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The LYCURGUS Cup is a literary fiction painted on the authentic historical tapestry of the Eastern Mediterranean in the year 400. It is an adventure story, but constructed around a number of theological problems of the day. The central character, Veritus, is a student from Corduba who has come to Ephesus to interview a powerful but dying Roman bureaucrat. Several attempts are made on his life, but why? By whom? He soon finds that he is embroiled in an undeclared war of theology. He becomes a pawn in this deadly game as he agrees to set a trap for the Capoderms, a group of intolerant "protectors of the faith." Instead of closing the trap, he finds himself betrayed and at the point of death in a wine cellar on the Sinai. There, during that night, he goes through a transformation, a personal Pentecost, during which he is given the Faith by the Holy Spirit. He emerges as a man of faith and is extricated from the hands of the evil Capoderms by a remarkable sequence of events.
"A concise history of glassmaking around the world, from Mesopotamia to the present day"--
This Encyclopedia begins with an introduction summarizing itsscope and content. Glassmaking; Structure of Glass, GlassPhysics,Transport Properties, Chemistry of Glass, Glass and Light,Inorganic Glass Families, Organic Glasses, Glass and theEnvironment, Historical and Economical Aspect of Glassmaking,History of Glass, Glass and Art, and outlinepossible newdevelopments and uses as presented by the best known people in thefield (C.A. Angell, for example). Sections and chapters arearranged in a logical order to ensure overall consistency and avoiduseless repetitions. All sections are introduced by a briefintroduction and attractive illustration. Newly investigatedtopics will be addresses, with the goal of ensuring that thisEncyclopedia remains a reference work for years to come.
Glass of the Roman World illustrates the arrival of new cultural systems, mechanisms of trade and an expanded economic base in the early 1st millennium AD which, in combination, allowed the further development of the existing glass industry. Glass became something which encompassed more than simply a novel and highly decorative material. Glass production grew and its consumption increased until it was assimilated into all levels of society, used for display and luxury items but equally for utilitarian containers, windows and even tools. These 18 papers by renowned international scholars include studies of glass from Europe and the Near East. The authors write on a variety of topics where their work is at the forefront of new approaches to the subject. They both extend and consolidate aspects of our understanding of how glass was produced, traded and used throughout the Empire and the wider world drawing on chronology, typology, patterns of distribution, and other methodologies, including the incorporation of new scientific methods. Though focusing on a single material the papers are firmly based in its archaeological context in the wider economy of the Roman world, and consider glass as part of a complex material culture controlled by the expansion and contraction of the Empire. The volume is presented in honor of Jenny Price, a foremost scholar of Roman glass.
Noble metal nanoparticles have attracted enormous scientific and technological interest because of their unique optical properties, which are related to surface plasmon resonances. The interest in nanosized metal particles dates back to ancient societies, when metals were used in various forms as decorative elements. From the famous Lycurgus cup, made by the Romans in the 4th century AD, through thousands of stained glasses in churches and cathedrals all over medieval Europe, bright-yellow, green, or red colors have been obtained by a touch of metallic additions during glass blowing. This peculiar interaction of light with nanometals can be widely tuned through the morphology and assembly of nanoparticles, thereby expanding the range of potential applications, from energy and information storage to biomedicine, including novel diagnostic and therapeutic methods. This book compiles recent developments that clearly illustrate the state of the art in this cutting-edge research field. It comprises different review articles written by the teams of Prof. Luis Liz-Marzán, an international leader in chemical nanotechnology who has made seminal contributions to the use of colloid chemistry methods to understand and tailor the growth of metal particles at the nanoscale. Apart from synthesis, the book also describes in detail the plasmonic properties of nanomaterials and illustrates some representative applications. This book will appeal to anyone involved in nanotechnology, nanocrystal growth, nanoplasmonics, and surface-enhanced spectroscopies.
Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.