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This book examines the most popular American television shows of the nineties—a decade at the last gasp of network television’s cultural dominance. At a time when American culture seemed increasingly fragmented, television still offered something close to a site of national consensus. The Lonely Nineties focuses on a different set of popular nineties television shows in each chapter and provides an in-depth reading of scenes, characters or episodes that articulate the overarching “ideology” of each series. It ultimately argues that television shows such as Seinfeld, Friends, Law & Order and The Simpsons helped to shape the ways Americans thought about themselves in relation to their friends, families, localities, and nation. It demonstrates how these shows engaged with a variety of problems in American civic life, responded to the social isolation of the age, and occasionally imagined improvements for community in America.
This Volume VI, a collection of "who done it" mysteries is filled with nasty characters doing very nasty things in funny and outrageous ways, as exemplified in Murder at BB's Big Bash (A Lonely Detective Mystery) where one finds idealistic teachers devolving into cynical desperate people as liquor flows and the chip bowl empties, and one guest leaves feet first.
An updated and expanded version of this classic study of contemporary American film, the new edition of A Cinema of Loneliness reassesses the landscape of American cinema over the past decade, incorporating discussions of directors like Judd Apatow and David Fincher while offering assessments of the recent, and in some cases final, work from the filmmakers--Penn, Scorsese, Stone, Altman, Kubrick--at the book's core.
In this 20th anniversary edition, Kolker continues and expands his inquiry into the phenomenon of cinematic representation of culture by updating and revising the chapters on Kubrick, Scorsese, Altman and Spielberg.
In this volume, educationists and experts on values, including the Archbishop of Canterbury, discuss the question of values and the curriculum in societies which are changing rapidly and in which disagreements about values are sometimes acrimonious.
This reader's guide provides uniquely organized and up-to-date information on the most important and enjoyable contemporary English-language novels. Offering critically substantiated reading recommendations, careful cross-referencing, and extensive indexing, this book is appropriate for both the weekend reader looking for the best new mystery and the full-time graduate student hoping to survey the latest in magical realism. More than 1,000 titles are included, each entry citing major reviews and giving a brief description for each book.
Includes primary source material in the form of photographs, transcripts, etc.
Assemble a composite portrait of the Texas plains through these historic tales. Many thousands of years ago, Clovis Man hunted huge mammoths here. More recently, Waylon Jennings drew his musical inspiration here. In the intervening time, the Texas prairie has been the backdrop for the wildest of Wild West shootouts, landmark legal battles and epic achievements in sports, music and medicine. Familiar icons like Roy Orbison and Dan Blocker, as well as forgotten characters like Charlie "Squirrel-Eye" Emory and John "the Catfish Kid" Gough all helped shape the colorful history of the Texas Plains. Who shot the sheriff? Who was the earliest American? Who invented the slam dunk? Author Chuck Lanehart answers these questions and many more in a wide-ranging collection of stories.
“With On Native Grounds [Kazin] takes his place in the first rank of American practitioners of the higher literary criticism” (The New York Times). An important historian of American literature, Alfred Kazin delivers an exhaustive—yet accessible—analysis of modernist fiction from the tail end of the Victorian period to the beginning of WWII. America’s golden age—from 1890 to 1940—included the work of Howells, Wharton, Lewis, Cather, Fitzgerald, Hemingway, and Faulkner. Their struggle for realism served as the basis for Kazin’s interpretation. Kazin’s debut was impressive in its scope for such a young author and became a part of his renowned trilogy of literary criticism, which also includes An American Procession and God and the American Writer. “Not only a literary but a moral history . . . The best and most complete treatment we have.” —Lionel Trilling, The Nation