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DIVDIVDIVAll magic has consequences/divDIV Long ago, the seawitch Dread Mary fell in love with a hard-hearted prince and gave him the Magic Three of Solatia: three silver buttons that could fulfill any wish—but at a price. Centuries later, the buttons belong to Sianna of the Song, a button maker’s daughter and heir to all of Dread Mary’s magic secrets. But the cruel King Blaggard of Solatia seeks to wed the lovely Sianna and steal her power. Sianna will need her wits, her magic, and the silver buttons to save herself and Solatia from the evil Blaggard . . . but what will it cost her?/divDIV /divDIVThis ebook features a personal history by Jane Yolen including rare images from the author’s personal collection, as well as a note from the author about the making of the book./div/div/div
“This collection is Jane Yolen at her best. This is magic.”—Patricia C. Wrede, author of the Enchanted Forest Chronicles Fantasy icon Jane Yolen (The Devil’s Arithmetic, Briar Rose, Sister Emily’s Lightship) is adored by generations of readers of all ages. Now she triumphantly returns with this inspired gathering of fractured fairy tales and legends. Yolen breaks open the classics to reveal their crystalline secrets: a philosophical bridge that misses its troll, a spinner of straw as a falsely accused moneylender, the villainous wolf adjusting poorly to retirement. Each of these offerings features a new author note and original poem, illuminating tales that are old, new, and brilliantly refined.
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Mark J.P. Wolf’s study of imaginary worlds theorizes world-building within and across media, including literature, comics, film, radio, television, board games, video games, the Internet, and more. Building Imaginary Worlds departs from prior approaches to imaginary worlds that focused mainly on narrative, medium, or genre, and instead considers imaginary worlds as dynamic entities in and of themselves. Wolf argues that imaginary worlds—which are often transnarrative, transmedial, and transauthorial in nature—are compelling objects of inquiry for Media Studies. Chapters touch on: a theoretical analysis of how world-building extends beyond storytelling, the engagement of the audience, and the way worlds are conceptualized and experienced a history of imaginary worlds that follows their development over three millennia from the fictional islands of Homer’s Odyssey to the present internarrative theory examining how narratives set in the same world can interact and relate to one another an examination of transmedial growth and adaptation, and what happens when worlds make the jump between media an analysis of the transauthorial nature of imaginary worlds, the resulting concentric circles of authorship, and related topics of canonicity, participatory worlds, and subcreation’s relationship with divine Creation Building Imaginary Worlds also provides the scholar of imaginary worlds with a glossary of terms and a detailed timeline that spans three millennia and more than 1,400 imaginary worlds, listing their names, creators, and the works in which they first appeared.
Presents articles on the horror and fantasy genres of fiction, including authors, themes, significant works, and awards.
Building on recent critical work, this volume offers a comprehensive consideration of the nature and forms of medieval and early modern childhoods, viewed through literary cultures. Its five groups of thematic essays range across a spectrum of disciplines, periods, and locations, from cultural anthropology and folklore to performance studies and the history of science, and from Anglo-Saxon burial sites to colonial America. Contributors include several renowned writers for children. The opening group of essays, Educating Children, explores what is perhaps the most powerful social engine for the shaping of a child. Performing Childhood addresses children at work and the role of play in the development of social imitation and learning. Literatures of Childhood examines texts written for children that reveal alternative conceptions of parent/child relations. In Legacies of Childhood, expressions of grief at the loss of a child offer a window into the family’s conceptions and values. Finally, Fictionalizing Literary Cultures for Children considers the real, material child versus the fantasy of the child as a subject.
A breathtaking collection of literary fairy stories from an award-winning fantasist Author Jane Yolen speaks to the ancient magic within us all in this anthology of 30 grown-up fairy stories—lovely, lyrical, poignant, sometimes frightening tales of transformations and transfigurations, magical destinies and dangerous quests, strange visions, reawakenings, and just desserts. A past winner of the Nebula Award, World Fantasy Award, and numerous other honors, Yolen takes her rightful place alongside the Brothers Grimm and Hans Christian Andersen, combining innovative literary style with fables that reimagine the myths of old and some of her legendary predecessors’ most cherished characters: Cinderella, simple Jack, Guinevere, Icarus, and the Frog Prince. Step into Yolen’s wondrous realm of magic and dreams, where a curious young woman’s desire to read the future leads her to the weaver of tomorrow; a farm boy with the voice of an angel seeks out Lady Death to sing for the life of his mother; and a sow, a cow, and a mare set out together to see the world. These timeless stories tell of an eager girl’s entrance into the Hall of Grief and a sunless prince who fears the vengeance of a jealous star. A tree-bound young dryad longs to dance in the spring, and a grumpy old potter pours his heart and soul into his greatest work. Yolen’s stories are unforgettable tales of the heart and the spirit; they are truly tales of wonder.
Includes indexes.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
Neil Gaiman, Eoin Colfer, and many more join this magical brew [that] will enchant young adult readers and their elders as well. (Publishers Weekly) In Wizards, today's master fantasists turn their hands to tales of these magical beings, living in both ancient and modern times, as well as in fantasy realms that never were. Featuring stories by New York Times bestselling authors Neil Gaiman, Eoin Colfer and Garth Nix as well as tales from Kage Baker, Peter S. Beagle, Terry Bisson, Orson Scott Card, Terry Dowling, Andy Duncan, Jeffrey Ford, Elizabeth Hand, Nancy Kress, Tanith Lee, Patricia A. McKillip, Mary Rosenblum, Tad Williams, Gene Wolfe, and Jane Yolen.