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The first collection of Ludlum's works ever to be published, this omnibus contains three of his most famous and bestselling thrillers, The Holcroft Covenant, The Matarese Circle, and The Bourne Identity, unavailable in hardcover elsewhere.
An international circle of killers, the Matarese will undoubtedly take over the world within just two years. Only two rival spies have the power to stop them: Scofield, CIA, and Talaniekov, KGB. They share a genius for espionage and a life of explosive terror and violence. But though these sworn enemies once vowed to terminate each other, they must now become allies. Because only they possess the brutal skills and ice-cold nerves vital to their mission: destroy the Matarese. Praise for Robert Ludlum and The Matarese Circle “A blockbuster . . . Ludlum’s best.”—The Wall Street Journal “A spellbinder.”—The Dallas Morning News “Ludlum stuffs more surprises into his novels than any other six-pack of thriller writers combined.”—The New York Times “Don’t ever begin a Ludlum novel if you have to go to work the next day.”—Chicago Sun-Times BONUS: This edition includes an excerpt from Robert Ludlum’s The Bourne Identity.
From a new voice in suspense comes a spellbinding debut. When an assault on a high-tech corporation dealing in computer espionage leaves eight employees dead, two witnesses are suspected as accomplices. To clear their names, they must unearth the secrets buried in the ashes of the corporation. Original.
NEW YORK TIMES BESTSELLER “First-rate suspense.”—People Twenty years ago, top agents from the CIA and KGB banded together to bring down the Matarese Circle, an international cabal of power brokers and assassins whose sole objective was to achieve worldwide economic domination. Now the bloody Matarese dynasty is back—and the only man with the power to stop it may have already run out of time. CIA case officer Cameron Pryce is hot on the trail of the new Matarese alliance. His only chance to terminate its ruthless activities is to follow the trail of blood money and stone-cold killers right to the heart of its deadly conspiracy. From the Hamptons to London’s Belgrave Square, Matarese assassins have already struck with brutal efficiency, eliminating all who stand in their way. Their chain of violence is impossible to stop—until Pryce gets a rare break. One of the Matarese’s victims survives long enough to whisper dying words that will blow the case wide open: the top secret code name for legendary retired CIA agent Brandon Scofield—the only man who has ever infiltrated the Matarese inner circle and lived to tell about it. “Welcome to Robert Ludlum’s world . . . fast pacing, tight plotting, international intrigue.”—The Plain Dealer
Jason Bourne tackles a global media conspiracy in the latest electrifying entry in Robert Ludlum’s #1 New York Times bestselling series. Jason Bourne has faced many killers before, but none as dangerous or as cruelly inventive as the assassin who calls himself Lennon. Bourne thought he had Lennon cornered in Iceland, only to have the killer escape in a fiery explosion. Now Lennon’s trail leads Bourne to New York and then to Washington – and the body count rises with each deadly encounter. But who is Lennon working for? Bourne believes the assassin has a shadowy new employer called the Pyramid. The only clue to the group’s agenda is a young German woman murdered in Washington on her way to a covert meeting. But the woman’s entire identity turns out to be a lie, and news reports of her death have been strangely twisted and suppressed. Finding the truth about this woman may be Bourne’s only chance to catch Lennon – and uncover the conspiracy behind the Pyramid. But the chase comes with high stakes. Bourne’s former lover, journalist Abbey Laurent, is digging into the mystery too, and Jason’s perilous battle against Lennon and the Pyramid will soon put Abbey in the assassin’s crosshairs. Bourne will need to use every bit of his tradecraft and his genius for mayhem to expose this web of lies and murder before Lennon kills the woman he loves.
