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'Joel Lane's imagination is bleak. But it is also the imagination of a poet.' – M John Harrison, author of The Sunken Land Begins to Rise Again WITH A NEW INTRODUCTION BY CONRAD WILLIAMS Set in a post-industrial landscape of the present, the near future, and the imagined, Joel Lane's seminal collection The Lost District explores human encounters with the unknown: sexual discovery, drug-inspired visions, the lonely paths of madness, and the shadow realms on the other side of death. A neighbourhood fades into corrupt echoes of itself; a porn actor's scars reveal the forces controlling his life; a musician is haunted by the madness of a deceased singer; and a man literally follows his ex-lover to the end of the world. Ranging from grim urban horror to strange erotic fantasies to bitter allegories of loss and exploitation, the stories in The Lost District link the hidden places in the urban and small-town landscapes to the secret spaces inside all of us. First published in the USA in 2006, and long out-of-print, The Lost District has never been published in the UK until now, further enforcing Joel Lane's reputation as one of the most significant and distinctive British writers of the weird.
This collection explores global dystopic, grotesque and retold narratives of degeneration, ecological and economic ruin, dystopia, and inequality in contemporary fictions set in the urban space. Divided into three sections—Identities and Histories, Ruin and Residue, and Global Gothic—The New Urban Gothic explores our anxieties and preoccupation with social inequalities, precarity and the peripheral that are found in so many new fictions across various media. Focusing on non-canonical Gothic global cities, this distinctive collection discusses urban centres in England’s Black Country, Moscow, Detroit, Seoul, Hong Kong, Bangkok, Singapore, Dehli, Srinigar, Shanghai and Barcelona as well as cities of the imaginary, the digital and the animated. This book will appeal to anyone interested in the intersections of time, place, space and media in contemporary Gothic Studies. The New Urban Gothic casts reflections and shadows on the age of the Anthropocene.
In the last two decades, Indonesia has seen a dramatic proliferation of environmental disputes in a variety of sectors, triggered by intensified deforestation and large scale mining operations in the resource rich outer islands, together with rapid industrialisation in the densely populated inner island of Java. Whilst the emergence of environmental disputes has sometimes attracted political repression, attempts have also been made in recent times to explore more functional approaches to their resolution. The Environmental Management Act of 1997 created a legal framework for the resolution of environmental disputes through both litigation and mediation. This book is the first attempt to analyse the implementation of this framework in detail and to assess the effectiveness of litigation and mediation in resolving environmental disputes in Indonesia. It includes a detailed overview of the environmental legal framework and its interpretation by Indonesian courts in landmark court cases. The book features a number of detailed case studies of both environmental litigation and mediation and considers the legal and non-legal factors that have influenced the success of these approaches to resolving environmental disputes.
Before the Brooklyn Battery Tunnel, the World Trade Center, and Battery Park City, Manhattan's southern tip was home to a vibrant community of thousands of Slovakian, Irish, Syrian, Greek, and Lebanese immigrants. Living closely in five-story tenement buildings, these early New Yorkers, many of whom filled the low-wage jobs of Wall Street, built a multicultural neighborhood where the weekdays were filled with the hustle of business and the nights and weekends were filled with stickball games, dances, and worship. The Financial District's Lost Neighborhood: 1900-1970 celebrates this little-known neighborhood while highlighting some of New York City's most famous landmarks: Trinity Church, St. Nicholas Greek Orthodox Church, Battery Park and the New York Aquarium, and the Downtown Athletic Club, home of the Heisman Memorial Trophy.
In the world-sized city of Jadzia, magic and ancient science merge into something dark and wondrous. Koré’s life is consumed by power, politics, sex and vengeance, and as courtesan to the wealthy and powerful, he is privy to all manner of secrets. He knows meddling in politics is dangerous─still, he is willing to risk everything to stop his father from seizing the Imperial Throne of the War District. But Koré soon finds the corruption runs far deeper than just one man. During a tryst in an ancient tomb─in the pursuit of political influence─Koré encounters a dying god, who imbues him with the powers of one of the city’s sacred dragons. Suddenly Koré finds himself a hunted man, threatened with becoming a pawn by whoever finds him first. If the wrong person discovers his secret and lays claim to his powers they would plunge their world into war, unleash untold horrors and destroy the city─and the two people he has come to love.
Black Country - Joel Lane "'Black Country' is one of a sequence of weird crime stories set in the West Midlands that I've been working on for years," says Joel Lane. "A collection of them is forthcoming with the title Where Furnaces Burn. 'Black Country' is also a sequel to my earlier story 'The Lost District', which describes another narrator's experience of Clayheath. "I'd like to thank The Nightingales and Gul Y. Davis, whose words influenced this story. It was originally published as a chapbook by Nightjar Press, with an enigmatic cover illustration by Birmingham photographer Trav28." We All Fall Down - Kirstyn McDermott "I carried the bones of this story around for quite a few years before I finally stumbled upon its beating heart," explains the author. "In my head was the image of a doll house, huge and not quite right, and a woman searching desperately for something concealed inside. But I could never work a story around it that didn't seem twee. Doll houses, you know? "But then Emma and Holly appeared - trapped within their own fractured, futile relationship - and everything just, well, fell together. Beautifully. Awfully. And now I have a doll house story. Of a kind." Telling - Steve Rasnic Tem "As for the following story," reveals Steve Rasnic Tem, "it began with a dreadful image at the end of a dream. I couldn't remember the other details of that dream, but I was determined to find out where that image might have come from." A Revelation of Cormorants - Mark Valentine "'A Revelation of Cormorants' first appeared in the excellent series of chapbooks published by Nicholas Royle's Nightjar Press," explains Valentine, "and I first encountered the dark grace of the cormorant while visiting Galloway with Jo." Just Outside Our Windows, Deep Inside Our Walls - Brian Hodge "I hardly ever write extended fragments of things and then leave them indefinitely," Brian Hodge reveals, "but that's how 'Just Outside Our Windows, Deep Inside Our Walls' got started. "I first wrote the part about the fantasised magic show, plus the earliest bit about Roni moving in, after rereading a Thomas Ligotti collection. It may not be apparent to anyone else, but some flavour of his lingered in me for a little while and wanted to come out, and the magic show was the result. "Then it sat idle for three years or so before I knew what more to do with it. Maybe because I had to forget about how it had begun and get back to being myself again."
From Banks’s brewery’s yeasty stink to groaty pudding to spicy curry, Sebastian Groes and R. M. Francis have assembled a new literary history of the smells and (childhood) memories that belong to the Black Country. This often overlooked region of the United Kingdom at the frontlines of post-industrial upheaval is a veritable treasure trove for studying the relationship between olfaction and place-specific memory. Smell, Memory, and Literature in the Black Country is an interdisciplinary exploration of the relationship between smell and memory in which the contributions consider both personal and communal memory. Drawing on psychology, neuroscience, memory studies, literary studies and philosophy, the critical essays reconsider psychogeography through cutting-edge sensory and philosophical engagements with physical space, smell, language and human behaviour. The creative contributions from writers including Liz Berry, Narinder Dhami, Anthony Cartwright, and Kerry Hadley-Pryce meditate on the senses, place, and identity. Not only does this book illustrate the rich cultural heritage of the Black Country, it will also appeal to those interested in place writing. The book is prefaced by Will Self.
Daring thieves steal from one of the most important aristocrats in Doskvol, and a blood curse is awakened. As the city's elite focus on retribution, the scoundrels try to steal their lives back.