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The war in Afghanistan creates an urgency for telling stories—between soldiers, as they hand off missions to each other, and between soldiers and civilians, trying to explain what is going on—while also denying a lot of the context that is important for the telling of that story. The landscape is so mountainous and isolating that one incident or anecdote might not fit into a bigger picture beyond itself. A patrol may have no effect on the one that comes next. The war has ground itself into such a stasis that it is hard to see movement or plot. Yet we’re there. We have to say something. We have to be accountable, even though the circumstances complicate the ability to talk about it while simultaneously creating a constant yearning to do so. The Longer We Were There follows a part-time soldier’s experience over seven years in the Iowa Army National Guard. He enlists at seventeen into the infantry, then bounces between college classes, army training, disaster relief, civilian jobs, a deployment in Afghanistan—first on the Afghan-Pakistani border, then into a remote valley in the Hindu Kush Mountains—and finally comes home. His stories are about having one foot on each side of the civilian-military divide, the difficulty of describing one side to those on the other, and how, as a consequence of this difficulty, that divide gets replicated within the self.
The war in Afghanistan creates an urgency for telling stories—between soldiers, as they hand off missions to each other, and between soldiers and civilians, trying to explain what is going on—while also denying a lot of the context that is important for the telling of that story. The landscape is so mountainous and isolating that one incident or anecdote might not fit into a bigger picture beyond itself. A patrol may have no effect on the one that comes next. The war has ground itself into such a stasis that it is hard to see movement or plot. Yet we’re there. We have to say something. We have to be accountable, even though the circumstances complicate the ability to talk about it while simultaneously creating a constant yearning to do so. The Longer We Were There follows a part-time soldier’s experience over seven years in the Iowa Army National Guard. He enlists at seventeen into the infantry, then bounces between college classes, army training, disaster relief, civilian jobs, a deployment in Afghanistan—first on the Afghan-Pakistani border, then into a remote valley in the Hindu Kush Mountains—and finally comes home. His stories are about having one foot on each side of the civilian-military divide, the difficulty of describing one side to those on the other, and how, as a consequence of this difficulty, that divide gets replicated within the self.
THE STORY OF THE YOUNG PEOPLE PLAYED IN AMERICAN HISTORY.
In the tradition of Michael Herr's Dispatches, a National Guardsman's account of the war in Iraq. John Crawford joined the Florida National Guard to pay for his college tuition, willingly exchanging one weekend a month and two weeks a year for a free education. But in Autumn 2002, one semester short of graduating and newly married—in fact, on his honeymoon—he was called to active duty and sent to the front lines in Iraq. Crawford and his unit spent months upon months patrolling the streets of Baghdad, occupying a hostile city. During the breaks between patrols, Crawford began recording what he and his fellow soldiers witnessed and experienced. Those stories became The Last True Story I'll Ever Tell—a haunting and powerful, compellingly honest book that imparts the on-the-ground reality of waging the war in Iraq, and marks as the introduction of a mighty literary voice forged in the most intense of circumstances.
The war in Afghanistan creates an urgency for telling stories--between soldiers, as they hand off missions to each other, and between soldiers and civilians, trying to explain what is going on--while also denying a lot of the context that is important for the telling of that story. The landscape is so mountainous and isolating that one incident or anecdote might not fit into a bigger picture beyond itself. A patrol may have no effect on the one that comes next. The war has ground itself into such a stasis that it is hard to see movement or plot. Yet we're there. We have to say something. We have to be accountable, even though the circumstances complicate the ability to talk about it while simultaneously creating a constant yearning to do so. The Longer We Were There follows a part-time soldier's experience over seven years in the Iowa Army National Guard. He enlists at seventeen into the infantry, then bounces between college classes, army training, disaster relief, civilian jobs, a deployment in Afghanistan--first on the Afghan-Pakistani border, then into a remote valley in the Hindu Kush Mountains--and finally comes home. His stories are about having one foot on each side of the civilian-military divide, the difficulty of describing one side to those on the other, and how, as a consequence of this difficulty, that divide gets replicated within the self.