“[The Chancellor Manuscript] exerts a riveting appeal, as it seems to justify our worst nightmares of what really goes on in the so-called intelligence community in Washington.”—The New York Times Book Review Did J. Edgar Hoover die a natural death? Or was he murdered? When a group of high-minded and high-placed intellectuals known as Inver Brass detect a monstrous threat to the country in Hoover’s unethical use of his scandal-ridden private files, they decide to do away with him—quietly, efficiently, with no hint of impropriety. Then bestselling thriller writer Peter Chancellor stumbles onto information that makes his previous books look like harmless fairy tales. Now Chancellor and Inver Brass are on a deadly collision course, spiraling across the globe in an ever-widening arc of violence and terror. All roads lead to a showdown that will rip the nation’s capital apart—leaving only one damning document to survive. Praise for Robert Ludlum and The Chancellor Manuscript “Ludlum stuffs more surprises into his novels than any other six-pack of thriller writers combined.”—The New York Times “Engrossing . . . pure, adrenaline-raising escapism.”—King Features Syndicate “A roaring ride on a roller coaster of suspense.”—The Pittsburgh Press “Powerhouse momentum . . . as shrill as the siren on the prowl car.”—Kirkus Reviews “A complex scenario of inventive double-crossing.”—Chicago Sun-Times
With wit, adventure, and style to spare, this gripping and utterly original thriller is "a spy story that sticks" (The Dallas Morning News). When Charlie Clark takes a break from his latest losing streak at the track to bring home his Alzheimer’s-addled father, Drummond, they’re attacked by two mysterious shooters. At first, Charlie thinks his Russian “creditors” are employing aggressive collection tactics. But once Drummond effortlessly hot-wires a car, Charlie discovers that his unassuming father was actually a deep cover CIA agent . . . and there is extremely sensitive information rattling around in his troubled mind. Now the CIA wants to “contain” him, so the two embark on a wild chase through the labyrinthine world of national security that will force them to confront unspeakable danger, dark conspiracies, and what it means to be a father and son.
An Archaeology of the British Atlantic World, 1600–1700 is the first book to apply the methods of modern-world archaeology to the study of the seventeenth-century English colonial world. Charles E. Orser, Jr explores a range of material evidence of daily life collected from archaeological excavations throughout the Atlantic region, including England, Ireland, western Africa, Native North America, and the eastern United States. He considers the archaeological record together with primary texts by contemporary writers. Giving particular attention to housing, fortifications, delftware, and stoneware, Orser offers new interpretations for each type of artefact. His study demonstrates how the archaeological record expands our understanding of the Atlantic world at a critical moment of its expansion, as well as to the development of the modern, Western world.
America's most enduring hero, Jason Bourne, returns in a propulsive, fresh story for the Bourne canon that tests old skills--and uncovers new ones. After the death of his lover in a mass shooting, secret agent Jason Bourne is convinced that there is more to her murder than it seems. Worse, he believes that Treadstone--the agency that made him who he is, that trained him, is behind the killing. Bourne goes rogue, leaving Treadstone behind and taking on a new mission to infiltrate and expose an anarchist group, Medusa. But when a congresswoman is assassinated in New York, Bourne is framed for the crime, and he finds himself alone and on the run, hunted by both Treadstone and the tech cabal that had hired him. In his quest to stay one step ahead of his enemies, Bourne teams up with a journalist, Abbey Laurent, to figure out who was behind the frame-up, and to learn as much as he can about the ever-growing threat of the mysterious Medusa group. As more and more enemies begin to hunt Bourne, it's a race against the clock to discover who led him into a trap . . . and what their next move may be.
Performing Without a Stage is a lively and comprehensive introduction to the art of literary translation for readers of foreign fiction and poetry who wonder what it takes to translate, how the art of literary translation has changed over the centuries, what problems translators face in bringing foreign works into English and how they go about solving these problems. This book will also be of interest to translators, writers, editors, critics, and literature students, dealing as it does, often controversially, with such matters as the translator's fidelity to the author, the publishing and reviewing of translations, the nearly nonexistent public image of the stageless translator, and the value for writers and scholars of studying and practicing translation.