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"Mesmerizing and dazzlingly original--a breakout novel."--Wally Lamb After Henry's girlfriend Val leaves him and transfers to another school, his grief begins to manifest itself in bizarre and horrifying ways. Cause and effect, once so reliable, no longer appear to be related in any recognizable manner. Either he's hallucinating, or the strength of his heartbreak over Val has unhinged reality itself. Henry decides to run away. He leaves his mother's home in the suburbs and marches toward the city and the woman who he thinks will save him. Once on the George Washington Bridge, however, a powerful hallucination knocks him out cold. When he awakens, he finds himself kidnapped by two strangers--one old, one middle-aged--who claim to be future versions of Henry himself. Val is the love of your life, they tell him. We've lost her, but you don't have to.
#1 New York Times bestselling author Dan Brown makes his picture book debut with this mindful, humorous, musical, and uniquely entertaining book! The author will be donating all US royalties due to him to support music education for children worldwide, through the New Hampshire Charitable foundation. Travel through the trees and across the seas with Maestro Mouse and his musical friends! Young readers will meet a big blue whale and speedy cheetahs, tiny beetles and graceful swans. Each has a special secret to share. Along the way, you might spot the surprises Maestro Mouse has left for you- a hiding buzzy bee, jumbled letters that spell out clues, and even a coded message to solve! Children and adults can enjoy this timeless picture book as a traditional read-along, or can choose to listen to original musical compositions as they read--one for each animal--with a free interactive smartphone app, which uses augmented reality to play the appropriate song for each page when a phone's camera is held over it.
When a young girl gets lost in a big city, she makes her way home by following the rich and vibrant music of the streets.
Originally published: Somerville, Massachusetts: Candlewick Press, 2015.
Fantasy-roman.
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.
A breakthrough novel from the acclaimed young American writer Boris Leonidovich, a North American professor who specializes in the history of prison architecture, has been invited to Buenos Aires for an academic conference. He’s planning to present a paper on Moscow’s feared Butyrka prison, but most of all he’s looking forward to seeing his enigmatic, fiercely intelligent colleague (and sometime lover) Ana again. As soon as Boris arrives, however, he encounters obstacle after unlikely obstacle: he can’t get in touch with Ana, he locks himself out of his rented room, and he discovers dog-feeding stations and water bowls set before every house and business. With night approaching, he finds himself lost and alone in a foreign city filled with stray dogs, all flowing with sinister, bewildering purpose though the darkness... Shadowed with foreboding, and yet alive with the comical mischief of César Aira and the nimble touch of a great stylist, Dog Symphony is an un-nerving and propulsive novel by a talented new American voice.
This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux
Haydons lyrical sixth installment in her sweeping saga . . . While deftly managing a large cast of intriguing characters in a story thats both grand and intimate but never predictable, Haydon moves all the pieces into place for the next volume.--"Publishers Weekly."