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All religions are respected and all preach the same values around humanity and goodness; none is superior to another. The lost footprints tells the story of a young UK-born Sikh girl who falls in love with a Pakistani boy. The boy takes her to Pakistan with a promise to marry her there and stay within his community and then return to UK as they both are UK-born. The boy is then introduced with a local girl there in Pakistan by his family. That girl comes from a rich and related Pakistani family, and her beauty appeals to the boy. He falls for her. He changes his mind. He then plays foul with his girlfriend from UK and gets her arrested for drug trafficking. The girl undergoes a lot of trauma and abuse in the jail, and is finally forced into high-profile prostitution where she suffers, still facing the adversities for 9 months. A good-hearted man from Pakistan comes to rescue her from that miserable life and gets her back to UK. That is why we believe that religions are all good but the followers or community persons may be good or bad.
Every child feels different in some way, but Thuy feels "double different." She is Vietnamese American and she has two moms. Thuy walks home one winter afternoon, angry and lonely after a bully's taunts. Then a bird catches her attention and sets Thuy on an imaginary exploration. What if she could fly away like a bird? What if she could sprint like a deer, or roar like a bear? Mimicking the footprints of each creature in the snow, she makes her way home to the arms of her moms. Together, the three of them imagine beautiful and powerful creatures who always have courage - just like Thuy.
When a freak natural phenomenon dissolves the boundaries between yesterday and today, the world is transformed into a patchwork mixture of the present and the distant past. Entire cities are replaced by primeval forests. Prehistoric monsters stalk modern city streets, hunting for human prey. While ordinary men and women struggle to survive in this strange new world, the president and his advisers search for a way to undo the catastrophe. But the solution may be more devastating than the dinosaurs.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In this "New York Times" bestseller, Iles probes the terrifying possibility that the next phase of human evolution may not be human at all. Alarming, believable, and utterly consuming.--Dan Brown. Now available in a tall Premium Edition. Reissue.
Analyzes contemporary Maya narratives. Recovering Lost Footprints is the first full-length critical study to analyze Latin American Indigenous literary narratives in a systematic manner. In the book, Arturo Arias looks at Maya narratives in Guatemala. The study of these works is intended to spark changes so that constitutions recognize these cultures, their rights, their languages, their centers of worship, and their cosmologies. Through this study, Arias problematizes the partial or full omission of Latin America’s original inhabitants from recognized citizenry. This book analyzes these elements of exclusion in the novelistic output of three salient figures, Luis de Lión, Gaspar Pedro González, and Víctor Montejo. The works by these writers offer evidence that most native people have entered modernity without renouncing their respective cultures or the specifics of their singular identities. The philosophical ethics elaborated in the texts, such as respect for nature and recognition of the holistic value of natural beings, enable non-Indigenous readers to both understand and relate to these values.
Analyzes contemporary Yucatecan and Chiapanecan Maya narratives. Recovering Lost Footprints, Volume 2 is an in-depth analysis of the sociohistorical conflict impacting Indigenous communities in Latin America. Continuing the project he began in volume 1, Arturo Arias analyzes contemporary Peninsular and Chiapanecan Maya narratives. He examines the works of Yucatecan writers Jorge Cocom Pech, Javier Gómez Navarrete, Isaac Carrillo Can, and Marisol Ceh Moo. For Chiapas, Arias looks at the works of Tseltal novelist Diego Méndez Guzmán, Tsotsil short-story writer Nicolás Huet Bautista, and Tseltal narrative writer Josías López Gómez. Arias problematizes the nature of Western modernity and the crisis of Western models of development in the present. By way of his analysis, he suggests that we are facing a historical impasse because we have neglected native knowledges that offer alternative codes of ethics and beingness that emerge from Indigenous cosmovisions. The text skillfully contributes to and strengthens debates between US-centered and Latin American cultural studies theorists, as well as the hemispheric expansion of Native American and Indigenous Studies. Recovering Lost Footprints, Volume 2 is inspired more by the past as it impinges upon a continuing, constantly expanding present. Arias’s reading of Maya literatures forces us to reconsider the space-time structure of Western thinking. Indeed, this book is intriguing precisely because it views literature from an Indigenous perspective, evidencing how that social space is full of multiple contrasting experiences and historical processes. “By drawing attention to the articulation between the contemporary literary production and its relationship to Mayan cosmovision in a broad sense, and focusing on the different traditions preserved through diverse languages and customs, this rich, comprehensive overview offers glimpses of a very different worldview.” — Cynthia Margarita Tompkins, author of Affectual Erasure: Representations of Indigenous Peoples in Argentine Cinema