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Through the Mughal's rich legacy of art and architecture, and using many first-hand accounts from the time, this book reveals the lives of the Mughals, exploring how their individual characters differed and how between them they came to build, and lose, a great empire. It tells the remarkable story of the 300-year Mughal dynasty in India.
It Is Hard To Imagine Anyone Succeeding More Gracefully In Producing A Balanced Overview Than Abraham Eraly William Dalrymple, Sunday Times, London In The Mughal World Abraham Eraly Continues His Fascinating Chronicle Of The Grand Saga Of The Mughal Empire. In Emperors Of The Peacock Throne He Gave Us The Story Of The Lives And Achievements Of The Great Mughal Emperors; In This Book, He Looks Beyond The Momentous Historical Events To Portray, In Precise And Vivid Detail, The Agony And Ecstasy Of Life In Mughal India. Combining Scholarly Objectivity With Artful Storytelling The Author Presents A Lively Panorama Of The Mughal World Emperors And Nobles At Work And Play; Harem Life; The Profligacy And Extravagance Of The Ruling Class Juxtaposed With The Stark Wretchedness Of The Common People. Meticulously Researched And Lucidly Narrated The Mughal World Offers Rare Insights Into The State Of The Empire S Economy, Religious Policies, The Mughal Army And Its Tactics, And The Glories Of Mughal Art, Architecture, Literature And Music.
Profiles rulers from the thirteenth through the twentieth centuries whose reigns and lands were affected by Mughal power throughout Iran, Central Asia, Afghanistan, and north and central India, in a series of biographical portraits that includes coverage of Timur, Shah Abbas the Great, and Akbar the Great.
A unique blend of Indian, Persian, and Islamic styles, Mughal painting reached its golden age during the reigns of the emperors Akbar, Jahangir, and Shah Jahan in the 16th and 17th centuries. This gloriously illustrated book is the first to examine the Victoria and Albert Museum's remarkable collection of Mughal paintings, one of the finest in the world. Richly detailed battle scenes, scenes of court life, and lively depictions of the hunt were commissioned by the royal courts, along with a remarkable series of portraits, studies of wildlife, and decorative borders. The authoritative text contains much new research, and the beautifully reproduced color illustrations give this stunning volume wide appeal.
In December 1525, Zahir-Ud-Din Babur, Descended From Chengiz Khan And Timur Lenk, Crossed The Indus River Into The Punjab With A Modest Army And Some Cannon. At Panipat, Five Months Later He Fought The Most Important Battle Of His Life And Routed The Mammoth Army Of Sultan Ibrahim Lodi, The Afghan Ruler Of Hindustan. Mughal Rule In India Had Begun. It Was To Continue For Over Three Centuries, Shaping India For All Time. In This Monumental And Definitive Biography Of The Great Mughals, Abraham Eraly Reclaims The Right To Set Down History As A Chronicle Of Flesh-And-Blood People. Bringing To His Task The Objectivity Of A Master Scholar And The High Imagination Of A Master Story-Teller, He Recreates The Lives Of Babur, The Intrepid Pioneer; The Dreamer Humayun; Akbar, The Greatest And Most Enigmatic Of The Mughal Emperors; Jehangir And Shah Jahan, The Aesthetes; And The Dour And Determined Aurangzeb. Because Of Their Charisma And Leadership The Mughal Empire Survived And Grew Despite The Chaos And Contradictions It Carried Within Itself-The Tumult Of Unending Wars, The Baffling Opulence Of The Ruling Elite And The Desperate Misery Of The Masses, The Brutal Feuds In The Royal Families, As Also The Flowering Of Art And Culture. Without Ever Sacrificing Authenticity And Academic Accuracy, Eraly Has Written A Stirring And Vivid Account Of One Of The World S Greatest Empires That Will Be Savoured By The General Reader And The Serious Scholar Alike For Years To Come.
Khurram Shah Jahan, a title meaning King of the World , ruled the Mughal Empire from 1628 to 1659. His reign marked the cultural zenith of the Mughal dynasty: a period of multiculturalism, poetry, fine art and stupendous architecture. His legacy in stone embraces not only the Taj Mahal the tomb of his beloved second wife, Anjumand Mumtaz Mahal but fortresses, mosques, gardens, carvanserais and schools. But Shah Jahan was also a ruthless political operator, who only achieved power by ordering the murder of two brothers and at least six other relatives, one of them the legitimately crowned Emperor Dawar Baksh. This is the story of an enlightened despot, a king who dispensed largesse to favoured courtiers but ignored plague in the countryside. Fergus Nicholl has reconstructed this intriguing tale from contemporary biographies, edicts and correspondence. He has also traveled widely through India and Pakistan to follow in Shah Jahan's footsteps and put together an original portrait that challenges many established legends to bring the man and the emperor to life.
Annemarie Schimmel has written extensively on India, Islam and poetry. In this comprehensive study she presents an overview of the cultural, economic, militaristic and artistic attributes of the great Mughal Empire from 1526 to 1857.
The definitive biography of the eldest son of Emperor Shah Jahan, whose death at the hands of his younger brother Aurangzeb changed the course of South Asian history. Dara Shukoh was the eldest son of Shah Jahan, the fifth Mughal emperor, best known for commissioning the Taj Mahal as a mausoleum for his beloved wife Mumtaz Mahal. Although the Mughals did not practice primogeniture, Dara, a Sufi who studied Hindu thought, was the presumed heir to the throne and prepared himself to be India’s next ruler. In this exquisite narrative biography, the most comprehensive ever written, Supriya Gandhi draws on archival sources to tell the story of the four brothers—Dara, Shuja, Murad, and Aurangzeb—who with their older sister Jahanara Begum clashed during a war of succession. Emerging victorious, Aurangzeb executed his brothers, jailed his father, and became the sixth and last great Mughal. After Aurangzeb’s reign, the Mughal Empire began to disintegrate. Endless battles with rival rulers depleted the royal coffers, until by the end of the seventeenth century Europeans would start gaining a foothold along the edges of the subcontinent. Historians have long wondered whether the Mughal Empire would have crumbled when it did, allowing European traders to seize control of India, if Dara Shukoh had ascended the throne. To many in South Asia, Aurangzeb is the scholastic bigot who imposed a strict form of Islam and alienated his non-Muslim subjects. Dara, by contrast, is mythologized as a poet and mystic. Gandhi’s nuanced biography gives us a more complex and revealing portrait of this Mughal prince than we have ever had.
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.