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The fourth and last book in the series about Sandra, Monika, Sigurd, and the mysterious Prince Carvallo. Finally, the children manage to help Carvallo find his own planet, but nothing is as they imagined. The planet is inhabited by dragons and Carvallo‘s people have fled. How are they going to survive here? About the author Peter Gotthardt was born in Denmark close to Copenhagen in 1946. As a child he loved to read, and spent much of his time reading his was through his local libraries collections of history and adventure books. Gotthardt has written more than 60 books for children of which many are set within the realm of the Elves.
In the start of a new fantasy trilogy, the Clan of Ash is dying, and their totem tree is withering away. There is a prophecy that a daughter of Ash will rise again, but none have survived the mass killings--except one.
Nicias has never felt completely at home among the avians and serpiente in Wyvern’s Court, despite his loyalty to Oliza Shardae Cobriana, the heir to both thrones. He is a falcon, the son of two exiles from Anhmik–and images of this distant island have always haunted his dreams. But when Nicias’s visions become more like reality, his parents have no choice but to send him back to the homeland–and a royal falcon–they’ve tried their best to forget. If Araceli won’t bind Nicias’s newfound magic, it could destroy him. In a place where everyone is a pawn, only one other woman has the potential to save Nicias. But she holds the keys to a dangerous power struggle that will force Nicias to choose between his duty–and his destiny.
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.
This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text.
Index to more than 30,000 plays written from Antiquity to the present and published from 1949 to the present; includes mysteries, pageants, plays in verse, puppet performances, radio and television plays, and classic drama. All Play master records contain a link to the results of an Internet metasearch of specially selected Web sites to link to full text, criticism, and other useful information.
Astride her white palfrey, surrounded by a nimbus of silver-blond hair, Jasmine was a vision to strike a man mute with desire. But the violet-eyed love child of King Richard's half brother had vowed that no man would ever rule her heart. Until she saw the face of the Devil himself in her crystal ball--the dark, brooding knight who would kill to make her his own. She would risk a dissolute court and a maddened, lustful king to keep destiny at bay, anything to keep her from the hypnotic eyes and burning caresses of...The Falcon. A wickedly handsome warrior who lived by blood and the sword, Falcon de Burgh wanted to wed no woman--until he laid eyes on the exquisite Jasmine, and he vowed to possess her, to teach her all the wondrous ways a man could love a woman, no matter what it might take to conquer her fiery, unyielding heart. Falcon knew only blind, reckless passion as he swore to tame, at the risk of his life...The Flower.