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DigiCat Publishing presents to you this special edition of "The Lives of a Bengal Lancer" by Francis Charles Claypon Yeats-Brown. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
One of the last of the famed Bengal Lancers, Brigadier Ingall has spent most of his life in India and Pakistan. When he first went to India in 1929, all the officers were English and all the enlisted men were Indian (Hindu, Sikh and Moslem). India was part of theBritish Empire and the Army was basically involved with hunting down outlaw bands of horsemen and keeping them in order. One of his first experiences there was leading a charge on horseback (swords in hand) of the 5th D.C.O. Lancers in the battle of karawal near the Khyber Pass. Later, in the Second World War, he commanded the 6th Lancers in a drive through northern Italy. By this time he had traded their horses for light armour (manufactured by General Motors), but the hazards were no less great. In one 2-hour punch, Ingall's forces cut a swathe through the remnants of the three German Divisions and penetrated 50 miles into enemy territory. For this he won the DSO. He was also awarded an OBE by King George VI for his service as founder and head of the Pakistan Military Academy which he was invited to found by no less person then Mohammad Ali Jinnah himself. Ingall serves as the academy's Commandment until 1951. Since then he has revisited the area several times as an honoured guest of the state, In 1982 he was appointed Honorary Council General of Pakistan , in California, where he now lives, by it's president General Zia-ul-Haq , who described Ingall as 'one of the founding fathers or our army.' During his many years in India and Pakistan he knew and worked with with the areas most important dignitaries such as Lord Mountbatten and Lord Ismay, Gandhi and Nehru. This is an autobiography full of incident and humour which will delight not only the old and bold but but all those who enjoy reading about the last days of the Raj.
For the casual film fan, Henry Hathaway is not a household name. But in a career that spanned five decades, Hathaway directed an impressive number of films and guided many actors and actresses to some their most acclaimed performances. He also helped launch the Hollywood careers of numerous actors such as Randolph Scott, Lee Marvin, Karl Malden, and Charles Bronson. His work on Niagara established Marilyn Monroe as a major star. Hathaway also guided John Wayne to his Academy Award-winning performance in the original version of True Grit. In Henry Hathaway: The Lives of a Hollywood Director, Harold N. Pomainville looks at the life and work of this Hollywood maverick. The author charts Hathaway’s career from his first low budget Western in the early 1930s through his last film in 1974. In between, he focuses his attention of the films that brought the director acclaim, including The Lives of Bengal Lancer (1935)—for which Hathaway received an Oscar nomination—noir thrillers The House on 92nd Street and Kiss of Death, and his documentary-like production of Call Northside 777 with Jimmy Stewart. In this book, the author captures Hathaway’s extroverted personality and keen intellect. He befriended some of the best known celebrities of his generationand was known for his loyalty, generosity, and integrity. He was also notorious in Hollywood for his powerful ego, explosive temper, and his dictatorial style on the set. Henry Hathaway: The Lives of a Hollywood Director is a must-read for anyone interested in the enduring work of this unheralded, but no-less-noteworthy, master of American cinema.
To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time—a "collaboration" (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer. At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios—many of which were headed by Jews—began dealing with his representatives directly. Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood—and American—history.
This unique collection of short stories came about when a dinnertime conversation led to the following question being posed: What would happen if a man and woman were forced to spend several days shackled to one another? Four skilled writers offer their answers to this query in four interesting, enlightening tales.
Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
“I have not lately read a finer book than this—on any subject at all. . . . A masterpiece.” —Simon Winchester, New Statesman The photographs of three young men had stood in his grandmother’s house for as long as he could remember, beheld but never fully noticed. They had all fought in the Second World War, a fact that surprised him. Indians had never figured in his idea of the war, nor the war in his idea of India. One of them, Bobby, even looked a bit like him, but Raghu Karnad had not noticed until he was the same age as they were in their photo frames. Then he learned about the Parsi boy from the sleepy south Indian coast, so eager to follow his brothers-in-law into the colonial forces and onto the front line. Manek, dashing and confident, was a pilot with India’s fledgling air force; gentle Ganny became an army doctor in the arid North-West Frontier. Bobby’s pursuit would carry him as far as the deserts of Iraq and the green hell of the Burma battlefront. The years 1939–45 might be the most revered, deplored, and replayed in modern history. Yet India’s extraordinary role has been concealed, from itself and from the world. In riveting prose, Karnad retrieves the story of a single family—a story of love, rebellion, loyalty, and uncertainty—and with it, the greater revelation that is India’s Second World War. Farthest Field narrates the lost epic of India’s war, in which the largest volunteer army in history fought for the British Empire, even as its countrymen fought to be free of it. It carries us from Madras to Peshawar, Egypt to Burma—unfolding the saga of a young family amazed by their swiftly changing world and swept up in its violence.
From the 1830s to Indian independence in 1947, British soldiers fought constant wars with the most implacable guerrilla-fighters in history. The Afghan mountain tribes were fiercely independent. For generations they had plundered the north Indian plain, until the British took charge and alternated between paying them subsidies (bribes to cease their raiding) and launching punitive military expeditions to teach them manners. It was a strange war fought to its own rules. Neither side took prisoners. Yet a grudging respect for the enemy and a concern to stick by unwritten codes of conduct governed this 100-year war. Immortalized by Kipling, the British Army in India fought along the frontier until the withdrawal from the sub-continent in 1947. Michael Barthorp tells the story in a vivid style.
Some of the stars interviewed are LGBT: Brooks, Hepburn, Lupino, Stanwyck, Bankhead, Hurrell, Hermes Pan.