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Arranged in chronological order, the novelist's lives are opinionated, informative, frequently funny and often shocking. Professor Sutherland's authors come from all over the world; their writings illustrate every kind of fiction from gothic, penny dreadfuls and pornography to fantasy, romance and high literature. The book shows the changing forms of the genre, and how the aspirations of authors to divert and sometimes to educate their readers, has in some respects radically changed over the centuries, and in others - such as their interest in sex and relationships - remained remarkably constant.
The strange-but-true tales of the rumors, idiosyncrasies, and feuds of literary legends—including Agatha Christie, F. Scott Fitzgerald, William Shakespeare, and more This fascinating—and shocking!—tour through the lives of classic literature icons is the perfect stocking stuffer for book lovers and fans of little-known history. With outrageous and uncensored profiles of everyone from William Shakespeare to Thomas Pynchon, Secret Lives of Great Authors tackles all the tough questions your high school teachers were afraid to ask: What’s the deal with Lewis Carroll and little girls? Is it true that J. D. Salinger drank his own urine? How many women—and men—did Lord Byron actually sleep with? And why was Ayn Rand such a big fan of Charlie’s Angels? Classic literature was never this much fun in school! Authors included: William Shakespeare Lord Byron Honoré de Balzac Edgar Allan Poe Charles Dickens The Brontë Sisters Henry David Thoreau Walt Whitman Leo Tolstoy Emily Dickinson Lewis Carroll Louisa May Alcott Mark Twain Oscar Wilde Arthur Conan Doyle W.B. Yeats H.G. Wells Gertrude Stein Jack London Virginia Woolf James Joyce Franz Kafka T.S. Eliot Agatha Christie J.R.R. Tolkien F. Scott Fitzgerald William Faulkner Ernest Hemingway Ayn Rand Jean-Paul Sartre Richard Wright William Burroughs Carson McCullers J.D. Salinger Jack Kerouac Kurt Vonnegut Toni Morrison Sylvia Plath Thomas Pynchon
Short biographies of twenty writers from various countries and historical periods.
Is there a right way to write a literary life? In this collection of columns from the New York Sun, Carl Rollyson explores the relationship between narrative and literary analysis. Should biographies be written in the style and form of novels? How to balance the life and the work? How much literary criticism can a biography absorb into its narrative? Rollyson proposes a number of apologias for biography-including the thought that in the right hands the literary biography is a continuation of the writer's work and life. In such instances there seems to be a symbiosis between biographer and subject. In other cases, biographies spearhead the rediscovery of important writers. He rejects the idea that literary figures are not good subjects for biography because they are not men and women of action. That literary biography is a kind of strip mining, a pathography laying bare the subject's life to no good purpose is another canard this book demolishes. The pieces here also expose the genre's weak points: a proclivity for overstatement and excessive length, the failure of biographers to build upon their predecessors' work (Rollyson invents a term-biographology-in order to discuss the biographical tradition).
A page-turning, Kafkaesque dark comedy in brilliant retro style, this graphic novel watches one man try to keep it together while everything falls apart. Upon the publication of his latest novel, G. H. Fretwell, a minor English writer, embarks on a book tour to promote it. Nothing is going according to plan, and his trip gradually turns into a nightmare. But now the police want to ask him some questions about a mysterious disappearance, and it seems that Fretwell's troubles are only just beginning... In his first book for adults in many years, acclaimed cartoonist Andi Watson evokes all the anxieties felt by every writer and compresses them into a comedic gem of a book. Witty, surreal, and sharply observant, The Book Tour offers a captivating lesson in letting go.
Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.
No previous author has attempted a book such as this: a complete history of novels written in the English language, from the genre's seventeenth-century origins to the present day. In the spirit of Dr. Johnson’s Lives of the Poets, acclaimed critic and scholar John Sutherland selects 294 writers whose works illustrate the best of every kind of fiction—from gothic, penny dreadful, and pornography to fantasy, romance, and high literature. Each author was chosen, Professor Sutherland explains, because his or her books are well worth reading and are likely to remain so for at least another century. Sutherland presents these authors in chronological order, in each case deftly combining a lively and informative biographical sketch with an opinionated assessment of the writer's work. Taken together, these novelists provide both a history of the novel and a guide to its rich variety. Always entertaining, and sometimes shocking, Sutherland considers writers as diverse as Daniel Defoe, Henry James, James Joyce, Edgar Allan Poe, Virginia Woolf, Michael Crichton, Jeffrey Archer, and Jacqueline Susann. Written for all lovers of fiction, Lives of the Novelists succeeds both as introduction and re-introduction, as Sutherland presents favorite and familiar novelists in new ways and transforms the less favored and less familiar through his relentlessly fascinating readings.
A glimpse into a beloved novelist’s inner world, shaped by family, art, and literature. In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head and Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature. In twenty-six intimate, brilliant, and funny essays, Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk, and Valeria Luiselli; examines three facets of Albert Camus and The Stranger; and tours her favorite paintings at Boston’s Museum of Fine Arts. In the luminous title essay, she explores her drive to write, born of the magic of sharing language and the transformative powers of “a single successful sentence.” Together, these essays show the inner workings of a dazzling literary mind. Crafting a vivid portrait of a life in celebration of the power of literature, Messud proves once again "an absolute master storyteller" (Rebecca Carroll, Los Angeles Times).