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Contents: Philadelphia, Here I Come; The Freedom of the City; Living Quarters; Aristocrats; Faith Healer; Translations Brian Friel was born in County Tyrone in 1929 and worked as a teacher before turning to full-time writing in 1960. His first stage success was in 1964 with Philadelphia, Here I Come, which established his claim as heir to such distinguished predecessors as Yeats, Synge, O'Casey, and Behan. In 1979 he and actor Stephen Rea formed the Field Day Theatre Company, whose first theatrical production was Friel's Translations in 1980. Also included in this selection are The Freedom of the City, set in Londonderry in 1970; Living Quarters, which Desmond MacAvok in the Evening Presscalled "one of the most fascinating and, in the end, truly moving evenings. . .in Irish Theatre"; Faith Healer, a metaphoric depiction of the artist and his gift' and Aristocrats, "as fine and as stimulating and as warm a piece of writing as had appeared on the Irish stage for many years," according to David Nowland, the Irish Times. --------------------------------------------------------------------------------
Join Countess turned advice columnist Amelia Amesbury as she tries to juggle a new Season and a new murder in this charmingly deadly historical mystery. "A beautiful debutante, a wealthy widow, and a dead would-be baron. What could be more exciting?" Countess by day, secret advice columnist by night, Amelia Amesbury has life happily balanced on a quill's edge . . . until her sister Margaret shows up in London under a blanket of scandal and Amelia is catapulted out of mourning and into the ton's unforgiving Season. However Madge's Season debut is marred by a rather inconvenient death at the dining table as the infamous Mr Radcliffe takes ill and is later confirmed dead by poisoning. With Madge being the last person to have cross words with the soon-to-be baron, the ton's gossip mill - and the police - are looking to pin the murder on her. Adding to the ton's troubles is a jewellery thief targeting the most lavish of Society's houses. Is the murderer and the thief one in the same? It falls to Amelia once again to uncover the secrets buried deep within the pages before her sister goes down for the crimes. Perfect for fans of witty historical mystery and Regency romances with a similar feel to Verity Bright and T.E. Kinsey
This first collection of Brian Friel's dramatic work contains: The Enemy Within (1962) Philadelphia, Here I Come! (1964) The Loves of Cass McGuire (1966) Lovers (Winners and Losers) (1967) Crystal and Fox (1968) The Gentle Island (1971)