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Discover the Powerful Poems & Incantations of Ancient Greece Use the hymns of the great mystery religions in your practice today The Orphic hymns are fascinating historical artifacts—87 devotions, invocations, and entreaties to the Greek gods that are as potent today as they were when they were originally developed nearly two thousand years ago. Designed to be used in contemporary spiritual practice and spellcrafting, this premium hardcover edition features spectacular new English translations by Patrick Dunn along with the original Greek on facing pages. These translations are complete, accurate, and poetic—perfect for integrating into rituals and magical workings for every conceivable purpose, from protection to prosperity and everything in between. Written by a poet and occultist specifically for contemporary practitioners of magic, this must-have book also includes detailed notes to help you understand esoteric passages as well as suggestions for incense selection and the practical use of the hymns. The Orphic Hymns also includes Thomas Taylor's eighteenth-century translation as an appendix, an index of purposes, and a concordance with a glossary, a pronunciation guide, mythic backgrounds, and cross references of every deity and place named in the hymns. These new translations of the Orphic hymns are powerful tools for magic and devotion. In addition to the translations of the 87 hymns, you will discover helpful notes and techniques for integrating the hymns into your practice. New Translations by Patrick Dunn History of the Hymns Notes on Religious Devotion Spell-crafting with the Hymns Working with the Hymns in Written Spells Uses of the Hymns in Ceremonial Magic The Hymns in Contemplation Incorporating Scents Pronunciation Guide Concordance and Glossary of Gods and Locations Thomas Taylor's 18th Century Translation An Index of Purposes for the Hymns Praise: "The Orphic hymns are among the most vivid and potent legacies of ancient Greek Pagan spirituality. Patrick Dunn's crisp new translation of these classic invocations will be a welcome discovery to anyone interested in polytheist spirituality and ancient magic."—John Michael Greer, author of A World Full of Gods and The Secret of the Temple
The best-selling English translation of the mysterious and cosmic Greek poetry known as the Orphic Hymns. At the very beginnings of the Archaic Age, the great singer Orpheus taught a new religion that centered around the immortality of the human soul and its journey after death. He felt that achieving purity by avoiding meat and refraining from committing harm further promoted the pursuit of a peaceful life. Elements of the worship of Dionysus, such as shape-shifting and ritualistic ecstasy, were fused with Orphic beliefs to produce a powerful and illuminating new religion that found expression in the mystery cults. Practitioners of this new religion composed a great body of poetry, much of which is translated in The Orphic Hymns. The hymns presented in this book were anonymously composed somewhere in Asia Minor, most likely in the middle of the third century AD. At this turbulent time, the Hellenic past was fighting for its survival, while the new Christian faith was spreading everywhere. The Orphic Hymns thus reflect a pious spirituality in the form of traditional literary conventions. The hymns themselves are devoted to specific divinities as well as to cosmic elements. Prefaced with offerings, strings of epithets invoke the various attributes of the divinity and prayers ask for peace and health to the initiate. Apostolos N. Athanassakis and Benjamin M. Wolkow have produced an accurate and elegant translation accompanied by rich commentary.
Orpheus, the famed oracle orator hero of Greece, began to teach a new religion at the dawn of the Archaic Age. Deeply rooted in ancient paganism, Orphism taught a doctrine of peace-seeking, reincarnation, and universal brotherhood. The followers, like their leader, worshiped their gods with song. Eighty seven of these ancient hymns have survived to the present day, and are called The Orphic Hymns. They've been translated into English many times. In this new collection of translations, from noted magician and pagan teacher Sara L. Mastros, the hymns come alive for the modern pagan. In addition to her inspired translations, this book also contains fascinating historical and social commentary on the hymns from a modern, feminist, pagan viewpoint, as well as spells and devotional practices for modern worshippers of the Greek gods, and brilliant "color your own" ikons.
Recaptures the magical vitality of the original Orphic Hymns • Presents literary translations of the teletai that restore important esoteric details and correspondences about the being or deity to which each hymn is addressed • Includes messages inscribed on golden leaves meant to be passports for the dead as well as a reinvention of a lost hymn to Number that preserves the original mystical intent of the teletai • Explores the obscure origins and the evolution of the Orpheus myth, revealing a profound influence on countercultures throughout Western history As famous Renaissance philosopher Marsilio Ficino wrote, “No magic is more powerful than that of the Orphic Hymns.” These legendary teletai of Orpheus were not simply “hymns”—they were initiatic poems for meditation and ritual, magical, and ceremonial use, each one addressed to a specific deity, such as Athena or Zeus, or a virtue, such as Love, Justice, and Equality. Yet despite the mystical concepts underlying them, the original hymns were formulaic, creating an obstacle for translators. Recapturing the magical vitality that inspired mystery cults through the ages, Tamra Lucid and Ronnie Pontiac present new versions of the teletai that include important esoteric details and correspondences about the being or deity to which each hymn is addressed. The authors also include a new version of a lost hymn called “Number” and messages that were inscribed on golden leaves meant to be passports for the dead, reinventions that preserve the original magical intent and mysticism of the teletai. Revealing the power of the individual hymns to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature, the authors also show how, taken together, the Orphic Hymns are a book of hours or a calendar of life, addressing every event, from birth to death, and walking us through all the experiences of human existence as necessary and holy.
In a paradigm shift, this book redefines Orphism as a polemical label for extra-ordinary religion, good or bad.
Meisner offers a new interpretation of four Orphic theogonies: Derveni, Eudemian, Hieronyman, and Rhapsodic. The fragments of these poems, thought to be written by Orpheus, contained narratives of the creation of the cosmos and the births of the gods, but differed from the mainstream account of Hesiod's Theogony.
"This book is for practicing magicians and Pagans who want to learn to formulate their own magical incenses. While the book requires no prerequisite knowledge, it is also appropriate for experienced magicians and learned Pagans. Presented in a paradigm-agnostic way, the book should appeal to people on numerous paths"--
The tales told of Orpheus are legion. He is said to have been an Argonaut--and to have saved Jason's life. Rivers are reported to have stopped their flow to listen to the sounds of his lyre and his voice. Plato cites his poetry and Herodotus refers to "practices that are called Orphic." Did Orpheus, in fact, exist? His influence on Greek thought is undeniable, but his disciples left little of substance behind them. Indeed, their Orphic precepts have been lost to time. W.K.C. Guthrie attempts to uncover and define Orphism by following its circuitous path through ancient history. He tackles this daunting task with the determination of a detective and the analytical rigor of a classical scholar. He ferries his readers with him on a singular voyage of discovery.
Annotation This collection challenges the tendency among scholars of ancient Greece to see magical and religious ritual as mutually exclusive and to ignore "magical" practices in Greek religion. The contributors survey specific bodies of archaeological, epigraphical, and papyrological evidence formagical practices in the Greek world, and, in each case, determine whether the traditional dichotomy between magic and religion helps in any way to conceptualize the objective features of the evidence examined. Contributors include Christopher A. Faraone, J.H.M. Strubbe, H.S. Versnel, Roy Kotansky, John Scarborough, Samuel Eitrem, Fritz Graf, John J. Winkler, Hans Dieter Betz, and C.R. Phillips.