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A controversial study which reveals how mental health has affected world history.
From Caligula to Stalin and beyond, this book offers a unique and pioneering look at the recurring phenomenon of the 'mad king' from the early centuries of the Christian era to modern times.
Castles and courts, kings and queens, peasants, swordsmen, and the occasional airship. Welcome to the Middle Kingdoms, the most peculiar place on Dib, where the royalty all look like one another and also like the five founding gods of creation. Nine feudal theocracies that haven’t embraced new technology in three thousand years, the Middle Kingdoms is a land that never changes, surrounded by a world that changes constantly. A Death in the Family Battine Alconnot made a promise to return to Castle Totus for the Feast of Nita. She’d very much like to break that promise, except that it was made on her mother’s deathbed, to her sister Porra. Disappointing Porra Alcon wouldn’t be wise under any circumstance, but it’s doubly so given she’s also Queen Porra, wife to King Ho-Kenson, sovereign of Totus kingdom. Batt hasn’t felt genuinely welcome—in court or among her own family—since she was a child, because Battine is a rare descendant of royalty who doesn’t look like it. The gods chose not to smile upon her, genetically. She’s an unblessed. An outcast. Still, she goes. And when a member of the royal family is murdered in the castle, she’s the first person accused. Of course. Battine teams up with the other most likely suspect—an outsider named Damid Magly who knows more than he’s telling—to find the real killer. What they find instead is far more serious. There are secrets buried deep beneath the kingdoms…secrets that could destroy the royal families, and secrets that could alter the future of the entire planet. The Man in the Sky Meanwhile, in Velon, Detective Makk Stidgeon is dealing with the fallout from the Orno Linus murder case. The county attorney wants Makk to find more evidence, while Orno’s brother Calcut mostly just wants Makk dead. His ex-partner, Viselle Daska, remains missing, as does her father, Ba-Ugna Kev. Both are wanted for murder. Makk is also sitting on two things Orno Linus risked his life to steal from the House vaults. They’re important, but he has no idea why. Now comes an odd proposal: Ba-Ugna Kev wants to turn himself in. But he has conditions. He wants to surrender to Makk personally, he wants the Veeser Elicasta Sangristy to be there as well, and he expects them to come alone. Kev can tie everything together: Orno’s murder, the stolen artifacts, and what his daughter has to do with all of it. But he’s also tried to kill Makk and Elicasta once already, and to retrieve him they’ll have to go to the one place where they’re guaranteed to have nobody watching their backs: the space station Lys. The Madness of Kings is the thrilling second book in Tandemstar: The Outcast Cycle.
"'Prithee, nuncle,' the fool asks King Lear, 'tell me whether a madman be a gentleman or a yeoman?' 'A king,' Lear replies, 'a king!'" "A remarkable number of rulers throughout Europe have at various points in their lives been considered 'mad'. This unique and pioneering study traces the connections between madness and kingship from the early centuries of the Christian era to modern times. This provides, on the one hand, a fascinating analysis of the ways in which madness, interpreted broadly, has affected rulers in the past as well as dictators in the present and, on the other, an assessment of the impact that this has made on the peoples under their authority. The author cites examples ranging from the 'bewitched' Charles VI of France, whose fragility of mind was such that be believed for a time that he was made of glass and might break, to George III, whose 'peculiarity of constitution' baffled contemporaries; according to The London Chronicle, his illness 'was owing solely to his drinking the waters of Cheltenham'." "King Ludwig II of Bavaria, the patron of Richard Wagner, was deposed on the basis of a medical report that pronounced the king to be 'in a very advanced state of insanity' which made him 'incapable of exercising government'. This is a theme that recurs throughout the book and leads the author to argue that mental health has played a determinant part in the making of history. The horrific manner in which this has been seen to take place in the twentieth century underlies the importance of this challenging and thought-provoking study to our understanding not only of history but also of contemporary politics." "King Ludwig's medical report concluded: 'Gripped by the illusion that he holds absolute power in abundance . . . he stands like a blind man without a guide at the edge of an abyss.' In Shakespeare's King Lear blindness provided a means of insight. For the first time this volume offers an analysis of the actual consequences of the 'mad king' in the history of Europe."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Kingship, Madness, and Masculinity examines representations of mad kings in early modern English theatrical texts and performance practices. Although there have been numerous volumes examining the medical and social dimensions of mental illness in the early modern period, and a few that have examined stage representations of such conditions, this volume is unique in its focus on the relationships between madness, kingship, and the anxiety of lost or fragile masculinity. The chapters uncover how, as the early modern understanding of mental illness refocused on human, rather than supernatural, causes, public stages became important arenas for playwrights, actors, and audiences to explore expressions of madness and to practice diagnoses. Throughout the volume, the authors engage with the field of disability studies to show how disability and mental health were portrayed on stage and what those representations reveal about the period and the people who lived in it. Altogether, the essays question what happens when theatrical expressions of madness are mapped onto the bodies of actors playing kings, and how the threat of diminished masculinity affects representations of power. This volume is the ideal resource for students and scholars interested in the history of kingship, gender, and politics in early modern drama.
As Walker filmed a documentary offering an inside peek at filmmaking, he followed four ambitious and unknown filmmakers in their quest for fame and glory at the Cannes film festival. His hilarious, uncensored diary of that process takes readers on a wild romp through the glamor and the excesses of the movie business.
30 years into his reign, the King of England starts to go a little mad; his court hires a new, radical doctor to try to cure him, but what he really needs in the love of a good queen.
This study of Nebuchadnezzar's madness in Daniel 4 demonstrates how the elements which the biblical author borrowed from Ancient Near Eastern myth commanded the attention of early Jewish and Christian exegetes.
Raised and trained in seclusion at a secret fortress on the edge of the northern wilds of the Kingdom of Ashai, a young warrior called Rezkin is unexpectedly thrust into the outworld when a terrible battle destroys all that he knows. With no understanding of his life's purpose and armed with masterful weapons mysteriously bestowed upon him by a dead king, Rezkin must travel across Ashai to find the one man who may hold the clues to his very existence.Determined to adhere to his last orders, Rezkin extends his protection to an unlikely assortment of individuals he meets along the way, often leading to humorous and poignant incidents.As if pursuing an elite warrior across a kingdom, figuring out who he is and why everyone he knows is dead, and attempting to find these so-called friends and protect them is not enough, strange things are happening in the kingdom. New dangers begin to arise that threaten not only Rezkin and his friends, but possibly everyone in Ashai.