"This may be the most exhilarating and revelatory history of our country. It is must reading for today's youth-as well as their elders." --Studs Terkel From the boys who sailed with Columbus to today's young activists, this unique book brings to life the contributions of young people throughout American history. Based on primary sources and including 160 authentic images, this handsome oversized volume highlights the fascinating stories of more than 70 young people from diverse cultures. Young readers will be hooked into history as they meet individuals their own age who were caught up in our country's most dramatic moments-Olaudah Equiano, kidnapped from his village in western Africa and forced into slavery, Anyokah, who helped her father create a written Cherokee language, Johnny Clem, the nine-year-old drummer boy who became a Civil War hero, and Jessica Govea, a teenager who risked joining Cesar Chavez's fight for a better life for farmworkers. Throughout, Philip Hoose's own lively, knowledgeable voice provides a rich historical context-making this not only a great reference-but a great read. The first U.S. history book of this scope to focus on the role young people have played in the making of our country, its compelling stories combine to tell our larger national story, one that prompts Howard Zinn, author of A People's History of the United States, to comment, "This is an extraordinary book-wonderfully readable, inspiring to young and old alike, and unique." We Were There, Too! is a 2001 National Book Award Finalist for Young People's Literature.
National bestseller 2017 National Book Critics Circle (NBCC) Finalist ABA Indies Introduce Winter / Spring 2017 Selection Barnes & Noble Discover Great New Writers Spring 2017 Selection ALA 2018 Notable Books Selection An intimate and poignant graphic novel portraying one family’s journey from war-torn Vietnam, from debut author Thi Bui. This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves. At the heart of Bui’s story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent—the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through. With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. In what Pulitzer Prize–winning novelist Viet Thanh Nguyen calls “a book to break your heart and heal it,” The Best We Could Do brings to life Thi Bui’s journey of understanding, and provides inspiration to all of those who search for a better future while longing for a simpler past.
A USA TODAY BESTSELLER “A surprising and incredibly satisfying story of chance and fate.”—New York Times bestselling author Taylor Jenkins Reid “I read it in one long gulp and didn’t want it to end.”—New York Times bestselling author Jill Santopolo Acclaimed author Colleen Oakley delivers a heart-wrenching and unforgettable love story about a woman who must choose between the man she loves and the man fate has chosen for her, in a novel that reminds us that the best life is one led by the heart. Mia Graydon's life looks picket-fence perfect; she has the house, her loving husband, and dreams of starting a family. But she has other dreams too—unexplained, recurring ones starring the same man. Still, she doesn’t think much of it, until a relocation to small-town Pennsylvania brings her face to face with the stranger she has been dreaming about for years. And this man harbors a jaw-dropping secret of his own—he's been dreaming of her too. Determined to understand, Mia and this not-so-stranger search for answers. But when diving into their pasts begins to unravel her life in the present, Mia emerges with a single question—what if?
Aboriginal and Torres Strait Islander people have been protecting country since time immemorial. One way they have continued these traditions in recent times is through service in the Australian military, both overseas and within Australia. In Defence of Country presents a selection of life stories of Aboriginal and Torres Strait Islander ex-servicemen and women who served in the Australian Army, Navy and Air Force after World War Two. In their own words, participants discuss a range of issues including why they joined up; racial discrimination; the Stolen Generations; leadership; discipline; family; war and peace; education and skills development; community advocacy; and their hopes for the future of Indigenous Australia. Individually and collectively, the life stories in this book highlight the many contributions that Aboriginal and Torres Strait Islander servicemen and women have made, and continue to make, in defence of country.
Memphis, Tennessee, is the home of rock and roll, blues and gospel, Graceland and Elvis. Its also the city that revitalizes Trey Williamss life. For Trey, Memphis is the perfect fit. After years of taking care of so many others, Trey realizes that he hasnt really done anything to make himself happy. When he and his longtime partner split, he decides that theres no time like the present to shake things up. He knows its time to shake off the comforts of home and pursue the dreams that he has placed on the back burner for so long. With over a dozen friends who already called the Land of the Delta Blues home, Trey knows his move to the South holds promise for him to go in the direction he envisionsand find a good man to love. Starting over is never easy, but when you have a little help from your friends, its never too late to be what you might have been. In Memphis, Trey discovers an entirely different way of life. From the unique Southern culture to the mind-entrancing music, Trey absorbs all of the new experiences that await him in his new home. Over the course of a year filled with trials and errors, Trey eventually learns how to live, laugh, andfinallylove.