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Noel Cummings's life is about to change irrevocably. After witnessing a brutal murder, Noel is recruited to assist the police by acting as the lure for a killer who has been targeting gay men. Undercover, Noel moves deeper and deeper into the dark side of Manhattan's gay life that stirs his own secret desiresÑuntil he forgets he is only playing a role.
From bestselling author Lynne Ewing comes a gritty, sexy novel perfect for fans of books like Perfect Chemistry—about a teen forced to become a "lure," a beautiful girl used by her street gang to seduce and entrap rival gang members. The Lure tells the story of fifteen-year-old Blaise Montgomery, who lives on the dangerous outskirts of Washington, DC, where a stray bullet can steal a life on the way to school and death lurks around every corner. Drugs and violence are the only ways to survive, so Blaise and her friends turn to gangs for safety, money, and love. And when Blaise is accepted into one of the toughest gangs in the city, she's finally part of a crew. A family. But as Blaise is put in increasingly dangerous situations, particularly as her gang's newest lure, she begins to see there's more to lose than she ever realized. Should Blaise continue to follow the only path she's ever known, or cut and run?
This title explores the enduring myth of Dracula and vampires and just why it has remained so popular for so long.
The attraction of a wink, a nod, a discarded snapshot—such feelings permeate our lives, yet we usually dismiss them as insubstantial or meaningless. With The Logic of the Lure, John Paul Ricco argues that it is precisely such fleeting, erotic, and even perverse experiences that will help us create a truly queer notion of ethics and aesthetics, one that recasts sociality and sexuality, place and finitude in ways suggested by the anonymity and itinerant lures of cruising. Shifting our attention from artworks to the work that art does, from subjectivity to becoming, and from static space to taking place, Ricco considers a variety of issues, including the work of Doug Ischar, Tom Burr, and Derek Jarman and the minor architecture of sex clubs, public restrooms, and alleyways.
Explores the multiple senses of place in society through cultural studies, history, geography, photography, and contemporary public art
A human and global take on a beloved vacation spot. The crash of surf, smell of salted air, wet whorls of sand underfoot. These are the sensations of the beach, that environment that has drawn humans to its life-sustaining shores for millennia. And while the gull’s cry and the cove’s splendor have remained constant throughout time, our relationship with the beach has been as fluid as the runnels left behind by the tide’s turning. The Lure of the Beach is a chronicle of humanity's history with the coast, taking us from the seaside pleasure palaces of Roman elites and the aquatic rituals of medieval pilgrims, to the venues of modern resort towns and beyond. Robert C. Ritchie traces the contours of the material and social economies of the beach throughout time, covering changes in the social status of beach goers, the technology of transport, and the development of fashion (from nudity to Victorianism and back again), as well as the geographic spread of modern beach-going from England to France, across the Mediterranean, and from nineteenth-century America to the world. And as climate change and rising sea levels erode the familiar faces of our coasts, we are poised for a contemporary reckoning with our relationship—and responsibilities—to our beaches and their ecosystems. The Lure of the Beach demonstrates that whether as a commodified pastoral destination, a site of ecological resplendency, or a flashpoint between private ownership and public access, the history of the beach is a human one that deserves to be told now more than ever before.
This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.
He believed firmly in his difference, often referring to himself as a "savage," and once he discovered his passion for art he had to create forms that were original and unique. "What does it matter that I set myself apart from other people? For most I shall be an enigina, but for a few I shall be a poet...," he wrote.".
About the sting operation used by the Dept. of Justice to catch Russian hackers who were gaining control of computers and stealing private data from victims in the United States.
Corbin argues that with few exceptions people living before the eighteenth century knew nothing of the attractions of the coast, the visual delight of the sea, the desire to brave the force of the waves or to feel the coolness of sand against the skin. The image of the ocean in the popular consciousness was coloured by Biblical and mythical recollections of sea monsters, voracious whales, and catastrophic floods. It was perceived as sinister and unchanging, a dark, unfathomable force inspiring horror rather than attraction. These associations of catastrophe and fear in the minds of Europeans intensified the repulsion they felt towards deserted and dismal shores.