critics contend that the fantastic and the supernatural have no place in the logical, rational, world of the detective story. This book is the first extensive study of the fantastic in detective fiction and it explores the highly debated question of whether detective fiction and the fantastic can comfortably coexist. The "locked room" mystery--which often uses the fantastic as a red herring to eventually be debunked by reason and logic--has long been among the most popular subgenres of detective fiction. This book also explores stories featuring almost supernaturally gifted detectives, stories where the supernatural is truly encountered, and stories with ambiguous endings. Close to 500 detective stories from 1841 to 2000, in which the fantastic or supernatural plays a central role, are discussed and analyzed. Although not all the stories are judged to be successful as detective tales, in the great majority, the fantastic enlivens the tale and deepens the mystery without weakening the detective elements.
Stories from the Edgar Award–winning author of the famous locked-room mystery, Death of a Top Hat, “a cornerstone of detective fiction” (The New York Times). The Great Merlini waits impatiently at the door of the Hotel Astor. Inspector Church is late for his meeting with the famed magician, with whom he consults when homicide cases venture outside the realm of the possible. A ventriloquist has attempted suicide in the wake of his wife’s mysterious strangulation. Among the suspects are a snake charmer, a nine-foot giant, a tattooed man, and a gaggle of crap players—and this is one of Merlini’s simple cases. He will pick out the killer, with no more effort than he might a rabbit in a top hat. In these twelve short stories, all originally published in Ellery Queen Mystery Magazine, cofounder of Mystery Writers of America and Special Edgar Award winner Clayton Rawson’s greatest detective confronts puzzles that would leave a lesser magician’s head spinning. From vanishing blackmailers to murderous mediums, no cosmic crime can baffle the Great Merlini.
History of the American pulp magazine. Includes such titles as The Shadow, Black Mask, Weird Tales, Scientic Detective Monthly and Scarlet Adventuress as well as characters like Doc Savage, Captain Future, The Spider, Phantom Detective, The Whisperer and Senorita Scorpion, quick-trigger blonde from Old Texas.
One of the most scandalous books published in America at the time. "Reizenstein's peculiar vision of New Orleans is worth resurrecting precisely because it crossed the boundaries of acceptable taste in nineteenth-century German America and squatted firmly on the other side . . . This work makes us realize how limited our notions were of what could be conceived by a fertile American imagination in the middle of the nineteenth century."—from the Introduction by Steven Rowan A lost classic of America's neglected German-language literary tradition, The Mysteries of New Orleans by Baron Ludwig von Reizenstein first appeared as a serial in the Louisiana Staats-Zeitung, a New Orleans German-language newspaper, between 1854 and 1855. Inspired by the gothic "urban mysteries" serialized in France and Germany during this period, Reizenstein crafted a daring occult novel that stages a frontal assault on the ethos of the antebellum South. His plot imagines the coming of a bloody, retributive justice at the hands of Hiram the Freemason—a nightmarish, 200-year-old, proto-Nietzschean superman—for the sin of slavery. Heralded by the birth of a black messiah, the son of a mulatto prostitute and a decadent German aristocrat, this coming revolution is depicted in frankly apocalyptic terms. Yet, Reizenstein was equally concerned with setting and characters, from the mundane to the fantastic. The book is saturated with the atmosphere of nineteenth-century New Orleans, the amorous exploits of its main characters uncannily resembling those of New Orleans' leading citizens. Also of note is the author's progressively matter-of-fact portrait of the lesbian romance between his novel's only sympathetic characters, Claudine and Orleana. This edition marks the first time that The Mysteries of New Orleans has been translated into English and proves that 150 years later, this vast, strange, and important novel remains as compelling as ever.
Fourteen impossible crimes from the American masters of the form For devotees of the Golden Age mystery, the impossible crime story represents the period’s purest form: it presents the reader with a baffling scenario (a corpse discovered in a windowless room locked from the inside, perhaps), lays out a set of increasingly confounding clues, and swiftly delivers an ingenious and satisfying solution. During the years between the two world wars, the best writers in the genre strove to outdo one another with unfathomable crime scenes and brilliant explanations, and the puzzling and clever tales they produced in those brief decades remain unmatched to this day. Among the Americans, some of these authors are still household names, inextricably linked to the locked room mysteries they devised: John Dickson Carr, Ellery Queen, Clayton Rawson, Stuart Palmer. Others, associated with different styles of crime fiction, also produced great works—authors including Fredric Brown, MacKinlay Kantor, Craig Rice, and Cornell Woolrich. All of these and more can be found in Golden Age Locked Room Mysteries, selected by Edgar Award-winning mystery expert and anthologist Otto Penzler. Featuring a delightful mix of well-known writers and unjustly-forgotten masters, the fourteen tales included herein highlight the best of the American impossible crime story, promising hours of entertainment for armchair sleuths young and old.
Originally published in 2003, Understanding Aleister Crowley's Thoth Tarot has proved to be the essential guide to accessing the unique symbolism and meaning of Aleister Crowley's remarkable tarot deck along with the deeply textured artwork of Lady Frieda Harris. Crowley authority Lon Milo DuQuette starts by providing an insightful historical background before delving into descriptions of each card in depth, from a tarot perspective and from an expanded, magickal point of view. He first describes the tarot meaning of each card in detail and then explains all the other attributions Crowley intended. This unique guide has been updated with a new introduction that provides information on the unicursal hexagram cards included with the deck but never explained. Replaces ISBN 9781578632763
The new mystery novel in the evocative Victorian crime series starring the charming March Middleton and the most curmudgeonly private detective in London, Sidney Grice. Gower Street, London: 1883. March Middleton is the niece of London's greatest (and most curmudgeonly) private detective, Sidney Grice. March has just discovered a wealthy long-lost relative she never knew she had. When this newest family member meets with a horrible death, March is in the frame for murder—and only Sidney Grice can prove her innocence. Grice agrees to investigate (for his usual fee) but warns that he is not entirely convinced of her innocence. If he were in her position, he might have been tempted. But the more he uncovers, the more all the clues point to Grice himself . . .